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    The Name of the Rose

    4.2 122

    by Umberto Eco, William Weaver (Translator), David Lodge (Introduction)


    Hardcover

    $27.00
    $27.00

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    Umberto Eco is a professor of semiotics at the Universityof Bologna. His other books include Foucault's Pendulum, The Island of the Day Before, and three collections of popular essays, Travels in Hyperreality, Misreadings, and How to Travel with a Salmon and Other Essays. He lives in Milan.

    Brief Biography

    Hometown:
    Bologna, Italy
    Date of Birth:
    January 5, 1932
    Place of Birth:
    Alessandria, Italy
    Education:
    Ph.D., University of Turin, 1954

    Read an Excerpt


    PROLOGUE

    In the beginning was the Word and the Word was with God, and the Word was God. This was beginning with God and the duty of every faithful monk would be to repeat every day with chanting humility the one never-changing event whose incontrovertible truth can be asserted. But we see now through a glass darkly, and the truth, before it is revealed to all, face to face, we see in fragments (alas, how illegible) in the error of the world, so we must spell out its faithful signals even when they seem obscure to us and as if amalgamated with a will wholly bent on evil.
       Having reached the end of my poor sinner’s life, my hair now white, I grow old as the world does, waiting to be lost in the bottomless pit of silent and deserted divinity, sharing in the light of angelic intelligences; confined now with my heavy, ailing body in this cell in the dear monastery of Melk, I prepare to leave on this parchment my testimony as to the wondrous and terrible events that I happened to observe in my youth, now repeating all that I saw and heard, without venturing to seek a design, as if to leave to those who will come after (if the Antichrist has not come first) signs of signs, so that the prayer of deciphering may be exercised on them.
       May the Lord grant me the grace to be the transparent witness of the occurrences that took place in the abbey whose name it is only right and pious now to omit, toward the end of the year of our Lord 1327, when the Emperor Louis came down into Italy to restore the dignity of the Holy Roman Empire, in keeping with the designs of the Almighty and to the confusion of the wicked usurper, simoniac, and heresiarch who in Avignon brought shame on the holy name of the apostle (I refer to the sinful soul of Jacques of Cahors, whom the impious revered as John XXII).
       Perhaps, to make more comprehensible the events in which I found myself involved, I should recall what was happening in those last years of the century, as I understood it then, living through it, and as I remember it now, complemented by other stories I heard afterward — if my memory still proves capable of connecting the threads of happenings so many and confused.
       In the early years of that century Pope Clement V had moved the apostolic seat to Avignon, leaving Rome prey to the ambitions of the local overlords: and gradually the holy city of Christianity had been transformed into a circus, or into a brothel, riven by the struggles among its leaders; though called a republic, it was not one, and it was assailed by armed bands, subjected to violence and looting. Ecclesiastics, eluding secular jurisdiction, commanded groups of malefactors and robbed, sword in hand, transgressing and organizing evil commerce. How was it possible to prevent the Caput Mundi from becoming again, and rightly, the goal of the man who wanted to assume the crown of the Holy Roman Empire and restore the dignity of that temporal dominion that had belonged to the Caesars?
       Thus in 1314 five German princes in Frankfurt elected Louis the Bavarian supreme ruler of the empire. But that same day, on the opposite shore of the Main, the Count Palatine of the Rhine, and the Archbishop of Cologne elected Frederick of Austria to the same high rank. Two emperors for a single throne and a single pope for two: a situation that, truly, fomented great disorder. . .
       Two years later, in Avignon, the new Pope was elected, Jacques of Cahors, an old man of seventy-two who took, as I have said, the name of John XXII , and heaven grant that no pontiff take again a name now so distasteful to the righteous. A Frenchman, devoted to the King of France (the men of that corrupt land are always inclined to foster the interests of their own people, and are unable to look upon the whole world as their spiritual home), he had supported Philip the Fair against the Knights Templars, whom the King accused (I believe unjustly) of the most shameful crimes so that he could seize their possessions with the complicity of that renegade ecclesiastic.
       In 1322 Louis the Bavarian defeated his rival Frederick. Fearing a single emperor even more than he had feared two, John excommunicated the victor, who in return denounced the Pope as a heretic. I must also recall how, that very year, the chapter of the Franciscans was convened in Perugia, and the minister general, Michael of Cesena, accepting the entreaties of the Spirituals (of whom I will have occasion to speak), proclaimed as a matter of faith and doctrine the poverty of Christ, who, if he owned something with his apostles, possessed it only as usus facti. A worthy resolution, meant to safeguard the virtue and purity of the order, it highly displeased the Pope, who perhaps discerned in it a principle that would jeopardize the very claims that he, as head of the church, had made, denying the empire the right to elect bishops, and asserting on the contrary that the papal throne had the right to invest the emperor. Moved by these or other reasons, John condemned the Franciscan propositions in 1323 with the decretal Cum inter nonnullos.
       It was at this point, I imagine, that Louis saw the Franciscans, now the Pope’s enemies, as his potential allies. By affirming the poverty of Christ, they were somehow strengthening the ideas of the imperial theologians, namely Marsilius of Padua and John of Jandun. And finally, not many months before the events I am narrating, Louis came to an agreement with the defeated Frederick, descended into Italy, and was crowned in Milan.
       This was the situation when I — a young Benedictine novice in the monastery of Melk — was removed from the peace of the cloister by my father, fighting in Louis’s train, not least among his barons. He thought it wise to take me with him so that I might know the wonders of Italy and be present when the Emperor was crowned in Rome. But the siege of Pisa then absorbed him in military concerns. Left to myself, I roamed among the cities of Tuscany, partly out of idleness and partly out of a desire to learn. But this undisciplined freedom, my parents thought, was not suitable for an adolescent devoted to a contemplative life. And on the advice of Marsilius, who had taken a liking to me, they decided to place me under the direction of a learned Franciscan, Brother William of Baskerville, about to undertake a mission that would lead him to famous cities and ancientabbeys. Thus I became William’s scribe and disciple at the same time, nor did I ever regret it, because with him I was witness to events worthy of being handed down, as I am now doing, to those who will come after us.

