Gathering Blue

The companion novel to the Newbery Medal winner, The Giver.

Kira, an orphan with a twisted leg, lives in a world where the weak are cast aside. She fears for her future until she is spared by the all-powerful Council of Guardians. Kira is a gifted weaver and is given a task that no other community member can do. While her talent keeps her alive and brings certain privileges, Kira soon realizes she is surrounded by many mysteries and secrets. No one must know of her plans to uncover the truth about her world and see what places exist beyond.

Winner of an AudioFile Earphones Award

Selected Audiobooks for Young Adults (American Library Association)

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Gathering Blue

The companion novel to the Newbery Medal winner, The Giver.

Kira, an orphan with a twisted leg, lives in a world where the weak are cast aside. She fears for her future until she is spared by the all-powerful Council of Guardians. Kira is a gifted weaver and is given a task that no other community member can do. While her talent keeps her alive and brings certain privileges, Kira soon realizes she is surrounded by many mysteries and secrets. No one must know of her plans to uncover the truth about her world and see what places exist beyond.

Winner of an AudioFile Earphones Award

Selected Audiobooks for Young Adults (American Library Association)

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Overview

The companion novel to the Newbery Medal winner, The Giver.

Kira, an orphan with a twisted leg, lives in a world where the weak are cast aside. She fears for her future until she is spared by the all-powerful Council of Guardians. Kira is a gifted weaver and is given a task that no other community member can do. While her talent keeps her alive and brings certain privileges, Kira soon realizes she is surrounded by many mysteries and secrets. No one must know of her plans to uncover the truth about her world and see what places exist beyond.

Winner of an AudioFile Earphones Award

Selected Audiobooks for Young Adults (American Library Association)


Product Details

ISBN-13: 9780739379806
Publisher: Listening Library, Inc.
Publication date: 10/31/2006
Series: Giver Quartet Series , #2
Edition description: Unabridged
Age Range: 12 - 17 Years

About the Author

About The Author

Lois Lowry is the author of more than thirty books for children and young adults, including the New York Times bestselling Giver Quartet and popular Anastasia Krupnik series. She has received countless honors, among them the Boston Globe-Horn Book Award, the Dorothy Canfield Fisher Award, the California Young Reader’s Medal, and the Mark Twain Award. She received Newbery Medals for two of her novels, NUMBER THE STARS and THE GIVER. Her first novel, A SUMMER TO DIE, was awarded the International Reading Association’s Children’s Book Award. Ms. Lowry now divides her time between Cambridge and an 1840s farmhouse in Maine. To learn more about Lois Lowry, see her website at loislowry.com or follow her on Twitter @LoisLowryWriter.

Read an Excerpt

"Mother?"

There was no reply. She hadn't expected one. Her mother had been dead now for four days, and Kira could tell that the last of the spirit was drifting away.

"Mother." She said it again, quietly, to whatever was leaving. She thought that she could feel its leave taking, the way one could feel a small whisper of breeze at night.

Now she was all alone. Kira felt the aloneness, the uncertainty, and a great sadness.

This had been her mother, the warm and vital woman whose name had been Katrina. Then after the brief and unexpected sickness, it had become the body of Katrina, still containing the lingering spirit. After four sunsets and sunrises, the spirit, too, was gone. It was simply a body. Diggers would come and sprinkle a layer of soil over the flesh, but even so it would be eaten by the clawing, hungry creatures that came at night. Then the bones would scatter, rot, and crumble to become part of the earth.

Kira wiped briefly at her eyes, which had filled with tears. She had loved her mother, and would miss her terribly. But it was time for her to go. She wedged her walking stick in the soft ground, leaned on it, and pulled herself up.

She looked around uncertainly. She was young still, and had not experienced death before, not in the small two-person family that she and her mother had been. Of course she had seen others go through the rituals. She could see some of them in the vast foul smelling Field of Leaving, huddled beside the ones whose lingering spirits they tended. She knew that a woman named Helena was there, watching the spirit leave her infant, who had been born too soon. Helena had come to the Field only the day before. Infants did not require the four days of watching; the wisps of their spirits, barely arrived, drifted away quickly. So Helena would return to the village and her family soon.

