Praise for THE INTERIOR CIRCUIT :
A Los Angeles Times Top 10 Books of 2014; The Guardian 10 Best City Books of 2014; Biographile’s Best overlooked memoirs 2014; New York Public Library's Best Books of 2014; Business Insider Australia (Librarians' Pics for Best Books of 2014); San Francisco Chronicle (Writers Share Best Books of 2014 - Maria Venegas Pick); Vue Weekly Best Books of 2014; One of Flavorwire’s “25 Great Books You Might Have Missed in 2014”
One of New York magazine's "7 Books You Need to read this July"; A Vanity Fair Hot Type pick; An Amazon "Best of" pick for July
“Remarkable
Sentence by sentence, Goldman brings to life a city that is bewitching, terrifying, beautiful
.Goldman brings something new to the [chronicle] form.”John Freeman, Boston Globe
"So sneakily brilliant it's hard to put into words. Part travelogue, part memoir, part reportage on Mexican politics and the scourge of narco-terrorism, it is also, in the finest sense, a book that creates its own form....the genius of "The Interior Circuit," [is that it] link[s] Goldman's grief for Aura to the grief of all these families and indeed of Mexico. It's an audacious move, but it works because of the offhand beauty of the writing, which shifts from individual to collective with the fluid grace of circumstance."David Ulin, Los Angeles Times
"Both an homage to the (albeit flawed) city [Goldman] calls home and a meditation on the many residents himself included who have experienced loss there...Goldman is a keen observer and an apt guide to Mexican politics and society."Adam Goodman, Washington Post
"An indispensable contribution to the growing body of artistic representations of Mexico’s most recent years of darkness...there is an urgent, raw beauty in Frank’s prose, as if we are plugged into an only slightly edited version of his journals, and it is full of “cortos”: journal gives way to reportage, reportage to lament, lament to polemic, polemic to erudite rumination...Frank throws himself into the Heavens case with tremendous journalistic energy, badgering officials, cultivating confidential sources, scouring what looks like just about every press account, and, most importantly and at some risk, by crossing the social border and stepping into the old barrio to interview the relatives of the disappeared...Here Frank joins a growing crew of writers (among them Marcela Turati, Oscar Martínez, Cristina Rivera Garza, John Gibler, Magali Tercero, Sergio González Rodríguez, Diego Osorno, Daniel Hernández, Lydia Cacho, Anabel Hernández*) who undertake dogged investigative journalism the kind there is precious little support for in the digital age, and which in the Latin American context can get you killed and dedicate themselves to revealing the victims, itself an eminently political (and also spiritual) task that is the heart of Javier Sicilia’s movement...Interior Circuit confronts the corto, the short-circuit, as in too-brief-is-our-time, by recognizing the absurdity of both “freakish” and politicized death, and of the necessity of mourning both intimately and in community of reconnecting the broken circuit with the language of pain itself."Rubén Martínez, Los Angeles Review of Books
"Goldman draws an imagined geography that depicts very well the harsh realities which those of us who live in the DF face. We must be grateful that a foreigner has given back to us the feeling that, in spite of everything, it's worth it to live so intensely the interior circuits of [Mexico] city."Roger Bartre, Letras Libres
"Though much can be said about the elegance of Goldman's writing and the piercing quality of his reportage, it's really the emotion-driven moments - his identification with those seeking to improve the city's living conditions and with those affected by the Tepito victims' deaths - that take "The Interior Circuit" to a commendable height that even crónica doesn't set out to reach...Altogether moving and eye-opening, "The Interior Circuit" is as much a love letter to Mexico City as it is to his late wife."Rigoberto González, San Francisco Chronicle
"Goldman’s journey is an intensely personal quest...Beautiful writing and unblinking honesty...little has yet been written about the Peña Nieto presidency and Goldman is thought-provoking on the corrupt path he sees Mexico stuck on, and the uncertain course that lies ahead."Jude Webber Financial Times
“Francisco Goldman has recently taken to writing about the tragedy in Mexico for the New Yorker, and this book is an extension of the graciousness and intelligence you can find there. The Interior Circuit is not easy to describe it’s sui generis take on grief and political upheaval but as a persistently enlightening and often breathtaking account of life in Mexico, it’s impossible not to read.”Flavorwire
“Goldman transcends the personal, transmuting the role of memoirist into that of city chronicler.... Goldman’s surrealistic portrait of DF gives due weight to the city’s layered complexities... In searching for some essence in the city Goldman finds an inner territory beyond personal grief.”The Daily Beast
"Suddenly, thanks to the keen eye and sympathetic imagination of the journalist and novelist Francisco Goldman, I care about the place that locals call the D.F....Goldman is by turns impassioned and detached, loving his adopted city while by no means blind to its many faults...Goldman made me care. That’s what the best writers do."Chris Tucker, Dallas Morning News
"Incisive observation, flashing wit, intense curiosity...vivid prose...The vibrant life of Mexico City makes for a compelling story in its own right, and not merely as the backdrop for Goldman's personal quest, as absorbing as that continues to be. In either of its incarnations, this is a story about love, whether for a person or for a city, in all the complicated, rewarding and painful messiness that emotion entails."Harvey Freedenberg, Book Reporter.com
"Much of the pleasure of The Interior Circuit builds on Goldman's knowledge and love of Mexico City and his unabashed personalization of its streets and student dives....If The Interior Circuit is partly Goldman's chronicle of overcoming personal sorrow, it is even more his take on the politics, complexity, romance and vibrancy of one of the great megacities of the world." Shelf Awareness
"Exquisite...perceptive, funny, and philosophical...Throughout this remarkable book, Goldman is highly attuned to the pulse and rhythm of one of the world’s most captivating cities." Publishers Weekly (starred review)
“This book is an exquisite, deeply funny, truly gorgeous panorama of Mexico City by a writer of enormous sensitivities who notices everything. This book will charm and urgently engage you like no other, because it is so totally original. It includes the dirty parts.”Rachel Kushner
2014-05-17
The death of the author's wife hovers over this densely meandering, poignant look at the simmering violence in his beloved Mexico City.American novelist and journalist Goldman (Say Her Name, 2011, etc.) writes affectingly about his adopted city, where he had lived on and off since the 1990s. His short second marriage to essayist, graduate student and Mexico City native Aura Estrada ended with her tragic death from a bodysurfing accident while on vacation in 2007, a devastating loss Goldman wrote about eloquently in Say Her Name. Here, the author continues to move through stages of grief—e.g., by relearning how to drive, which he had been unable to do since Aura's death, as well as by relating with fellow residents' attempts to come to terms with the senseless drug cartel violence that has permeated all levels of Mexican society, especially in politics. Driving around the Distrito Federal, or DF, as the city is known, with its chaotic streets and aggressive drivers, presenting Mexico City zone by zone, Goldman attempted to engage with the city, seek out its secrets and deepen his relationship to it by creating his own "interior circuit." While he extols the vibrancy, endurance, youthful romance and tolerance of the city, he also confronts head-on its brutality and death wish. The legacy of President Felipe Calderón's war on the drug cartels, waged from 2006 to 2012, resulted in an explosion of violence against and by the narcos, spilling over into the DF—which had been relatively spared the carnage—in the form of the kidnapping of 11 young people from an after-hours club in May 2013. Goldman followed the case closely, which seemed to implicate both the new DF mayor and president.A gifted writer submerges his grief in his deep affection for his adopted city.