A success story in the headlines, the surge in Iraq was an ordeal of hard fighting and anguished trauma for the American soldiers on the ground, according to this riveting war report. Washington Post correspondent Finkel chronicles the 15-month deployment of the 2-16 Infantry Battalion in Baghdad during 2007 and 2008, when the chaos in Iraq subsided to a manageable uproar. For the 2-16, waning violence still meant wild firefights, nerve-wracking patrols through hostile neighborhoods where every trash pile could hide an IED, and dozens of comrades killed and maimed. At the fraught center of the story is Col. Ralph Kauzlarich, whose dogged can-do optimism—his motto is “It’s all good”—pits itself against declining morale and whispers of mutiny. While vivid and moving, Finkel’s grunt’s-eye view is limited; the soldiers’ perspective is one of constant improvisatory reaction to attacks and crises, and we get little sense of exactly how and why the new American counterinsurgency methods calmed the Iraqi maelstrom. Still, Finkel’s keen firsthand reportage, its grit and impact only heightened by the literary polish of his prose, gives us one of the best accounts yet of the American experience in Iraq. Photos. (Sept.)
Did the much-vaunted surge of American troops in Iraq work? Yes, said George W. Bush. A soldierly response differed: "I've had enough of this bullshit."So details Pulitzer Prize-winning Washington Post writer Finkel in this excellent study of soldiers under fire. In January 2007, Bush ordered a surge that involved flooding the Baghdad and other key locations with soldiers to quell anti-American partisan activity. In the field were troops who had seen time in Iraq before, had gone home and been sent back. Some were from a battalion stationed at Fort Riley, Kan., and they had the good fortune to be commanded by a smart West Pointer who had earned his Ranger parachute and had served in the first Gulf War and Afghanistan. His troops affectionately dubbed Lt. Col. Ralph Kauzlarich, "the Lost Kauz." The sobriquet proved fitting, as Finkel chronicles, and though Kauzlarich did his best to prevent harm from befalling his charges, he could not stop the IEDs, suicide attacks and stray shots that inevitably followed their movements. The author writes with the you-are-there immediacy of Richard Tregaskis's Guadalcanal Diary (1943), taking the reader into the field, where, against a $100 explosive device, a "$150,000 Humvee might as well have been constructed of lace." Finkel also depicts the gruesome aftermath of such explosions: "All four limbs burned away, bony stumps visible. Superior portion of cranium burned away," reads a battalion doctor's death report. "No further exam possible due to degree of charring." Aspects of the surge, the author writes, were merely rhetorical. Others were unquestionably successful, particularly the reduction in the number of attacks on Americans-successes to bechalked up to the bravery of the men and women under fire, and in no way, Finkel says, to anything happening in Washington. Says Kauz of one action that serves as an epigram to the entire enterprise, "It's fucked up. But you did the right thing."A superb account of the burdens soldiers bear. Agent: Melanie Jackson/Melanie Jackson Agency
Finkel has made art out of a defining moment in history. You will be able to take this book down from the shelf years from now and say: 'This is what happened. This is what it felt like.'” —Doug Stanton, The New York Times Book Review
“Let me be direct. The Good Soldiers by David Finkel is the most honest, most painful, and most brilliantly rendered account of modern war I've ever read. I got no exercise at all the day I gulped down its 284 riveting pages.” —Daniel Okrent, Fortune
“Over and over, I cried. I endured nightmares. I have read hundreds of books about war and almost two dozen books about the U.S. invasions of Afghanistan and Iraq. Most of them affected me. But none has affected me as deeply as The Good Soldiers.” —Steve Weinberg, The Kansas City Star
“Heart-stopping . . . captures the surreal horror of war.” —Michiko Kakutani, The New York Times
“A whole generation of these men will (God willing) be coming home, and The Good Soldiers is as good a guide as I can imagine to who they'll be when they get here.” —Devin Friedman, GQ
“[A] new classic . . . the reader cannot get enough . . . As a compelling read, The Good Soldiers is all good.” —J. Ford Huffman, Military Times
“David Finkel has written the most unforgettable book of the Iraq War, a masterpiece that will far outlast the fighting.” —David Maraniss, author of They Marched into Sunlight
“From a Pulitzer Prize-winning writer at the height of his powers comes an incandescent and profoundly moving book: powerful, intense, enraging. This may be the best book on war since the Iliad.” —Geraldine Brooks, author of People of the Book and March
“This is the best account I have read of the life of one unit in the Iraq War. It is closely observed, carefully recorded, and beautifully written. David Finkel doesn't just take you into the lives of our soldiers, he takes you deep into their nightmares.” —Thomas E. Ricks, author of Fiasco and The Gamble
“Brilliant, heartbreaking, deeply true. The Good Soldiers offers the most intimate view of life and death in a twenty-first-century combat unit I have ever read. Unsparing, unflinching, and, at times, unbearable.” —Rick Atkinson, author of An Army at Dawn and The Day of Battle
“This is the finest book yet written on the platoon-level combat of the Iraq war . . . Unforgettable—raw, moving, and rendered with literary control . . . No one who reads this book will soon forget its imagery, words, or characters.” —Steve Coll, author of Ghost Wars
“Vivid and moving . . .Finkel's keen firsthand reportage, its grit and impact only heightened by the literary polish of his prose, gives us one of the best accounts yet of the American experience in Iraq.” —Publishers Weekly, starred review
“A superb account of the burdens soldiers bear.” —Kirkus Reviews, starred review
