0

    Skellig

    4.2 65

    by David Almond


    Paperback

    (Reprint)

    $6.99
    $6.99

    Customer Reviews

    • ISBN-13: 9780440416029
    • Publisher: Random House Children's Books
    • Publication date: 09/28/2000
    • Series: Skellig
    • Edition description: Reprint
    • Pages: 192
    • Sales rank: 133,751
    • Product dimensions: 5.33(w) x 7.62(h) x 0.52(d)
    • Lexile: 490L (what's this?)
    • Age Range: 8 - 12 Years

    “I grew up in a big extended Catholic family [in the north of England]. I listened to the stories and songs at family parties. I listened to the gossip that filled Dragone’s coffee shop. I ran with my friends through the open spaces and the narrow lanes. We scared each other with ghost stories told in fragile tents on dark nights. We promised never-ending friendship and whispered of the amazing journeys we’d take together.

    “I sat with my grandfather in his allotment, held tiny Easter chicks in my hands while he smoked his pipe and the factory sirens wailed and larks yelled high above. I trembled at the images presented to us in church, at the awful threats and glorious promises made by black-clad priests with Irish voices. I scribbled stories and stitched them into little books. I disliked school and loved the library, a little square building in which I dreamed that books with my name on them would stand one day on the shelves.

    Skellig, my first children’s novel, came out of the blue, as if it had been waiting a long time to be told. It seemed to write itself. It took six months, was rapidly taken by Hodder Children’s Books and has changed my life. By the time Skellig came out, I’d written my next children’s novel, Kit’s Wilderness. These books are suffused with the landscape and spirit of my own childhood. By looking back into the past, by re-imagining it and blending it with what I see around me now, I found a way to move forward and to become something that I am intensely happy to be: a writer for children.”

    David Almond is the winner of the 2001 Michael L. Printz Award for Kit’s Wilderness, which has also been named best book of the year by School Library Journal, Booklist, and Publishers Weekly. He has been called "the foremost practitioner in children's literature of magical realism." (Booklist) His first book for young readers, Skellig, is a Printz Honor winner. David Almond lives with his family in Newcastle, England.

    Read More

    Read an Excerpt

    I found him in the garage on a Sunday afternoon. It was the day after we moved into Falconer Road. The winter was ending. Mum had said we'd be moving just in time for the spring. Nobody else was there. Just me. The others were inside the house with Dr. Death, worrying about the baby.

    He was lying there in the darkness behind the tea chests, in the dust and dirt. It was as if he'd been there forever. He was filthy and pale and dried out and I thought he was dead. I couldn't have been more wrong. I'd soon begin to see the truth about him, that there'd never been another creature like him in the world.

    We called it the garage because that's what the real estate agent, Mr. Stone, called it. It was more like a demolition site or a rubbish dump or like one of those ancient warehouses they keep pulling down at the wharf. Stone led us down the garden, tugged the door open, and shined his little flashlight into the gloom. We shoved our heads in at the doorway with him.

    "You have to see it with your mind's eye," he said. "See it cleaned, with new doors and the roof repaired. See it as a wonderful two-car garage."

    He looked at me with a stupid grin on his face.

    "Or something for you, lad-a hideaway for you and your pals. What about that, eh?"

    I looked away. I didn't want anything to do with him. All the way round the house it had been the same. Just see it in your mind's eye. Just imagine what could be done. All the way round I kept thinking of the old man, Ernie Myers, that had lived here on his own for years. He'd been dead nearly a week before they found him under the table in the kitchen. That's what I saw when Stone told us about seeing with the mind's eye. He even said it when we got to the dining room and there was an old cracked toilet sitting there in the comer behind a plywood screen. I just wanted him to shut up, but he whispered that toward the end Ernie couldn't manage the stairs. His bed was brought in here and a toilet was put in so everything was easy for him. Stone looked at me like he didn't think I should know about such things. I wanted to get out, to get back to our old house again, but Mum and Dad took it all in. They went on like it was going to be some big adventure. They bought the house. They started cleaning it and scrubbing it and painting it. Then the baby came too early. And here we were.

    Chapter 2

    I NEARLY GOT INTO THE GARAGE that Sunday morning. I took my own flashlight and shined it in. The outside doors to the back lane must have fallen off years ago and there were dozens of massive planks nailed across the entrance. The timbers holding the roof were rotten and the roof was sagging in. The bits of the floor you could see between the rubbish were full of cracks and holes. The people that took the rubbish out of the house were supposed to take it out of the garage as well, but they took one look at the place and said they wouldn't go in it even for extra money. There were old chests of drawers and broken washbasins and bags of cement, ancient doors leaning against the walls, deck chairs with the cloth seats rotted away. Great rolls of rope and cable hung from nails. Heaps of water pipes and great boxes of rusty nails were scattered on the floor. Everything was covered in dust and spiders' webs. There was mortar that had fallen from the walls. 'There was a little window in one of the walls but it was filthy and there were rolls of cracked linoleum standing in front of it. The place stank of rot and dust. Even the bricks were crumbling like they couldn't bear the weight anymore. It was like the whole thing was sick of itself and would collapse in a heap and have to get bulldozed away.

