A brawling, brawny, muscular epic—exactly what great mainstream novels used to be.

Rollicking, brawling, gritty, political, and always completely absorbing, THE GIVEN DAY is a rich and satisfying epic. Readers, get ready to feast. This is a big book you won’t want to put down.

A gripping historical novel. . . . Infused with the same dark drama that set apart his earlier books.

Packed with dramatic turning points. . . . Lehane has tried to capture the zeitgeist of an era even nuttier and more tumultuous than our own, and succeeded.”

As much a thriller as any of Lehane’s previous work. Even beyond the historical events, THE GIVEN DAY qualifies as a sprawling, sweeping epic. . . . Lehane’s masterful packing and precise prose make the story speed by.

Here’s one way to get people excited about the nation’s past: Get Dennis Lehane to write the history books. . . . A meticulously researched tale that in the hands of this master storyteller jumps right off the page and hollers.

If you’re swinging for the fences, it only makes sense that your novel begin with a lengthy, and very tasty, story about Babe Ruth. That Dennis Lehane sustains that level of play . . . is what gives THE GIVEN DAY a kind of greatness. . . . Lehane dazzles.

The problem falls to readers to find something—anything—that doesn’t pale in comparison once they’ve closed the covers on this 720-page masterpiece. Quite simply, THE GIVEN DAY is about as close to the great American novel as we’re likely to read until … well, until Lehane writes another.

Brilliantly constructed. . . . Like E. L. Doctorow in Ragtime, Lehane captures the sense of a country coming of age, vividly dramatizing how the conflicting emotions and tortured dreams that drive individual human lives also send a nation roiling forward.

[A] work of admirable ambition and scope. . . . Lehane is as much like contemporaries George Pelecanos and Richard Price as he is like the bygone Boston-based John P. Marquand, the Pulitzer Prize-winning novelist.

Gut-wrenching force. . . . A majestic, fiery epic. . . . The Given Day is a huge, impassioned, intensively researched book that brings history alive.

Superbly written, meticulously researched. . . . A thoughtful, provocative exploration of race, fame, power, and political corruption in American culture. . . . The Given Day places [Lehane] in the first rank of modern American novelists.

Steeped in history but wearing its research lightly, The Given Day is a meaty, rich, old-fashioned and satisfying tale. I’d call it Lehane’s masterpiece.

The Given Day is a vast historical novel. . . . Spectacular details. . . . Finely thought-out. . . . . Many stunningly managed scenes.

One of the fall’s biggest books—and not just because it’s 704 pages. It’s Lehane’s most ambitious and literary work.

[Lehane] deserves to be included among the most interesting and accomplished American novelists of any genre or category. . . . A powerful moment in history, and Lehane makes the most of it. . . . Heartfelt and moving.

"Brilliantly constructed. . . . Like E. L. Doctorow in Ragtime, Lehane captures the sense of a country coming of age, vividly dramatizing how the conflicting emotions and tortured dreams that drive individual human lives also send a nation roiling forward."

Superbly written, meticulously researched. . . . A thoughtful, provocative exploration of race, fame, power, and political corruption in American culture. . . . The Given Day places [Lehane] in the first rank of modern American novelists.