As for Kira, she had no family, now. Nor any home. The cott she had shared with her mother had been burned. This was always done after sickness. The small structure, the only home Kira had ever known, was gone. She had seen the smoke in the distance as she sat with the body. As she watched the spirit of her mother drift away, she had seen the cindered fragments of her childhood life whirl into the sky as well.

She felt a small shudder of fear. Fear was always a part of life for the people. Because of fear, they made shelter and found food and grew things. For the same reason, weapons were stored, waiting. There was fear of cold, of sickness and hunger. There was fear of beasts.

And fear propelled her now as she stood, leaning on her stick. She looked down a last time at the lifeless body that had once contained her mother, and considered where to go.

Kira thought about rebuilding. If she could find help, though help was unlikely, it wouldn't take long to build a cott, especially not this time of year, summerstart, when tree limbs were supple and mud was thick and abundant beside the river. She had often watched others building, and Kira realized that she could probably construct some sort of shelter for herself. Its corners and chimney might not be straight. The roof would be difficult because her bad leg made it almost impossible for her to climb. But she would find a way. Somehow she would build a cott. Then she would find a way to make a life.

Her mother's brother had been near her in the Field for two days, not guarding Katrina, his sister, but sitting silently beside the body of his own woman, the short-tempered Solora, and that of their...

What People are Saying About This

From the Publisher

"Lowry returns to the metaphorical future world of her Newbery-winning The Giver. . . . Plenty of material for thought and discussion here, plus a touch of magic and a tantalizing hint about the previous book’s famously ambiguous ending." (6/15/00) Kirkus Reviews with Pointers

"Lowry is a master at creating worlds, both real and imagined, and this incarnation of our civilization some time in the future is one of her strongest creations." —Booklist, starred review (6/1/00) Booklist, ALA, Starred Review

Reading Group Guide

1. Discuss what gave Katrina, Kira’s mother, the courage to stand up to the people of the village and spare Kira’s life, when the custom in Kira’s society was to destroy babies born with birth defects. Do you think Katrina was aware of her daughter’s gift? Katrina never created the color blue. Do you think she knew that her daughter would someday find the secret of creating blue?

2. At the beginning of the novel, Katrina dies and Kira is left homeless. Kira is fearful, especially when Vandara, a vicious and angry woman, tells her that she is worthless. Discuss the strength Kira displays when she faces the Council of Guardians. How does Kira show strength and courage throughout the novel?

3. Discuss the way children are treated in Kira’s society. What is the difference between abuse and neglect? How is Matt both abused and neglected? What is his role in the story? How does Matt contribute to Kira’s growth as a person and an artist?

4. Vandara is known throughout the village. “People whispered about her. She was known, and respected. Or feared.” (p. 15) How can someone who is feared be respected? Discuss whether the women of the village fear Vandara more than they respect her. How do you know that they don’t really agree with Vandara regarding Kira’s fate?

5. What qualities determine the difference between skill and art? Debate whether Katrina was a skilled weaver or an artist. At what point in the novel does Kira display the true qualities of an artist?

6. Why is the history of the people called the Ruin Song? The scenes on the Singer’s Robe represent Ruin, Rebuilding, Ruin Again, and Regrowth. How does this symbolize the history of our world?

7. Kira has always been told that beasts killed her father. When Kira tells Jamison that Annabella says there are no beasts, he replies, “She’s very old. It’s dangerous for her to speak that way.” (p. 128) Do you think Annabella knows the truth about Kira’s father? Discuss whether Jamison is responsible for Annabella’s death.

8. Matt is concerned that Kira might be held captive at the Council Edifice. How is it that he has a better understanding of the meaning of captivity than Kira does? Debate whether Kira and Thomas, the young carver, are indeed held captive even though they are allowed to roam. At what point does Kira realize that she isn’t really free?

9. What do Kira, Thomas, and Jo have in common? Interpret the following statement: “They were forcing the children to describe the future they wanted, not the one that could be.” (p. 212)

10. At the end of the novel, Matt brings Christopher, Kira’s blind father, to meet her. How does meeting her father alter Kira’s concept of her purpose in life and her contribution to her society’s future?

Prepared by Pat Scales, Director of Library Services, South Carolina Governor’s School for the Arts and Humanities, Greenville

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