It's about keeping the faith.
Growing up poor in 1953 in the Appalachian Mountains of West Virginia doesn't bother Lydia Hawkins. She treasures her tight-knit family. There's her loving mama, now widowed; her whip-smart younger brother BJ, who has cystic fibrosis; and wise old Gran. But everything falls apart after Gran and BJ die and Mama is jailed unjustly. Suddenly Lydia has lost all those dearest to her.
Moving to a coal camp to live with her uncle William and aunt Ethel Mae only makes Lydia feel more alone. She is ridiculed at her new school for her outgrown homemade clothes and the way she talks, and for what the kids believe her mama did. And to make matters worse, she discovers that her uncle has been keeping a family secret—about her. If only Lydia, with her resilient spirit and determination, could find a way to clear her mother's name. . . .
VOYA - Dianna Geers
Lydia lost her grandmother, her little brother, and then her mother. Death was the reason for the first two losses, but the loss of her mother was due to the legal system that failed her family. Lydia knows her mother did not murder her little brother, BJ, yet she is powerless to do anything about that. Now being raised by her aunt and uncle, Lydia has also lost her home. At her new school, Lydia faces ridicule from her peers, but her teacher, Mr. Hinkle, sees beauty in her writing and brings in his fiance, Miss Parker, to meet her. Miss Parker may be able to help Lydia. Although the dialect in this story may be distracting at first, it does not take long to fall into the rhythmic pattern. The author used her love and expertise for her native dialect to craft this book that transports readers into the remote Appalachian Mountains of West Virginia. As the story moves forward, the deeply-layered plot is revealed through engrossing back story. This debut novel is written in such a way that as it is read, readers will be so engrossed in well-developed characters and intrigue that they may forget that Child of the Mountains is historical fiction. This book will be a welcome read for adolescents who like stories about struggling characters who show resilience. Reviewer: Dianna Geers
Children's Literature - Dawna Lisa Buchanan
Lydia Hawkins is growing up poor in Appalachia (West Virginia) in 1953. Her dad and little brother are dead, her mother is in jail, and she is living with an aunt and uncle who have not had children before and are awkward at understanding her emotions. Told in Lydia's dialect, readers learn that her father, while hard working and kind when he was sober, could be mean when he was drinking. We discover that her beloved little brother had cystic fibrosis and the only way the family could afford treatment was to allow him to enter a "research" program. There is trouble when the mother learns that she has signed away all her rights to decisions regarding her son's medical treatment and "steals" him from the hospital to bring him home to die. She is arrested for murder. During the course of the story we learn some important secrets. The uncle's first wife died giving birth to Lydia, who was then adopted by the mother she grew up with and loved. The uncle's second wife has no idea of the connection. A female lawyer wins the case to free Lydia's mother who is reunited with her daughter. The story is engaging, full of round characters and the rich language of Appalachia. The historical aspects will hold interest for readers, as will the social justice issue of prejudice against people who do not speak "standard" English. Good for independent reading, but also offers potential for lively discussion in classrooms. Reviewer: Dawna Lisa Buchanan
School Library Journal
Gr 5–7—"Child killer's daughter." Ever since her mother's incarceration after the death of her younger brother, Lydia has had to face the ridicule and disdain of classmates and neighbors in her small West Virginia town. Sent to live with her flighty aunt and taciturn uncle, the sixth grader misses her mother and brother, who died from cystic fibrosis, and wants to clear her mother's name. But how? Lydia's regionally accurate and spirited voice tells the story of her family's joys and pain through flashbacks of warm scenes with her mother and brother that contrast with her present life with her aunt and uncle. The slow unraveling of the story makes this affecting novel compelling; the final revelations of the accusations against Lydia's mother are particularly heartbreaking. The cold, clinical, and condescending treatment of hospitalized children and their families in the 1950s is accurately portrayed. Christianity is important to this family, and, depending on the characters, it is represented as sometimes stern and sometimes loving. A surprise twist feels sudden, but believable for the times. Some historical facts and courtroom terms are not incorporated smoothly, which slows the fluidity of the story. An author's note provides relevant West Virginia history. Despite some rough edges, this is a sensitive novel about a smart, authentic, proud, and appealing Appalachian girl on the cusp of maturity.—Jennifer Schultz, Fauquier County Public Library, Warrenton, VA
Kirkus Reviews
While hoping for her jailed, single mother's appeal in 1953, an Appalachian Mountain girl from West Virginia finds her identity in this promising debut. "My mama's in jail. It ain't right. Leastwise, I don't think so," begins sixth-grader Lydia's spiral notebook, bought to help her sort through recent, tragic events. Her first-person narration, which unfolds in pitch-perfect, regional dialect, alternates present and past. In the former, she lives with her particular aunt and uncle and deals with the bullies at school who call her mother a murderer. In the past, she reveals that her little brother, BJ, has "Sissy Fie Broke It" and recounts both BJ's special treatments at a research hospital (which claims all rights to him) in Ohio and the family's decision to "kidnap" BJ to let him die from his cystic fibrosis at home. Complicating Lydia's already-stressful life are her passage into womanhood and a family secret about her relationship with the mother she's fighting to free. Her story occasionally makes a didactic dip, especially when relating court terminology and commenting on segregation of the time. Nevertheless, Lydia's comparisons to spunky Anne of Green Gables, unwavering faith, strong family ties and growing appreciation of her Appalachian heritage will secure middle-grade readers. For fans of Ruth White's and Kerry Madden's Appalachian-inspired fiction. (map, author's note) (Historical fiction. 9- 12)
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