Two hundred years have passed since Mary Shelley wrote Frankenstein, and yet it’s still considered a literary classic, one of the most recognizable stories in popular culture, and a horror icon around the world.
Pasaron doscientos años desde que Mary Shelley escribió Frankenstein y todavía hoy es considerado no sólo un clásico de la literatura, sino una de las historias más reconocidas de la cultura popular y un ícono del terror a lo largo del mundo.
Publishers Weekly - Audio
This audio version of Shelley’s classic hits all the book’s emotional highpoints thanks to a terrific tag team of readers—a choice that is amply justified by the book’s structure: explorer Robert Walton’s correspondence with his sister; Victor Frankenstein’s narration of his life and misguided efforts to play God; and the infamous monster’s first-person account of how he made his way in the world. All three narrators are adept at modulating their tone to suit a scene’s mood—Roger May reads Walton’s sections, Daniel Philpott narrates Frankenstein’s, and Jonathan Oliver handles the monster’s sections—but the heavy lifting falls to Philpott, who conveys his character’s passion, ambition, and ultimate horror at what his creation has done, which includes an accidental killing that strikes the scientist very close to home. For any listener familiar only with filmed treatments of this seminal tale of terror, this is a good way to experience the original. (Oct.)
From the Publisher
Mary Shelley's Frankenstein is one of the masterpieces of nineteenth-century Gothicism. While stay-ing in the Swiss Alps in 1816 with her lover Percy Shelley, Lord Byron, and others, Mary, then eighteen, began to concoct the story of Dr. Victor Frankenstein and the monster he brings to life by electricity. Written in a time of great personal tragedy, it is a subversive and morbid story warning against the dehumanization of art and the corrupting influence of science. Packed with allusions and literary references, it is also one of the best thrillers ever written. Frankenstein; Or, the Modern Prometheus was an instant bestseller on publication in 1818. The prototype of the science fiction novel, it has spawned countless imitations and adaptations but retains its original power.
This Modern Library edition includes a new Introduction by Wendy Steiner, the chair of the English department at the University of Pennsylvania and author of The Scandal of Pleasure. Mary Shelley was born Mary Wollstonecraft Godwin in 1797 in London. She eloped to France with Shelley, whom she married in 1816. After Frankenstein, she wrote several novels, including Valperga and Falkner, and edited editions of the poetry of Shelley, who had died in 1822. Mary Shelley died in London in 1851.
Children's Literature - Toni Jourdan
In 1816 Mary Shelley dreamt up the story of a doctor that tampered with electricity to bring back the dead. This doctor successfully reanimates a hand that he obtained from a cemetery and then attempts to play Godpiecing together an entire man out of body parts that he stitches together. He forms a creature that horrifies even the good doctor himself. The creature escapes the lab, as does the doctor, who returns to his studio in Switzerland. There he learns of a death in his family, whereupon he immediately suspects the monster of this murder. Meanwhile, his creature has wandered around until he finds a shed to live in. It’s here that he learns to both speak and read by listening into a nearby family’s home each day. Conversely though, he would always be a gruesome monster of a man, never fitting in, always on the run. The creature confronts Dr. Frankenstein, requesting that the doctor create a woman for him so he will not always be alone. This dark story is brought to life as a graphic novel with rich vibrantly colored illustrations, in a retelling that plucks the highlights of an experiment gone awry. True to Mary Shelley’s vision and put together using the author’s history, the illustrations help the story jump off the page. This is a reimagining of a well-known story, successfully stitching together the pieces to give it new look. A glossary and Common Core questions round out this entry in the “Graphic Resolve: Common Core Editions” series. Reviewer: Toni Jourdan; Ages 10 to 14.
Library Journal
This classic tale of horror and obsession features an appropriately overwrought reading by three talented British actors. Dr. Victor Frankenstein becomes enslaved to the idea of reanimating the dead, spending years in a manic frenzy of scientific study and creation. But once his monster lives, Frankenstein is so horrified by the ugliness of "the demoniacal corpse" that he abandons it, never imagining that they will meet again in murderous circumstances. Daniel Philpott does most of the narration, employing a Germanic accent when he voices the good doctor's dialog. Roger May does a superb job as Capt. Robert Walton. The best performance, though, is by Jonathan Oliver as the Daemon. He makes listeners feel pity and compassion for this creature who longs only for love and intellectual stimulation; instead, he cannot help but be the personification of evil in his own mania for vengeance. VERDICT The reading is well paced, and the narrators are not afraid to sound overwrought when appropriate.—B. Allison Gray, Santa Barbara P.L., Goleta Branch, CA
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