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    Ender's Game (Ender Quintet Series #1)

    4.6 3629

    by Orson Scott Card


    Paperback

    (First Edition)

    $15.99
    $15.99

    Customer Reviews

    • ISBN-13: 9780312853235
    • Publisher: Tom Doherty Associates
    • Publication date: 08/15/1992
    • Series: Ender Quintet Series , #1
    • Edition description: First Edition
    • Pages: 256
    • Sales rank: 208,447
    • Product dimensions: 6.11(w) x 9.30(h) x 0.72(d)

    Orson Scott Card is best known for his science fiction novel Ender's Game and it’s many sequels that expand the Ender Universe into the far future and the near past.  Those books are organized into the Ender Quintet, the five books that chronicle the life of Ender Wiggin; the Shadow Series, that follows on the novel Ender’s Shadow and are set on Earth; and the Formic Wars series, written with co-author Aaron Johnston, that tells of the terrible first contact between humans and the alien “Buggers”.

    Card has been a working writer since the 1970s.   Beginning with dozens of plays and musical comedies produced in the 1960s and 70s, Card's first published fiction appeared in 1977 — the short story "Gert Fram" in the July issue of The Ensign, and the novelet version of "Ender's Game" in the August issue of Analog.

     

    The novel-length version of Ender’s Game, published in 1984 and continuously in print since then, became the basis of  the 2013 film, starring Asa Butterfield, Harrison Ford, Ben Kingsley, Hailee Steinfeld, Viola Davis, and Abigail Breslin.

     

    Card was born in Washington state,  and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, he runs occasional writers’ workshops and directs plays. He frequently teaches writing and literature courses at Southern Virginia University.

    He is the author many sf and fantasy novels, including the American frontier fantasy series “The Tales of Alvin Maker” (beginning with Seventh Son), There are also stand-alone science fiction and fantasy novels like Pastwatch and Hart’s Hope. He has collaborated with his daughter Emily Card on a manga series, Laddertop. He has also written contemporary thrillers like Empire and historical novels like the monumental Saints and the religious novels Sarah and Rachel and Leah. Card’s recent work includes the Mithermages books (Lost Gate, Gate Thief), contemporary magical fantasy for readers both young and old.  

    Card lives in Greensboro, North Carolina, with his wife, Kristine Allen Card,  He and Kristine are the parents of five children and several grandchildren.

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    Brief Biography

    Hometown:
    Greensboro, North Carolina
    Date of Birth:
    August 24, 1951
    Place of Birth:
    Richland, Washington
    Education:
    B.A. in theater, Brigham Young University, 1975; M.A. in English, University of Utah, 1981
    Website:
    http://www.hatrack.com

    Read an Excerpt

    1

     

    THIRD

     

     

    “I’ve watched through his eyes, I’ve listened through his ears, and I tell you he’s the one. Or at least as close as we’re going to get.”

    “That’s what you said about the brother.”

    “The brother tested out impossible. For other reasons. Nothing to do with his ability.”

    “Same with the sister. And there are doubts about him. He’s too malleable. Too willing to submerge himself in someone else’s will.”

    “Not if the other person is his enemy.”

    “So what do we do? Surround him with enemies all the time?”

    “If we have to.”

    “I thought you said you liked this kid.”

    “If the buggers get him, they’ll make me look like his favorite uncle.”

    “All right. We’re saving the world, after all. Take him.”

    • • •

    The monitor lady smiled very nicely and tousled his hair and said, “Andrew, I suppose by now you’re just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We’re going to take it right out, and it won’t hurt a bit.”

    Ender nodded. It was a lie, of course, that it wouldn’t hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth.

    “So if you’ll just come over here, Andrew, just sit right up here on the examining table. The doctor will be in to see you in a moment.”

    The monitor gone. Ender tried to imagine the little device missing from the back of his neck. I’ll roll over on my back in bed and it won’t be pressing there. I won’t feel it tingling and taking up the heat when I shower.

    And Peter won’t hate me anymore. I’ll come home and show him that the monitor’s gone, and he’ll see that I didn’t make it, either. That I’ll just be a normal kid now, like him. That won’t be so bad then. He’ll forgive me that I had my monitor a whole year longer than he had his. We’ll be—

    Not friends, probably. No, Peter was too dangerous. Peter got so angry. Brothers, though. Not enemies, not friends, but brothers—able to live in the same house. He won’t hate me, he’ll just leave me alone. And when he wants to play buggers and astronauts, maybe I won’t have to play, maybe I can just go read a book.

