We literary enthusiasts tend to have our favorite writers, both classic and contemporary—and yes, that’s “writers,” as in plural, because as most of us will openly admit, it’s hard to choose just one. Now, imagine two of your favorites pairing up to form a would-be literary dream team! We matched up these talented writers and […]
Many contemporary critics of D.H. Lawrence viewed the Victorian love story as vulgar, and even pornographic. It was banned immediately upon publication in both the UK and the US. The obscenity trials which followed established legal precedents for literature which still endure.
At the heart, "Lady Chatterley's Lover" is a story about the invisible bonds between lovers, companions, and husbands and wives. Against this backdrop, Lawrence also explores the relationship between physical desire and spiritual fulfillment, often using sensual and explicitly sexual language.
This special edition of "Lady Chatterley's Lover" has been restored for a modern audience, including all previously censored material.
Excerpt from Lady Chatterley's Lover - Restored Modern Edition
Reprinted by permission. All rights reserved
“Supreme pleasure?” she said, looking up at him. “Is that sort of idiocy the supreme pleasure of the life of the mind? No, thank you! Give me the body. I believe the life of the body is a greater reality than the life of the mind: when the body is really awakened to life. But so many people, like your famous wind-machine, have only got minds tacked on to their physical corpses.”
He looked at her in wonder.
“The life of the body,” he said, “is just the life of the animals.”
“And that’s better than the life of professional corpses. But it’s not true! The human body is only justcoming to real life. With the Greeks it gave a lovely flicker, then Plato and Aristotle killed it, and Jesus finished it off. But now the body is coming really to life, it is really rising from the tomb. And it will be a lovely, lovely life in the lovely universe, the life of the human body.” -- Ch. 16, p. 281
He went down again into the darkness and seclusion of the wood. But he knew that the seclusion of the wood was illusory. The industrial noises broke the solitude, the sharp lights, though unseen, mocked it. A man could no longer be private and withdrawn. The world allows no hermits. And now he had taken the woman, and brought on himself a new cycle of pain and doom. For he knew by experience what it meant.
It was not woman’s fault, nor even love’s fault, nor the fault of sex. The fault lay there, out there, in those evil electric lights and diabolical rattlings of engines. There, in the world of the mechanical greedy, greedy mechanism and mechanized greed, sparkling with lights and gushing hot metal and roaring with traffic, there lay the vast evil thing, ready to destroy whatever did not conform. Soon it would destroy the wood, and the bluebells would spring no more. All vulnerable things must perish under the rolling and running of iron.
He thought with infinite tenderness of the woman. Poor forlorn thing, she was nicer than she knew, and oh! so much too nice for the tough lot she was in contact with. Poor thing, she too had some of the vulnerability of the wild hyacinths, she wasn’t all tough rubber-goods and platinum, like the modern girl. And they would do her in! As sure as life, they would do her in, as they do in all naturally tender life. Tender! Somewhere she was tender, tender with a tenderness of the growing hyacinths, something that has gone out of the celluloid women of today. But he would protect her with his heart for a little while. For a little while, before the insentient iron world and the Mammon of mechanized greed did them both in, her as well as him. -- Ch.10, p. 134
Many contemporary critics of D.H. Lawrence viewed the Victorian love story as vulgar, and even pornographic. It was banned immediately upon publication in both the UK and the US. The obscenity trials which followed established legal precedents for literature which still endure.
At the heart, "Lady Chatterley's Lover" is a story about the invisible bonds between lovers, companions, and husbands and wives. Against this backdrop, Lawrence also explores the relationship between physical desire and spiritual fulfillment, often using sensual and explicitly sexual language.
This special edition of "Lady Chatterley's Lover" has been restored for a modern audience, including all previously censored material.
Excerpt from Lady Chatterley's Lover - Restored Modern Edition
Reprinted by permission. All rights reserved
“Supreme pleasure?” she said, looking up at him. “Is that sort of idiocy the supreme pleasure of the life of the mind? No, thank you! Give me the body. I believe the life of the body is a greater reality than the life of the mind: when the body is really awakened to life. But so many people, like your famous wind-machine, have only got minds tacked on to their physical corpses.”
He looked at her in wonder.
“The life of the body,” he said, “is just the life of the animals.”
“And that’s better than the life of professional corpses. But it’s not true! The human body is only justcoming to real life. With the Greeks it gave a lovely flicker, then Plato and Aristotle killed it, and Jesus finished it off. But now the body is coming really to life, it is really rising from the tomb. And it will be a lovely, lovely life in the lovely universe, the life of the human body.” -- Ch. 16, p. 281
He went down again into the darkness and seclusion of the wood. But he knew that the seclusion of the wood was illusory. The industrial noises broke the solitude, the sharp lights, though unseen, mocked it. A man could no longer be private and withdrawn. The world allows no hermits. And now he had taken the woman, and brought on himself a new cycle of pain and doom. For he knew by experience what it meant.
It was not woman’s fault, nor even love’s fault, nor the fault of sex. The fault lay there, out there, in those evil electric lights and diabolical rattlings of engines. There, in the world of the mechanical greedy, greedy mechanism and mechanized greed, sparkling with lights and gushing hot metal and roaring with traffic, there lay the vast evil thing, ready to destroy whatever did not conform. Soon it would destroy the wood, and the bluebells would spring no more. All vulnerable things must perish under the rolling and running of iron.
He thought with infinite tenderness of the woman. Poor forlorn thing, she was nicer than she knew, and oh! so much too nice for the tough lot she was in contact with. Poor thing, she too had some of the vulnerability of the wild hyacinths, she wasn’t all tough rubber-goods and platinum, like the modern girl. And they would do her in! As sure as life, they would do her in, as they do in all naturally tender life. Tender! Somewhere she was tender, tender with a tenderness of the growing hyacinths, something that has gone out of the celluloid women of today. But he would protect her with his heart for a little while. For a little while, before the insentient iron world and the Mammon of mechanized greed did them both in, her as well as him. -- Ch.10, p. 134
Lady Chatterley's Lover By D.H. Lawrence - Restored Modern Edition
Lady Chatterley's Lover By D.H. Lawrence - Restored Modern Edition
Product Details
ISBN-13: | 9781934255452 |
---|---|
Publisher: | El Paso Norte Press |
Publication date: | 08/15/2010 |
Sold by: | Barnes & Noble |
Format: | eBook |
Sales rank: | 176,262 |
File size: | 491 KB |
About the Author
Customer Reviews
Explore More Items
Polly Alter is through with men.
One of literature's most delightful rakes is back in another tale of rollicking adventure and tantalizing seduction. The plucky
Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny,
"An extraordinary book." --Lauren Groff, author of Florida
An expansive yet intimate story
The first new novel in four years from the beloved superstar author of Sarah's Key, a heartbreaking and uplifting story of family secrets and devastating disaster, set against a Paris backdrop,
“Warm-hearted, clear-minded, and unexpectedly spellbinding, Meet Me at the Museum is a novel to savor.”
—Annie Barrows, #1 New York Times bestselling co-author of The Guernsey
"The
A BRILLIANT AND BEGUILING REIMAGINING OF ONE OF OUR GREATEST MYTHS BY A GIFTED YOUNG WRITER
Zachary Mason’s brilliant and beguiling debut novel, The Lost Books of the Odyssey, reimagines
This collection was designed for optimal navigation on eReaders and other electronic devices. It is indexed alphabetically, chronologically and by category, making it easier to access individual