The Best Years of Our Lives

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The Best Years of Our Lives

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Overview

Winner of seven Academy Awards including Best Picture, this moving classic drama brilliantly captures the mood of America just after WWII. When the war ends, three veterans are reunited with their loved ones in a small U.S. city, but much has changed, and their transition to civilian life is painful.

Product Details

Release Date:	01/15/2013
UPC:	0883929280049
Original Release:	1946
Rating:	NR
Source:	Warner Home Video
Region Code:	1
Presentation:	[B&W]
Sound:	[Dolby Surround]
Language:	English
Time:	2:50:00
Sales rank:	6,613

Special Features

Introduction By Virginia Mayo; Interview With Virginia Mayo And Teresa Wright; Theatircal Trailer

Cast & Crew

Performance Credits

Fredric March	Al Stephenson
Dana Andrews	Fred Derry
Harold Russell	Homer Parrish
Myrna Loy	Milly Stephenson
Virginia Mayo	Marie Derry
Teresa Wright	Peggy Stephenson
Cathy O'Donnell	Wilma Cameron
Hoagy Carmichael	Butch Engle
Gladys George	Hortense Derry
Roman Bohnen	Pat Derry
Ray Collins	Mr. Milton
Steve Cochran	Cliff
Minna Gombell	Mrs. Parrish
Walter Baldwin	Mr. Parrish,Mr. Parrish
Dorothy Adams	Mrs. Cameron
Don Beddoe	Mr. Cameron
Erskine Sanford	Bullard,Mr. Gibbons
Marlene Aames	Luella Parrish
Michael Hall	Rob Stephenson
Charles Halton	Prew
Ray Teal	Mr. Mollett
Dean White	Novak
Howland Chamberlin	Thorpe
Victor Cutler	Woody Merrill
Pat Flaherty	Construction Foreman
Howland Chamberlain	Thorpe
Clancy Cooper	Taxi Driver
Blake Edwards	Corporal
Teddy Infuhr	Dexter
Robert Karnes	Tech. Sergeant
Norman Phillips	Merkle
Hugo Friedhofer	Composer

Technical Credits

Samuel Goldwyn	Producer
Robert E. Sherwood	Screenwriter

Scene Index

Disc #1 -- The Best Years of Our Lives
1. Chapter 1 [1:06]
2. Chapter 2 [4:45]
3. Chapter 3 [6:09]
4. Chapter 4 [3:17]
5. Chapter 5 [1:52]
6. Chapter 6 [5:40]
7. Chapter 7 [2:20]
8. Chapter 8 [6:25]
9. Chapter 9 [2:29]
10. Chapter 10 [3:50]
11. Chapter 11 [2:12]
12. Chapter 12 [4:21]
13. Chapter 13 [5:41]
14. Chapter 14 [3:39]
15. Chapter 15 [6:34]
16. Chapter 16 [2:29]
17. Chapter 17 [5:05]
18. Chapter 18 [4:55]
19. Chapter 19 [6:20]
20. Chapter 20 [3:51]
21. Chapter 21 [8:03]
22. Chapter 22 [3:14]
23. Chapter 23 [5:30]
24. Chapter 24 [4:15]
25. Chapter 25 [3:08]
26. Chapter 26 [4:39]
27. Chapter 27 [3:58]
28. Chapter 28 [4:58]
29. Chapter 29 [4:44]
30. Chapter 30 [3:43]
31. Chapter 31 [3:23]
32. Chapter 32 [4:37]
33. Chapter 33 [11:15]
34. Chapter 34 [6:00]
35. Chapter 35 [5:43]
36. Chapter 36 [9:24]

From the B&N Reads Blog

Page 1 of

Editorial Reviews

When Samuel Goldwyn decided to make The Best Years of Our Lives, Hollywood was running away from World War II-related scripts as though the subject itself had the plague -- movies about men in uniform had been box-office poison since early 1945. The assumption was that returning veterans would be even less willing than those who'd stayed on the home front to shell out money to be reminded of their service. Goldwyn, director William Wyler, and screenwriter Robert E. Sherwood (working from MacKinlay Kantor's blank verse novel Glory for Me), and a cast from heaven (some of them, like Dana Andrews and Virginia Mayo, giving the greatest performances of their careers) proved the industry wrong, and they opened up a whole new subject area by focusing on the men giving up their uniforms, the women and children around them, and even the men who hadn't served. They ended up with a 170-minute movie whose every shot was dramatically and psychically spellbinding, embracing the relief, anxiety, pain, joy, and doubts that Americans could now express. The setting of the movie in a small city somewhere in the middle of the country gave it a Norman Rockwell veneer, while the script melded that background with some healthy cynicism and emotional honesty borne out of the movie world's new awareness of modern psychology. Thus, the film had its feet in both pre-war and post-war consciousness, appealing to two generations of filmgoers (or even three, as the World War I-era audience was still around and had hardly been served well in its own time). It not only set new standards for maturity in mainstream moviemaking, showing that you could please crowds even as you showed a few unpleasant truths about who and what we were, but also did a lot to ease audiences into the Hollywood era that produced such serious, topical dramas as Gentleman's Agreement, Crossfire, City Across the River, Home of the Brave, The Sound of Fury (aka Try and Get Me), The Wild One, On the Waterfront, and Goldwyn's own Edge of Doom.

The Best Years of Our Lives

The Best Years of Our Lives

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