    But Ender knew, even as he thought it, that Peter wouldn’t leave him alone. There was something in Peter’s eyes, when he was in his mad mood, and whenever Ender saw that look, that glint, he knew that the one thing Peter would not do was leave him alone. I’m practicing piano, Ender. Come turn the pages for me. Oh, is the monitor boy too busy to help his brother? Is he too smart? Got to go kill some buggers, astronaut? No, no, I don’t want your help. I can do it on my own, you little bastard, you little Third.

    “This won’t take long, Andrew,” said the doctor.

    Ender nodded.

    “It’s designed to be removed. Without infection, without damage. But there’ll be some tickling, and some people say they have a feeling of something missing. You’ll keep looking around for something, something you were looking for, but you can’t find it, and you can’t remember what it was. So I’ll tell you. It’s the monitor you’re looking for, and it isn’t there. In a few days that feeling will pass.”

    The doctor was twisting something at the back of Ender’s head. Suddenly a pain stabbed through him like a needle from his neck to his groin. Ender felt his back spasm, and his body arched violently backward; his head struck the bed. He could feel his legs thrashing, and his hands were clenching each other, wringing each other so tightly that they arched.

    “Deedee!” shouted the doctor. “I need you!” The nurse ran in, gasped. “Got to relax these muscles. Get it to me, now! What are you waiting for!”

    Something changed hands; Ender could not see. He lurched to one side and fell off the examining table. “Catch him!” cried the nurse.

    “Just hold him steady—”

    “You hold him, doctor, he’s too strong for me—”

    “Not the whole thing! You’ll stop his heart—”

    Ender felt a needle enter his back just above the neck of his shirt. It burned, but wherever in him the fire spread, his muscles gradually unclenched. Now he could cry for the fear and pain of it.

    “Are you all right, Andrew?” the nurse asked.

    Andrew could not remember how to speak. They lifted him onto the table. They checked his pulse, did other things; he did not understand it all.

    The doctor was trembling; his voice shook as he spoke. “They leave these things in the kids for three years, what do they expect? We could have switched him off, do you realize that? We could have unplugged his brain for all time.”

    “When does the drug wear off?” asked the nurse.

    “Keep him here for at least an hour. Watch him. If he doesn’t start talking in fifteen minutes, call me. Could have unplugged him forever. I don’t have the brains of a bugger.”

    • • •

    He got back to Miss Pumphrey’s class only fifteen minutes before the closing bell. He was still a little unsteady on his feet.

    “Are you all right, Andrew?” asked Miss Pumphrey.

    He nodded.

    “Were you ill?”

    He shook his head.

    “You don’t look well.”

    “I’m OK.”

    “You’d better sit down, Andrew.”

    He started toward his seat, but stopped. Now what was I looking for? I can’t think what I was looking for.

    “Your seat is over there,” said Miss Pumphrey.

    He sat down, but it was something else he needed, something he had lost. I’ll find it later.

    “Your monitor,” whispered the girl behind him.

    Andrew shrugged.

    “His monitor,” she whispered to the others.

    Andrew reached up and felt his neck. There was a bandaid. It was gone. He was just like everybody else now.

    “Washed out, Andy?” asked a boy who sat across the aisle and behind him. Couldn’t think of his name. Peter. No, that was someone else.

    “Quiet, Mr. Stilson,” said Miss Pumphrey. Stilson smirked.

    Miss Pumphrey talked about multiplication. Ender doodled on his desk, drawing contour maps of mountainous islands and then telling his desk to display them in three dimensions from every angle. The teacher would know, of course, that he wasn’t paying attention, but she wouldn’t bother him. He always knew the answer, even when she thought he wasn’t paying attention.

    In the corner of his desk a word appeared and began marching around the perimeter of the desk. It was upside down and backward at first, but Ender knew what it said long before it reached the bottom of the desk and turned right side up.

     

    THIRD

     

    Ender smiled. He was the one who had figured out how to send messages and make them march—even as his secret enemy called him names, the method of delivery praised him. It was not his fault he was a Third. It was the government’s idea, they were the ones who authorized it—how else could a Third like Ender have got into school? And now the monitor was gone. The experiment entitled Andrew Wiggin hadn’t worked out after all. If they could, he was sure they would like to rescind the waivers that had allowed him to be born at all. Didn’t work, so erase the experiment.

