The Tempest (Annotated by Henry N. Hudson with an Introduction by Charles Harold Herford)
Believed to have been written between 1610 and 1611, "The Tempest" is likely the last play written solely by Shakespeare. The story concerns the Magician Prospero, the rightful Duke of Milan, and his daughter, Miranda, who have been stranded on an island by Prospero's jealous brother Antonio. The plot of "The Tempest" itself is however of less importance than in Shakespeare's other works. Supernatural elements are introduced with great freedom, and the dramatist's interest was clearly not in the reproduction of lifelike events. The presentation of character and the attractive picturing of the beauty of magnanimity and forgiveness are the things which, along with its delightful poetry, make the charm of this play. It is not to be wondered at that readers have frequently been led to find in the figure of the great magician, laying aside his robes and wonder-working rod in a spirit of love and peace toward all men, a symbol of the dramatist himself at the close of his great career; and it is surely legitimate to play with this idea without assuming that Shakespeare consciously embodied it. One can hardly conceive a more fitting epilogue to the volume which is the crown of the world's dramatic literature than the romance of "The Tempest." This edition is printed on premium acid-free paper, is annotated by Henry N. Hudson, and includes an introduction by Charles Harold Herford.
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The Tempest (Annotated by Henry N. Hudson with an Introduction by Charles Harold Herford)
Believed to have been written between 1610 and 1611, "The Tempest" is likely the last play written solely by Shakespeare. The story concerns the Magician Prospero, the rightful Duke of Milan, and his daughter, Miranda, who have been stranded on an island by Prospero's jealous brother Antonio. The plot of "The Tempest" itself is however of less importance than in Shakespeare's other works. Supernatural elements are introduced with great freedom, and the dramatist's interest was clearly not in the reproduction of lifelike events. The presentation of character and the attractive picturing of the beauty of magnanimity and forgiveness are the things which, along with its delightful poetry, make the charm of this play. It is not to be wondered at that readers have frequently been led to find in the figure of the great magician, laying aside his robes and wonder-working rod in a spirit of love and peace toward all men, a symbol of the dramatist himself at the close of his great career; and it is surely legitimate to play with this idea without assuming that Shakespeare consciously embodied it. One can hardly conceive a more fitting epilogue to the volume which is the crown of the world's dramatic literature than the romance of "The Tempest." This edition is printed on premium acid-free paper, is annotated by Henry N. Hudson, and includes an introduction by Charles Harold Herford.
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The Tempest (Annotated by Henry N. Hudson with an Introduction by Charles Harold Herford)

The Tempest (Annotated by Henry N. Hudson with an Introduction by Charles Harold Herford)

The Tempest (Annotated by Henry N. Hudson with an Introduction by Charles Harold Herford)

The Tempest (Annotated by Henry N. Hudson with an Introduction by Charles Harold Herford)

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Overview

Believed to have been written between 1610 and 1611, "The Tempest" is likely the last play written solely by Shakespeare. The story concerns the Magician Prospero, the rightful Duke of Milan, and his daughter, Miranda, who have been stranded on an island by Prospero's jealous brother Antonio. The plot of "The Tempest" itself is however of less importance than in Shakespeare's other works. Supernatural elements are introduced with great freedom, and the dramatist's interest was clearly not in the reproduction of lifelike events. The presentation of character and the attractive picturing of the beauty of magnanimity and forgiveness are the things which, along with its delightful poetry, make the charm of this play. It is not to be wondered at that readers have frequently been led to find in the figure of the great magician, laying aside his robes and wonder-working rod in a spirit of love and peace toward all men, a symbol of the dramatist himself at the close of his great career; and it is surely legitimate to play with this idea without assuming that Shakespeare consciously embodied it. One can hardly conceive a more fitting epilogue to the volume which is the crown of the world's dramatic literature than the romance of "The Tempest." This edition is printed on premium acid-free paper, is annotated by Henry N. Hudson, and includes an introduction by Charles Harold Herford.

Product Details

ISBN-13: 9781420953404
Publisher: Neeland Media
Publication date: 05/21/2016
Pages: 96
Product dimensions: 5.51(w) x 8.50(h) x 0.23(d)

About the Author

About The Author
No writer will ever equal William Shakespeare's influence on the English language. Born in 1564 in Stratford-upon-Avon, England, "The Bard" was an actor and playwright who had staged his own shows in London by 1592. Though little is known about his early life, he forsooth proved himself a virtuoso for the ages. Expanding the boundaries of the English language, Shakespeare penned dozens of plays -- from enduring tragedies like Romeo and Juliet, Hamlet and Othello, to bawdy comedies like A Midsummer Night's Dream -- plus more than 150 sonnets during his towering career. He shuffled off this mortal coil in 1616, but more than half a millennium later, his works are still read and produced around the world, including at a modern thatched-roof reconstruction of his troupe's Globe Theatre in London.
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