    I heard something scratching in one of the corners, and something scuttling about; then it all stopped and it was just dead quiet in there.

    I stood daring myself to go in.

    I was just going to slip inside when I heard Mum shouting at me

    "Michael! What you doing?"
    She was at the back door.
    "Didn't we tell you to wait till we're sure it's

    I stepped back and looked at her.
    "Well, didn't we?" she shouted.
    "Yes," I said.
    "So keep out! All right?"
    I shoved the door and it lurched half shut on its single hinge.
    "All right?" she yelled.
    ',All right,” said. "Yes. All right. All right."
    "Do you not think we've got more to worry about than stupid you getting crushed in a stupid garage?

    "Yes."
    "You just keep out, then! Right?"
    "Right. Right, right, right.
    Then I went back into the wilderness we called garden and she went back to the stupid baby.

    What People are Saying About This

    Oprah Winfrey

    It's the best children's book I have read recently.

    Reading Group Guide

    Note from the Author

    I grew up in a big family in a small, steep town overlooking the River Tyne, in England.
    It was a place of ancient coal mines, dark terraced streets, strange shops, new real estate development, and wild heather hills. Our lives were filled with mysterious and unexpected events, and the place and its people have given me many of my stories. I always wanted to be a writer, though I told very few people until I was "grown-up." Writing can be difficult, but sometimes it really does feel like a kind of magic.

    I think stories are living things—among the most important things in the world

    1. Michael is very unhappy at the beginning of the novel. Discuss how Michael's life changes after he discovers Skellig and meets Mina. Think about ways that you deal with fear and loneliness. How can you help a friend who appears unhappy?

    2. Almond never gives the reader a specific description of Skellig. Based on the glimpses of Skellig found throughout the novel, what is your impression of Skellig? How might Michael describe Skellig at the end of the novel?

    3. Michael brushes his hands against Skellig's back and detects what appear to be wings. When he asks his mother about shoulder blades, she answers, "They say that shoulder blades are where your wings were when you were an angel . . . where your wings will grow again one day." What does this statement reveal about Skellig?

    4. When Michael questions why Skellig eats living things and makes pellets like an owl, Mina answers, "We can't know. Sometimes we just have to accept that there are things we can't know." Why is this an important moment in the novel?

    5. When Michael's soccer teammates discover his friendship with Mina, they begin teasing him. How does this affect Michael's relationship with them? Why do you think they make fun of Mina? How does she handle the teasing? How would you handle the situation if your classmates made fun of a special friend?

    6. Discuss Michael's relationship with his mother and father. How does the baby's illness put a strain on these relationships? How is Michael's relationship with his parents different from Mina's relationship with her mother?

    7. At the same time that his sister is undergoing heart surgery, Michael discovers that Skellig is gone. Mina calms Michael by quoting William Blake: "[Blake] said the soul was able to leap out of the body for a while and then leap back again. He said it could be caused by great fear or enormous pain. Sometimes it was because of too much joy. It was possible to be overwhelmed by the presence of so much beauty in the world." Why do you think Mina quoted this passage to Michael? How are fear and pain related? How are joy and beauty related? How does Skellig represent all these qualities?

    8. What does the nurse mean when she describes Michael's baby sister as having a "heart of fire"? Why does Michael want to name the baby Persephone? Why is Joy an appropriate name for her? What other names might symbolize her journey and her place in the world?

    9. Skellig returns for one last visit with Michael and Mina. What do you think is Skellig's purpose for entering Michael's life? How does he touch other lives? Do you think he'll ever return?

    Eligible for FREE SHIPPING details

    Choose Expedited Delivery at checkout for delivery by. Monday, October 14

    David Almond’s Printz Honor–winning novel celebrates its 10th anniversary!

    Ten-year-old Michael was looking forward to moving into a new house. But now his baby sister is ill, his parents are frantic, and Doctor Death has come to call. Michael feels helpless. Then he steps into the crumbling garage. . . . What is this thing beneath the spiders' webs and dead flies? A human being, or a strange kind of beast never before seen? The only person Michael can confide in is his new friend, Mina. Together, they carry the creature out into the light, and Michael's world changes forever. . . .