    The bell rang. Everyone signed off their desks or hurriedly typed in reminders to themselves. Some were dumping lessons or data into their computers at home. A few gathered at the printers while something they wanted to show was printed out. Ender spread his hands over the child-size keyboard near the edge of the desk and wondered what it would feel like to have hands as large as a grown-up’s. They must feel so big and awkward, thick stubby fingers and beefy palms. Of course, they had bigger keyboards—but how could their thick fingers draw a fine line, the way Ender could, a thin line so precise that he could make it spiral seventy-nine times from the center to the edge of the desk without the lines ever touching or overlapping. It gave him something to do while the teacher droned on about arithmetic. Arithmetic! Valentine had taught him arithmetic when he was three.

    “Are you all right, Andrew?”

    “Yes, ma’am.”

    “You’ll miss the bus.”

    Ender nodded and got up. The other kids were gone. They would be waiting, though, the bad ones. His monitor wasn’t perched on his neck, hearing what he heard and seeing what he saw. They could say what they liked. They might even hit him now—no one could see them anymore, and so no one would come to Ender’s rescue. There were advantages to the monitor, and he would miss them.

    It was Stilson, of course. He wasn’t bigger than most other kids, but he was bigger than Ender. And he had some others with him. He always did.

    “Hey Third.”

    Don’t answer. Nothing to say.

    “Hey, Third, we’re talkin to you, Third, hey bugger-lover, we’re talkin to you.”

    Can’t think of anything to answer. Anything I say will make it worse. So will saying nothing.

    “Hey, Third, hey, turd, you flunked out, huh? Thought you were better than us, but you lost your little birdie, Thirdie, got a bandaid on your neck.”

    “Are you going to let me through?” Ender asked.

    “Are we going to let him through? Should we let him through?” They all laughed. “Sure we’ll let you through. First we’ll let your arm through, then your butt through, then maybe a piece of your knee.”

    The others chimed in now. “Lost your birdie, Thirdie. Lost your birdie, Thirdie.”

    Stilson began pushing him with one hand; someone behind him then pushed him toward Stilson.

    “See-saw, marjorie daw,” somebody said.

    “Tennis!”

    “Ping-pong!”

    This would not have a happy ending. So Ender decided that he’d rather not be the unhappiest at the end. The next time Stilson’s arm came out to push him, Ender grabbed at it. He missed.

    “Oh, gonna fight me, huh? Gonna fight me, Thirdie?”

    The people behind Ender grabbed at him, to hold him.

    Ender did not feel like laughing, but he laughed. “You mean it takes this many of you to fight one Third?”

    “We’re people, not Thirds, turd face. You’re about as strong as a fart!”

    But they let go of him. And as soon as they did, Ender kicked out high and hard, catching Stilson square in the breastbone. He dropped. It took Ender by surprise—he hadn’t thought to put Stilson on the ground with one kick. It didn’t occur to him that Stilson didn’t take a fight like this seriously, that he wasn’t prepared for a truly desperate blow.

    For a moment, the others backed away and Stilson lay motionless. They were all wondering if he was dead. Ender, however, was trying to figure out a way to forestall vengeance. To keep them from taking him in a pack tomorrow. I have to win this now, and for all time, or I’ll fight it every day and it will get worse and worse.

    Ender knew the unspoken rules of manly warfare, even though he was only six. It was forbidden to strike the opponent who lay helpless on the ground; only an animal would do that.

    So Ender walked to Stilson’s supine body and kicked him again, viciously, in the ribs. Stilson groaned and rolled away from him. Ender walked around him and kicked him again, in the crotch. Stilson could not make a sound; he only doubled up and tears streamed out of his eyes.

    Then Ender looked at the others coldly. “You might be having some idea of ganging up on me. You could probably beat me up pretty bad. But just remember what I do to people who try to hurt me. From then on you’d be wondering when I’d get you, and how bad it would be.” He kicked Stilson in the face. Blood from his nose spattered the ground nearby. “It wouldn’t be this bad,” Ender said. “It would be worse.”

    He turned and walked away. Nobody followed him. He turned a corner into the corridor leading to the bus stop. He could hear the boys behind him saying, “Geez. Look at him. He’s wasted.” Ender leaned his head against the wall of the corridor and cried until the bus came. I am just like Peter. Take my monitor away, and I am just like Peter.

     

    Copyright © 1977, 1985, 1991 by Orson Scott Card

    Table of Contents

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    Once again, the Earth is under attack. Alien "buggers" are poised for a final assault. The survival of the human species depends on a military genius who can defeat the buggers. But who? Ender Wiggin. Brilliant. Ruthless. Cunning. A tactical and strategic master. And a child. Recruited for military training by the world government, Ender's childhood ends the moment he enters his new home: Battleschool. Among the elite recruits Ender proves himself to be a genius among geniuses. In simulated war games he excels. But is the pressure and loneliness taking its toll on Ender? Simulations are one thing. How will Ender perform in real combat conditions? After all, Battleschool is just a game. Right?