    I did not then know what Brother William was seeking, and to tell the truth, I still do not know today, and I presume he himself did not know, moved as he was solely by the desire for truth, and by the suspicion — which I could see he always harbored — that the truth was not what was appearing to him at that moment. And perhaps during those years he had been distracted from his beloved studies by secular duties. The mission with which William had been charged remained unknown to me while we were on our journey, or, rather, he never spoke to me about it. It was only by overhearing bits of his conversations with the abbots of the monasteries where we stopped along the way that I formed some idea of the nature of this assignment. But I did not understand it fully until we reached our destination.
       Our destination was to the north, but our journey did not follow a straight line, and we rested at various abbeys. Thus it happened that we turned westward (though we ought to have been going east), almost following the line of mountains that from Pisa leads in the direction of the pilgrim’s way to Santiago, pausing in a place which, due to what occurred there, it is better that I do not name, but whose lords were liege to the empire, and where the abbots of our order, all in agreement, opposed the heretical, corrupt Pope. Our journey lasted two weeks, amid various vicissitudes, and during that time I had the opportunity to know (never enough, I remain convinced) my new master.

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    A spectacular best seller and now a classic, The Name of the Rose catapulted Umberto Eco, an Italian professor of semiotics turned novelist, to international prominence. An erudite murder mystery set in a fourteenth-century monastery, it is not only a gripping story but also a brilliant exploration of medieval philosophy, history, theology, and logic.

    In 1327, Brother William of Baskerville is sent to investigate a wealthy Italian abbey whose monks are suspected of heresy. When his mission is overshadowed by seven bizarre deaths patterned on the book of Revelation, Brother William turns detective, following the trail of a conspiracy that brings him face-to-face with the abbey’s labyrinthine secrets, the subversive effects of laughter, and the medieval Inquisition. Caught in a power struggle between the emperor he serves and the pope who rules the Church, Brother William comes to see that what is at stake is larger than any mere political dispute–that his investigation is being blocked by those who fear imagination, curiosity, and the power of ideas.

    The Name of the Rose offers the reader not only an ingeniously constructed mystery—complete with secret symbols and coded manuscripts—but also an unparalleled portrait of the medieval world on the brink of profound transformation.

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    A brilliantly conceived adventure into another time, an intelligent and complex novel, a lively and well-plotted mystery.”
    —SAN FRANCISCO CHRONICLE

    “The novel explodes with pyrotechnic inventions, literally as well as figuratively . . . The narrative impulse that commands the story is irresistible . . . Mr. Eco’s delight in his narrative does not fail to touch the reader.”
    —NEW YORK TIMES BOOK REVIEW

    “Like the labyrinthine library at its heart, this brilliant novel has many cunning passages and secret chambers . . . Fascinating . . . Ingenious . . . Dazzling.”
    —NEWSWEEK

    “Whether you’re into Sherlock Holmes, Montaillou, Borges, the nouvelle critique, the Rule of St. Benedict, metaphysics, library design, or The Thing from the Crypt, you’ll love it. Who can that miss out?”
    —SUNDAY TIMES (LONDON)

    “[The Name of the Rose] is an example of that rare publishing phenomenon, the literary mega best seller which transcends linguistic boundaries . . . [It has] a gripping mystery, vivid characterization, an atmospheric setting, fascinating period detail, sly humour, dramatic confrontations, stunning set pieces, and a supple, eloquent prose that can shift its register to encompass the experience of faith, doubt, horror, erotic ecstasy, and despair.”
    —from the Introduction by David Lodge

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