G.M. Ford is the author of six widely praised Frank Corso novels, Fury, Black River, A Blind Eye, Red Tide, No Man's Land, and Blown Away, as well as six highly acclaimed mysteries featuring Seattle private investigator Leo Waterman. A former creative writing teacher in western Washington, Ford lives in Oregon and is currently working on his next novel.
Fury
by G. M. Ford
eBook
$6.74
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ISBN-13:
9780061860010
- Publisher: HarperCollins Publishers
- Publication date: 10/13/2009
- Sold by: HARPERCOLLINS
- Format: eBook
- Pages: 384
- Sales rank: 173,088
- File size: 550 KB
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Frank Corso is a pariah—a journalist once vilified for making up "facts" on a major crime story. Yet slow, sheltered Leanne Samples trusts no one but Corso to tell the world that her courtroom testimony that put Walter Leroy "Trashman" Himes on Death Row was a lie. Convicted of the savage slaying of eight Seattle women, Himes is only six days from execution, unless Frank Corso and outcast photographer Meg Dougherty into a struggle that goes far beyond right, wrong, truth, and justice. Because the lowly and the powerful alike all want Himes dead at any cost—despite startling new evidence that threatens to devastate a city once again.
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Seattle Magazine
The best writer of Seattle-oriented crime fiction these days is...G.M. Ford...Fury deserves to be a publishing rage.
Dennis Lehane
One of my favorite contemporary crime writers. G.M. Ford's at the top of his game and that's as good as it gets.
Publishers Weekly - Publisher's Weekly
Frank Corso, a renegade journalist with a conscience and a penchant for solitude, makes a winning debut in this new series from the author of the Leo Waterman novels (The Bum's Rush, etc.). Booted out of New York City and nearly out of journalism because of a nasty libel suit, Corso is taken on by the third-rate Seattle Sun and its proprietor, the steely Natalie Van Der Hoven. One of Frank's early pieces for the Sun examined the investigation of the "Trashman" crimes, a series of gruesome rapes and murders. The suspect, Walter Leroy Himes, was unsavory enough, but Corso wasn't convinced that he was the Trashman. Now Himes's execution date is fast approaching, and his principal accuser suddenly reveals that she was badgered into fingering Himes. As soon as Corso asks a question or two around the Seattle police department, the whole place starts alternately squirming and blustering. Corso enlists Meg Dougherty, a freelance photographer with legal training, as his assistant. Meg is covered head to toe with bizarre tattoos, thanks to a malicious boyfriend and one night of drugged sleep. More importantly, she's sharp and tough. Instead of ending with the pair sniffing out the real Trashman, Ford tweaks his tale a few more times, with missing evidence, secret lovers and a parent gone mad with grief. There's a love story here, too, tender and solid, that sneaks up on the reader and on the couple in question. Only a master could serve up such a fine story and then some. (May 1) Forecast: With a blurb from Harlan Coben, plus the popularity of the six Leo Waterman novels, this one could push Ford onto mystery bestseller charts. Copyright 2001 Cahners Business Information.
Kirkus Reviews
Though his performance as a series hero has been way above average, p.i. Leo Waterman (The Deader the Better, 2000, etc.) has been benched in favor of Frank Corso, a jaundiced journalist of tarnished reputation. Not long ago, Corso was a hotshot with the New York Times, until a sizzler of a story erupted in a fiasco, a multimillion-dollar lawsuit against the newspaper and walking papers for Corso. Into the breach, however, steps Natalie Van Der Hoven, owner of the Seattle Sun, with a life-saving job offer. Given his second chance, Corso flourishes, becomes a popular columnist, and even writes a true-crime bestseller. The financially strapped Sun benefits, too, but now needs a circulation blockbuster in order to leave red ink behind for good. A serial killer, a death-row vigil, a perjured witness, and relentless, in-your-face Corso deliver the goods. Along the way, love blooms when Corso meets Meg Dougherty, a freelance photographer almost as hardboiled and wisecracking as he is. The story twists and spins, good guys turn out to be bad, bad guys turn out to be awful, and punishment is less likely to fit the crime than the whim of fate. At the end, Corso and Meg, definitely an item, put to sea in Corso's 51-foot houseboat, suggesting that Leo Waterman's hiatus has at least one more book to run. Prose as fine-tuned as ever, though the plot does take a twist or so too many. As for Corso and Meg: they're rooted firmly in an oh-so-familiar traditionbut welcome nonetheless.