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    Children's Literature
    This twenty-five-year-old science fiction classic has been repackaged for younger readers. Unlike many hard-core science fiction titles, this book is particularly appropriate for a younger audience, for its protagonist, Ender Wiggin, is just six years old at the novel's beginning and still a pre-teen at its end. Ender's parents have received a special dispensation to have a third child in spite of strict population control laws. His brilliant older siblings, Peter and Valentine, have each showed great promise, but each falls just short of having "the right stuff." The International Fleet (I.F.) believes that Ender may be the commander they need to lead great armies against invasion by alien "buggers." When Ender does exhibit the desired combination of compassion and cruelty, the I.F. takes him to the distant Battle School, where brilliant children are trained in military strategy and tactics. The centerpiece of their education is a simulated battle game at which Ender quickly excels, eventually becoming the youngest commander in history. Life at Battle School, especially these battle games, is richly described. Ender is portrayed as just a pawn in the larger game being played by the I.F., and readers will alternately sympathize with his exploitation and cheer when he is able to make friends in spite of the tremendous forces working to isolate and dehumanize him. The political and philosophical material at the novel's end may get too heavy for some readers, but for the most part, this novel will deservedly reach a new generation through this new edition.
    —Norah Piehl
    School Library Journal
    Gr 7 Up

    This new young adult edition of the Hugo and Nebula Award-winning classic sci-fi novel by Orson Scott Card, winner of the Margaret A. Edwards Award for outstanding lifetime contribution to writing for teens, includes an original postscript by the author in which he discusses the origins of the novel is all about leadership. The novel asks: What does it take to successfully lead men into battle? The buggers have invaded Earth twice. The last time mankind survived only because of the brilliance of Mazer Rackham, commander of the International Fleet. Years later, a third invasion is feared and a new commander is sought. Ender Wiggin is only six years old when he is plucked to succeed Rackham and sent to the space station Battle School. He is isolated, ridiculed, bullied, and persecuted-but he survives and thrives. Using his astonishing intelligence, the boy learns to be a top-notch solider and, despite his youth and small stature, is quickly promoted up the ranks. By the age of 12, Ender learns the art of command and earns the respect and fear of his fellow soldiers. This audio version was created in celebration of the 20th anniversary of the novel and it's a gem. The audiobook is narrated by a full cast. Stefan Rudniki is particularly good as Ender. Despite Ender's age, this is not a children's novel. Its profound themes (and mild profanity) call for intelligent teens who appreciate a complex novel.-Tricia Melgaard, Centennial Middle School, Broken Arrow, OK

    Booklist
    "Superb characterization, pacing and language, combined them into a seamless story of compelling power."
    New York Newsday
    "Card has done strong work before, but this could be the book to break him out of the pack."
    New York Times Book Review
    "Ender's Game is an affecting novel."
    The Christian Science Monitor
    " [A] powerful book about war, that ranges in topic from reflex-training video games to combat between our inner-and other-directed selves...."
    Houston Post
    "Layers fold with immaculate timing, transforming an almost juvenile adventure into a tragic tale of the destruction...."
    From the Publisher
    "This audio version was created in celebration of the 20th anniversary of the novel and it's a gem…. Stefan Rudnicki is particularly good as Ender." - School Library Journal, Starred Review

     

    "[Rudnicki’s] deep, dispassionate, and sometimes lacerating voice gives a mesmerizing performance, managing to make Ender believable both as a vulnerable boy and as a brilliant military strategist…. a riveting audio production of Card’s classic 1977 novel, which in this ideal format remains as original, disturbing, and ultimately surprising as ever." - Horn Book

     

    "Rudnicki, the main narrator and voice of Ender, reads in a cool, almost emotionless manner, which seems just right for this dark life-or-death tale. Rudnicki excels when reading the students’ Battle School dialogue, a rhythmic slang used by the cadets…. De Cuir portrays Ender’s beloved sister, who remains on Earth. Her reading is as cool as Rudnicki’s but with a bit more emotion, a suitable match for the more volatile sibling." - Booklist

     

    "I've saved my favorite for last; if you loved Ender's Game, you will go nuts for these fantastic full-cast recordings." - Examiner.com on Ender's Game and Ender's Shadow

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