Douglas Preston was born in 1956 in Cambridge, MA, was raised in nearby Wellesley (where, by his own admission, he and his brothers were the scourge of the neighborhood!), and graduated from Pomona College in California with a degree in English literature.
Preston's first job was as a writer for the American Museum of Natural History in New York -- an eight year stint that led to the publication of his first book, Dinosaurs in the Attic and introduced him to his future writing partner, Lincoln Child, then working as an editor at St. Martin's Press. The two men bonded, as they worked closely together on the book. As the project neared completion, Preston treated Child to a private midnight tour of the museum, an excursion that proved fateful. As Preston tells it, "...in the darkened Hall of Late Dinosaurs, under a looming T. Rex, Child turned to [me] and said: 'This would make the perfect setting for a thriller!'" Their first collaborative effort, Relic, would not be published until 1995, by which time Preston had picked up stakes and moved to Santa Fe to pursue a full-time writing career.
In addition to writing novels (The Codex, Tyrannosaur Canyon) and nonfiction books on the American Southwest (Cities of Gold, Ribbons of Time), Preston has collaborated with Lincoln Child on several post-Relic thrillers. While not strictly a series, the books share characters and events, and the stories all take place in the same universe. The authors refer to this phenomenon as "The Preston-Child Pangea."
Preston divides his time between New Mexico and Maine, while Child lives in New Jersey -- a situation that necessitates a lot of long-distance communication. But their partnership (facilitated by phone, fax, and email) is remarkably productive and thoroughly egalitarian: They shape their plots through a series of discussions; Child sends an outline of a set of chapters; Preston writes the first draft of those chapters, which is subsequently rewritten by Child; and in this way the novel is edited back and forth until both authors are happy. They attribute the relatively seamless surface of their books to the fact that "[a]ll four hands have found their way into practically every sentence, at one time or another."
In between, Preston remains busy. He is a regular contributor to magazines like National Geographic, The New Yorker, Natural History, Smithsonian, Harper's, and Travel & Leisure, and he continues with varied solo literary projects. Which is not to say his partnership with Lincoln Child is over. Fans of the bestselling Preston-Child thrillers can be assured there are bigger and better adventures to come.
