"So he became the enemy of his kind, domesticated wolves that they were, softened by the fires of man, weakened in the sheltering shadow of man's strength." —White Fang
A companion novel to Jack London's The Call of the Wild, White Fang is the story of a wild dog's journey toward becoming civilized in the Canadian territory of Yukon at the end of the nineteenth century. White Fang is characteristic of London's precise prose style and innovation use of voice and perspective. Much of the novel is written from the viewpoint of the animals, allowing London to explore how animals view their world and how they view humans. White Fang relies on his instincts as well as his strength and courage to survive in the Yukon wilderness—despite both animal and human predators—and eventually comes to make his peace with man.
Includes Companion eBook
• Automatic startup with full instructions
• Easy keyword navigation and search
• PDF format; printable; eReader friendly
• Includes searchable table of contents
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Children's Literature - Judy Katsh
Jack London's story of the dog-wolf hybrid who is raised first as a wolf and later comes to know the world of dogs and humans is a riveting one. Teachers and other readers interested in growth and development will be especially fascinated by London's philosophy as repeatedly portrayed in the book as the "clay" of nature being "molded" by the environment of nurture. In this annotated version of the story, the original text is complete as written. Notes about the physical and social environment of the times during which the story takes place appear in wide margins. While many teachers of history and literature may find these connections helpful in their lesson planning and/or delivery; readers may find them distracting and intrusive. Oftentimes the marginal notes relate directly to events on that page of the text, but more often, they do not. Further, the detached reportorial style of these notes put them in direct conflict with the personal and emotional story that's being told. It's instructive to relate history and literature, but this may not be the best way to accomplish that interdisciplinary goal. 1999 (orig.
School Library Journal
Gr 2–4—London's novel portrays the interior life of mistreated part-wolf White Fang while exploring the fundamental nature of wild animals and the brutality inherent in vast Alaskan landscapes and inside men's hearts. It does not seem suitable reading material for primary-grade children, and Lutin's picture-book adaptation does not make an effective argument for the attempt. From the first page, in which White Fang's half-dog mother runs with her mate, One-Eye, Lutin falters; London revels in detailing natural impulses and viciousness, but this adaptation betrays his text with a ludicrous statement about the pair's love for one another. Later pages similarly fail to capture the spirit of London's harsh study of instinct and domestication. Guilloppe's visually arresting illustrations may appeal to some comic-book fans, and several spreads effectively use striking silhouettes to convey menace and action without gruesome detail. But overall, the digital artwork's strong lines and vivid colors feel disappointingly flat, lacking the nuance and delicate power of a natural landscape. While the adaptation glosses over many troubling and violent subplots, like initial owner Gray Beaver's descent into alcoholism and White Fang's repeated beatings and deadly dog fights, Lutin includes two gunshots. Many readers enjoy stories of nature, wilderness, and survival; books by Jean Craighead George, Gary Paulsen, and Roland Smith should more than suffice until they choose to explore Jack London's savage classics unchanged.—Robbin E. Friedman, Chappaqua Library, NY
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