    Recently Viewed 

    • Skellig
      Average rating: 4.2 Average rating:
    From the Publisher
    "Almond makes a triumphant debut in the field of children's literature with prose that is at once eerie, magical, and poignant."—Publishers Weekly, Starred

    "A powerful, atmospheric story . . . the marvelous and everyday mix in haunting, memorable ways."—Kirkus Reviews, Pointer

    "A lovingly done, thought-provoking novel."—School Library Journal, Starred

    "Its strength as a novel is in its subtlety. . . . Skellig is a fine book."
    The New York Times Book Review

    "Some of the writing takes one's breath away."—Booklist, Starred

    Cathy Hainer
    Skellig is the first mainstream Gothic novel for kids to deal unblinkingly with the genre's big time themes, including the fragility of life and redemptive power of love.
    USA Today
    Publishers Weekly - Publisher's Weekly
    British author Almond confidently narrates this recording of his first novel for young people. Michael and his family have just moved to a new home, which proves more dramatic than any of them had imagined. The house is a true fixer-upper, and Michael's new baby sister, born prematurely, is seriously ill. While his parents are consumed with worry about the baby, Michael is left alone with his own fears. But when he explores the house's crumbling garage, he discovers a frail creature with wings who becomes a most magical friend. It's hard to say whether the creature, which eventually introduces itself as Skellig, is a man, an angel or a ghost. As Michael and his new neighbor Mina spend time with Skellig, they learn about the transforming power of caring and love as they tend to Skellig's infirmities and cater to his fondness for Chinese takeout. Part mystery, part fantasy, Almond's story is made all the more memorable by his easygoing delivery and distinctive accent. Ages 8-up. (Apr.) Copyright 1999 Cahners Business Information.
    Children's Literature - Sharon Salluzzo
    The dilapidated garage at his new home arouses Michael's curiosity but he is unprepared for what he finds inside. Almost indiscernible from the surroundings is Skellig, someone (or something) "filthy and pale and dried out" and having what appears to be wings. At the same time, Michael is coping with the fact that his premature baby sister is battling for her life. These two seemingly disparate events come together in an incredible way. His free-spirited friend Mina sums it up by stating, "We have to allow ourselves to see what there is to see, and we have to imagine." Almond explores the power of love and the presence of angels in a fascinating tale rich with stone and bird imageries. The reader is quickly drawn into this story because of the strong sense of place and well-developed characters. Mystery and metaphor combine for a story that is extraordinary.
    KLIATT
    To quote from KLIATT's Jan. 1999 review of the hardcover edition: Mina and Michael have seen Skellig together, a strange creature who lives in Michael's old garage, eating Chinese take-out and owl pellets. One magical time the three joined hands and danced in a circle, and the children grew wings from their shoulder blades and learned what it means to fly. In the midst of these wondrous things, Michael is trying to understand why his tiny baby sister is so fragile, and he worries that she will die. He and his father are trying to take care of each other while the mother is staying at the hospital with the baby. Michael's concerns for his little sister have taken him to some edge of awareness where he is able to see Skellig....Skellig is a strange book, certainly a memorable one. It isn't the usual fantasy, rather there is something about it that makes the reader feel if he or she just looked a bit harder and listened more carefully, many wondrous creatures would be there to find...Almond, who is British, has written for adults, but this is his first world for children. (Editor's note: Skellig is the winner of England's Carnegie Medal; it is a Horn Book Fanfare Book and an ALA Notable Children's Book.) KLIATT Codes: J*—Exceptional book, recommended for junior high school students. 1998, Dell/Yearling, 182p, 20cm, $4.99. Ages 13 to 15. Reviewer: Claire Rosser; November 2000 (Vol. 34 No. 6)
    Library Journal
    Gr 5-9-Two lonely children form a bond when they secretly take on the care of a crusty, otherworldly old man living in a ramshackled garage. A mystical story of love and friendship. (Feb.) Copyright 1999 Cahners Business Information.
    School Library Journal
    Gr 4-9-Michael was looking forward to moving into a new house. But now his baby sister's ill, his parents are frantic, and Dr. Death has come to call. What is the strange thing beneath the spiderwebs and dead flies in the crumbling garage? The only person Michael can confide in is his new friend Mina. Together they carry the creature out into the light, and Michael's world changes forever. By David Almond. Copyright 1999 Cahners Business Information.
    NY Times Book Review
    ...[A] fine book; it reads like an adventure story, studded with ...details of family life and school...a story about worlds enlarging and the hope of scattering death.
    Kirkus Reviews
    Almond pens a powerful, atmospheric story: A pall of anxiety hangs over Michael (and his parents) as his prematurely born baby sister fights for her life. The routines of school provide some relief, when Michael can bear to go. His discovery, in a ramshackle outbuilding, of Skellig, a decrepit creature somewhere between an angel and an owl, provides both distraction and rejuvenation; he and strong-minded, homeschooled neighbor Mina nurse Skellig back to health with cod liver pills and selections from a Chinese take-out menu. While delineating characters with brilliant economy-Skellig's habit of laughing without smiling captures his dour personality perfectly-Almond adds resonance to the plot with small parallel subplots and enhances his sometimes transcendent prose (" `Your sister's got a heart of fire,' " comments a nurse after the baby survives a risky operation) with the poetry of and anecdotes about William Blake. The author creates a mysterious link between Skellig and the infant, then ends with proper symmetry, sending the former, restored, winging away as the latter comes home from the hospital. As in Berlie Doherty's Snake-Stone (1996) or many of Janet Taylor Lisle's novels, the marvelous and the everyday mix in haunting, memorable ways. (Fiction. 11-13) .

    Read More

    Sign In Create an Account
    Search Engine Error - Endeca File Not Found