Bread and Roses, Too

The highly anticipated new work of historical fiction from Katherine Paterson, winner of the prestigious 2006 Astrid Lindgren Memorial Award.

Rosa Serutti has a great deal to worry about. Ever since Papa died in a mill accident, Mamma has ceased to sing around their cramped tenement apartment. But when a strike against the corrupt mill owners is declared, Mamma goes out singing union songs and marching with the strikers. What will happen to Rosa and Little Ricci? They are sent to Barre, Vermont, with other children to live safely until the strike is over. On the train, a strange boy begs her to pretend that he is her brother so that he can stay in Barre long enough to find money to go to New York. Alone and far from home, she agrees to protect him… even though she suspects that he is hiding some terrible secret.

“Katherine Paterson is a brilliant psychologist who gets right under the skin of the vulnerable young people she creates, whether in historical or exotic settings, or in the grim reality of the USA today. With a deft aesthetic touch she avoids simple solutions, building instead on the inner strength and courage of her main characters.”—The Astrid Lindgren Memorial Award Jury

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Bread and Roses, Too

The highly anticipated new work of historical fiction from Katherine Paterson, winner of the prestigious 2006 Astrid Lindgren Memorial Award.

Rosa Serutti has a great deal to worry about. Ever since Papa died in a mill accident, Mamma has ceased to sing around their cramped tenement apartment. But when a strike against the corrupt mill owners is declared, Mamma goes out singing union songs and marching with the strikers. What will happen to Rosa and Little Ricci? They are sent to Barre, Vermont, with other children to live safely until the strike is over. On the train, a strange boy begs her to pretend that he is her brother so that he can stay in Barre long enough to find money to go to New York. Alone and far from home, she agrees to protect him… even though she suspects that he is hiding some terrible secret.

“Katherine Paterson is a brilliant psychologist who gets right under the skin of the vulnerable young people she creates, whether in historical or exotic settings, or in the grim reality of the USA today. With a deft aesthetic touch she avoids simple solutions, building instead on the inner strength and courage of her main characters.”—The Astrid Lindgren Memorial Award Jury

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Bread and Roses, Too

Bread and Roses, Too

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Bread and Roses, Too

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Overview

The highly anticipated new work of historical fiction from Katherine Paterson, winner of the prestigious 2006 Astrid Lindgren Memorial Award.

Rosa Serutti has a great deal to worry about. Ever since Papa died in a mill accident, Mamma has ceased to sing around their cramped tenement apartment. But when a strike against the corrupt mill owners is declared, Mamma goes out singing union songs and marching with the strikers. What will happen to Rosa and Little Ricci? They are sent to Barre, Vermont, with other children to live safely until the strike is over. On the train, a strange boy begs her to pretend that he is her brother so that he can stay in Barre long enough to find money to go to New York. Alone and far from home, she agrees to protect him… even though she suspects that he is hiding some terrible secret.

“Katherine Paterson is a brilliant psychologist who gets right under the skin of the vulnerable young people she creates, whether in historical or exotic settings, or in the grim reality of the USA today. With a deft aesthetic touch she avoids simple solutions, building instead on the inner strength and courage of her main characters.”—The Astrid Lindgren Memorial Award Jury


Product Details

ISBN-13: 9780739331088
Publisher: Listening Library, Inc.
Publication date: 09/05/2006
Edition description: Unabridged
Age Range: 9 - 12 Years

About the Author

Katherine Paterson’s international fame rests not only on her widely acclaimed novels but also on her efforts to promote literacy in the United States and abroad. A two-time winner of the Newbery Medal (Bridge to Terabithia and Jacob Have I Loved) and the National Book Award (The Great Gilly Hopkins and The Master Puppeteer), she has received many accolades for her body of work, including the Laura Ingalls Wilder Medal, the Hans Christian Andersen Medal, the Astrid Lindgren Memorial Award, and the Governor’s Award for Excellence in the Arts, given by her home state of Vermont. She was also named a Living Legend by the Library of Congress. She served as the National Ambassador for Young People's Literature in 2010-2011.
Ms. Paterson is vice president of the National Children’s Book and Literacy Alliance (www.thencbla.org), which is a not-for-profit education and advocacy organization. The NCBLA’s innovative projects actively promote literacy, literature, libraries, and the arts.  She is both an Alida Cutts Lifetime Member of the United States Board on Books for Young People (www.usbby.org) and a lifetime member of the International Board on Books for Young People (www.ibby.org).
She and her husband, John, live in Montpelier, Vermont. They have four children and seven grandchildren. For more information, visit www.terabithia.com.

