Sara Bareilles: Between the Lines - Live at the Fillmore [2 Discs] [Blu-ray/CD]

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Sara Bareilles: Between the Lines - Live at the Fillmore [2 Discs] [Blu-ray/CD]

Blu-ray (Bonus CD)

$29.99

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Blu-ray (Bonus CD)
$29.99

View All Available Formats & Editions

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Overview

Pop singer songwriter Sara Bareilles performs at historical San Francisco venue The Fillmore. Full tracklist includes: 'Bottle It Up', 'Vegas', 'Morningside', 'Love On The Rocks', 'Between The Lines', 'Fairytale', 'August Moon', 'City', 'Love Song', 'Many

Product Details

Release Date:	11/11/2008
UPC:	0886973918098
Original Release:	2008
Source:	Epic
Language:	English
Time:	2:00:00
Sales rank:	24,564

Special Features

Exclusive acoustic Performances; ; Music Videos: Fairytale, love song and bottle it up; ; Audio in 5.1 Surround Sound

Cast & Crew

Performance Credits

Sara Bareilles	Performer,Performer
Sara Bareilles	Primary Artist,Piano,Guitar,Vocals
Eric Robinson	Guitar (Acoustic),Guitar (Electric),Vocals (Background),Keyboards,Organ (Hammond)
Josh Day	Drums,Vocals (Background)
Javier Dunn	Guitar (Electric),Vocals (Background)

Technical Credits

Sinead OMara	Executive Producer
Jon Kaplan	Mixing,Surround Mix
Sara Bareilles	Composer
Danny Clinch	Photography
Otis Redding	Composer
Dave McNair	Mastering
Javier Dunn	Composer
Tim Mosenfelder	Photography
Calvin Aurand	Executive Producer
Christian Calabr¿¿	Package Design
Sheri Lee	Art Direction

From the B&N Reads Blog

Page 1 of

Editorial Reviews

09/22/2014
The debut novel from van den Berg brings the lightly speculative touch to real-world longing that characterizes her collections What the World Will Look Like When All the Water Leaves Us and The Isle of Youth, but against an apocalyptic backdrop that, at first, feels all too familiar. As a mysterious illness spreads across the world, a 19-year-old orphan girl called Joy Jones is living as ward of the sinister Hospital, along with other immune children, subject to the strange experiments of Dr. Bek, whose interest in Joy extends beyond medical inquiry. Indeed, amid an “epidemic of forgetting,” Joy fights for her memories of life, and hopes to be somehow reunited with her mother, whom she believes to be a nautical detective, a finder of lost ships, operating off the coast of Florida. Hoping to escape the fate of the Hospital’s other residents and nurtured by rumors of the outside world, Joy journeys from Kansas City to Florida, chasing visions alongside her only companion, a boy in a rubber mask named Marcus. This post-Hospital half of the novel plays to van den Berg’s strengths, with wild excursions into dangerous new environments populated by memorable oddballs, never losing sight of the emotional core of Joy’s quest. The earlier chapters are hampered by future-isms that are cliché and conclusions that feel tedious or foregone—but in Joy, van den Berg has created a voice that never feels false, only lost and dreaming of being found. (Feb.)

Publishers Weekly

Confident, gripping stories . . . Ms. van den Berg spins complex plots around a sense of emotional emptiness. Her stories are bursting at the seams, while her characters are lonely to the core.

The New York Times John Williams

Praise for Laura van den Berg

From the Publisher

★ 01/01/2015
A deadly virus has swept across America, killing hundreds of thousands. Joy, who was abandoned as an infant and grew up in a series of both foster and group homes, is one of a select few survivors chosen for a specialized course of treatment in a hospital in Kansas. As she follows the mind-numbing routines and regulations of the hospital, Joy begins to suspect that something is being hidden from the patients. By chance she discovers the identity of her birth mother and dreams of finding her, as well as Marcus, a former foster brother. VERDICT Like Margaret Atwood's The Handmaid's Tale or Kazuo Ishiguro's Never Let Me Go, van den Berg's debut novel (after two successful story collections) presents a frighteningly plausible near-future dystopia grounded in human elements. Not everything is explained, and things take an increasingly surreal turn in the novel's second half, but Joy's quest, and her need to feel cared for, is heartbreakingly real and compellingly wrought. The book's ambiguous conclusion may lead to rereading as the possibility of multiple interpretations is opened. Highly recommended. [See Prepub Alert, 8/4/14.]—Christine DeZelar-Tiedman, Univ. of Minnesota Libs., Minneapolis

Library Journal

2014-11-20
In the last days of modern civilization, a young orphan from Boston makes her way across the dangerous wastelands of America. This is not an adventure for her. Post-apocalyptic novels can bend in a lot of directions—in the past decade we've seen the murky emotional depths of Cormac McCarthy's The Road, the political metaphor of World War Z by Max Brooks, and the fragile state of fear of Edan Lepucki's California. This debut novel by acclaimed short story writer van den Berg (The Isle of Youth, 2013, etc.) tends to lean much closer to the realms of literary fiction with its complex psychology. Our heroine is the ironically named Joy Jones, an emotionally barren young woman with no family or friends who now slogs at a day job under the influence of a soul-deadening amount of cough syrup. She's not the most ebullient spirit even before a modern plague strikes, killing half the world. She's given to saying things like, "I wonder if I will ever know what it's like to feel at peace," and "No one will ever write a Wikipedia page for me." As hundreds of thousands of victims succumb, Joy is taken to a hospital complex in Kansas where she's subjected to strange tests both medical and psychological, has emotionless sex with her roommate and recoils at the deaths of twin boys. While at the hospital, Joy learns that her long-lost mother is an underwater archaeologist featured in a series of television documentaries that she watches like they are her only lifeline. The remainder of the book covers Joy's trek to find her mother, traveling in the company of Marcus, a boy who shared one of her many foster homes. Van den Berg's writing is curiously beautiful, and her portrayals can also be disarmingly sensitive, as if we might break this girl just by reading about her. "I've grown up knowing the world is fragile," she says. "No one needs to tell me that." A sad story about a sad girl slouching toward the end of the world.

Kirkus Reviews

Sara Bareilles: Between the Lines - Live at the Fillmore [2 Discs] [Blu-ray/CD]

Sara Bareilles: Between the Lines - Live at the Fillmore [2 Discs] [Blu-ray/CD]

Blu-ray (Bonus CD)

Blu-ray (Bonus CD)

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Overview

Product Details

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Cast & Crew

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