Read an Excerpt


Chapter One Shoe Girl

The tenements loomed toward the sky on either side of the alley like glowering giants, but they’d keep the wind off. There was plenty of trash in the narrow space between them. It stank to high heaven, but, then, so did he. He began to burrow into the heap like a rat. A number of rodents squawked and scrambled away. Hell’s bells! He hoped they wouldn’t bite him while he was asleep. Rat bites hurt like fury.
For a moment he stopped digging, but the freezing air drove him farther in.
He tried to warm himself by cursing his pa. The words inside his head were hot as flaming hades, but they didn’t fool his hands and feet, which ached from the cold.
He’d heard of people freezing to death in their sleep. It happened to drunks all the time. He sometimes even wished it would happen to his pa, although he knew it was wicked to wish your own pa dead. But how could Jake be expected to care whether the brute lived or died? The man did nothing but beat him. Dead, he wouldn’t beat me or steal all my pay for drink—and then beat me for not earning more. He was keeping himself agitated, if not warm, with hateful thoughts of the old man when he heard light footsteps close by. He willed himself motionless.
It was a small person from the sound, and coming right for his pile. You can’t have my pile. This one’s mine. I already claimed it. I chased the rats for it. I made my nest in it. .
. . He began to growl.
“Who’s there?” It was the frightened voice of a child—a girl, if he wasn’t mistaken.
“What do you want?” He stuck his head out of the pile.
The girl jumped back with a little shriek. Stupid little mouse.
“Who are you?” she asked, her voice shaking.
“It’s my pile. Go away.” “I don’t want your pile. Really, I don’t.” She was shaking so hard, her whole body was quivering. “I—I just need to look in it—to find something.” “In here?” “I think so. I’m not sure.” He was interested in spite of himself.
“What did you lose?” “My—my shoes,” she said. “How could you lose your shoes?” “I guess I sort of hid them.” “You what?” “I know,” she said. He could tell she was about to bawl. “It was stupid. I really need new ones. But Mamma said Anna had to stand up all day on the line and she needed shoes worse than me. I thought if I lost mine . . . It was stupid, I know.” She began to cry in earnest. “Okay, okay, which pile?” He stood up, old bottles, cans, and papers cascading from his shoulders. She put her left foot on top of her right, to keep at least one stockinged foot from touching the frozen ground. “You smell awful,” she said.
“Shut up. You want help or not?” “Please,” she said. “I’m sorry.” They dug about in the dark. At length, Jake found the first shoe, and then the girl found the other. She nodded gratefully, slipped them on her feet, and bent over to tie what was left of the laces.
“You didn’t lose them so good.” “No. I guess I knew all along I’d have to find them.” She gave a little sigh. “But thank you.” She was very polite. He figured she went to school even in shoes that were more holes than leather.“ You can’t sleep in a garbage heap,” she said.
“And why not?” “You’ll freeze to death is why.” Somehow with her shoes found, she didn’t seem like a scared mouse after all.
“I done it before. Besides, where else am I gonna go?” “You might—you can sleep in our kitchen.” She blurted the words out, and then put her hand quickly to her mouth.
“Your folks might notice,” he said.
“Besides I stink. You said so.” “We all stink.” She grabbed his arm.
“Come on before I change my mind.” They went in the alley door of one of the buildings and climbed to the third floor. “Shh,” she said before she opened the door. “They’re all asleep.” She led him between the beds in the first room and then into the kitchen. There was no fire in the stove, but the room was warmer than a trash pile.
“You can lie down here,” she said. “We don’t have an extra bed— not even a quilt. I’m sorry.” “I’ll be okay,” he said. He could hardly make out her features in the dark room, but he could tell that she was smaller than he and very thin, with hair that hung to her shoulders.
“I’ll be up before your pa wakes,” he said.
“He’s dead. Nobody will throw you out.” Still, the first stirring in the back room woke him the next morning. A kid was crying out and a woman’s voice was trying to shush it, though Jake reckoned it to be a hunger cry that could not be hushed with words.
He got silently to his feet. There was a box on the table. He opened it too find a half loaf of bread.
He tore off a chunk, telling himself they’d never miss it. Then he stole back through the front room, where someone was snoring like thunder, and out the door and down the stairs and on down the hill to the mill and to work. No danger of freeziiiiing there. He never stopped moving. Why, even on these frigid winter mornings, he was sweating like a pig by ten o’clock.
Later he remembered that he hadn’t even asked the girl her name or told her his.

Copyright © 2006 by Minna Murra, Inc., Reprinted by permission of Clarion Books / Houghton Mifflin Company.

What People are Saying About This

From the Publisher

A beautifully written novel that puts a human face on history... Paterson at her best—and that's saying a lot.
Kirkus Reviews, Starred

The immigrant labor struggle is stirring and dramatic.
Booklist, ALA, Starred Review

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