Nina: Jazz Legend and Civil-Rights Activist Nina Simone

A stunning picture-book biography of the High Priestess of Soul and one of the greatest voices of the 20th century.

With evocative black-and-white illustrations and moving prose, readers are introduced to Nina Simone, jazz-music legend and civil-rights activist. Shared as a lullaby to her daughter, a soulful song recounts Simone's career, the trials she faced as an African American woman, and the stand she took during the Civil Rights Movement. This poignant picture book offers a melodic tale that is both a historic account of an iconic figure and an extraordinary look at how far we've come and how far we still need to go for social justice and equality. A timeless and timely message aptly appropriate for today's social and political climates.

♦ "A good introduction to Simone’s life, from her early love of music to her rise to the status of legend" —Kirkus Reviews, starred review

♦ "Strikingly illustrated" —Booklist, starred review

♦ "Hauntingly beautiful illustrations" —Foreword Reviews, starred review

"Stirring and powerful. . . " —BookPage

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Nina: Jazz Legend and Civil-Rights Activist Nina Simone

A stunning picture-book biography of the High Priestess of Soul and one of the greatest voices of the 20th century.

♦ "A good introduction to Simone’s life, from her early love of music to her rise to the status of legend" —Kirkus Reviews, starred review

♦ "Strikingly illustrated" —Booklist, starred review

♦ "Hauntingly beautiful illustrations" —Foreword Reviews, starred review

"Stirring and powerful. . . " —BookPage

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Nina: Jazz Legend and Civil-Rights Activist Nina Simone

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Overview

A stunning picture-book biography of the High Priestess of Soul and one of the greatest voices of the 20th century.

♦ "A good introduction to Simone’s life, from her early love of music to her rise to the status of legend" —Kirkus Reviews, starred review

♦ "Strikingly illustrated" —Booklist, starred review

♦ "Hauntingly beautiful illustrations" —Foreword Reviews, starred review

"Stirring and powerful. . . " —BookPage

Product Details

ISBN-13:	9781580898270
Publisher:	Charlesbridge
Publication date:	11/28/2017
Pages:	40
Sales rank:	212,243
Product dimensions:	8.70(w) x 11.20(h) x 0.50(d)
Age Range:	4 - 8 Years

About the Author

Alice Brière-Haquet teaches high school literature and has published several books for children, including ONE Very Big Bear (Abrams) and Zebedee's Balloon (Auzou). She lives in France.

Bruno Liance is an illustrator, dad, and music lover. He has been making art full-time for fifteen years after studying decorative arts in Paris. He lives in France. http://brunoliance.blogspot.com/

Read an Excerpt

Dream, my baby, dream,until you spread your wings. . . .Hey my child, my sweet child . . . you are havinga hard time falling asleep tonight, so listen to my story.Go

From the B&N Reads Blog

Page 1 of

Editorial Reviews

Nina Simone probably won’t be a familiar name to primary graders, but that doesn’t matter much in this captivating book focusing on the young Nina and how early events in her life shaped her adult passions. This begins with Nina singing a lullaby she’s written to her daughter. At bedtime, she tells the child stories of her own youth. When she first saw a piano, she noticed the black keys were smaller than the white ones—and that could have become a metaphor for the world. “Black people were nothing but half notes on a huge ivory keyboard. But no. I did not agree with this.” Another incident, after she’s become an accomplished musician: at a concert, her mother is seated up-front until white audience members arrive. But Nina won’t play if her mother must move, so her mother stays put. Later, Martin Luther King becomes “her symphony.” But his dream must be nurtured, she murmurs as her daughter sleeps. This French import is strikingly illustrated in black-and-white. A two-page spread in which white people sit, while black people stand behind them, arms raised, conveys a historical drama made even more powerful by the medium. Perhaps because of its French origin, there’s no author’s note, nothing that further details Simone’s career. But this stands on its own.
—Booklist starred review
A soft lullaby sung to comfort a sleepy little girl turns into theinspiring story of remarkable musical talent blossoming in theface of racial inequalities in Nina: Jazz Legend and Civil-RightsActivist Nina Simone, by Alice Brière-Haquet. Hauntingly beautifulillustrations from Bruno Liance are in shades of black and white,light and shadow, to cast a dreamlike resonance over youngNina’s piano playing as she notices, reflects, and rises above theprejudice around her.
—Foreword Reviews starred review
A biography about the legendary singer told as a lullaby from Simone to her daughter.
With black-and-white illustrations that evoke a dreamy, old-time feel, Simone (appropriately portrayed with an afro) sings her daughter a lullaby interspersed with the story of her life. At 3, Simone starts piano lessons, connecting the appearance of the piano keys to the oppression of black people in the US. Music offers Simone an escape (“Music has no color”), though the fact that the “important men in powered wings from past centuries” whose music she plays are all white is addressed only in the illustration. (Here young Simone is also depicted with white hair which will probably require some assistance from caregivers to unpack). When 12-year-old Simone gives a church performance, she refuses to play until her mother, who had given up her front-row seat for a white attendee, is reseated in the front row setting a precedent for her activist future. Dr. Martin Luther King Jr. is cited as an inspiration (though without the honorific), and a spread with protest signs adds humor with Simone happily pointing to her own sign, which reads, “Young, Gifted, and Black,” a nod to her future song. Though the softly textured illustrations in this French import are sometimes obscure, they are always beautiful. A good introduction to Simone’s life, from her early love of music to her rise to the status of legend.
—Kirkus Reviews starred review
A mother sings her restless child to sleep, offering up a story from her own childhood to help ease the transition to bedtime. The mother is Nina Simone, talking about her own girlhood and the discrimination she faced as she came into her own and discovered her love of music.
The adult Nina, looking back, remembers a church performance at the age of 23, during which her proud mother was asked by white people to remove herself from the front row where she planned to watch her daughter perform. Author Alice Brière-Haquet uses a set of piano keys as a metaphor for the racial injustices of the time: “Black people were nothing but half notes on a huge ivory keyboard.” Later, the adult Nina tells her own child that Dr. Martin Luther King Jr.’s dream of racial harmony helped turn the tide. Here, illustrator Bruno Liance brings readers black and white protesters with signs; young Nina herself holds one that reads, “Young, Gifted, and Black,” referencing her 1970 song that became an anthem of the Civil Rights movement.
Liance’s illustrations—soft-focus and hazy, just as memories are wont to be—are in black-and-white, matching the author’s sentiment: “Music has no color.” There are moments of great drama on several spreads. More than one features lush trees or flowers bursting forth in unexpected places (from a piano, from the bed of the child Nina is lulling to sleep). One features a line-up of white composers (Mozart, Liszt and the like), followed by young Nina, the only black person pictured, who “played all the important men in powdered wigs from past centuries.” A couple of spreads show a defiant Nina, pushing down her anger to sing to her dismissed mother in the crowd.
Stirring and powerful, the book can be an effective conversation-starter with children about racial injustice.
—BookPage

From the Publisher

From its black endpapers to its striking spreads, this French tribute to Nina Simone is a study in black, white, and greys. It’s not a biography of the legendary singer, but a celebration of her activism for civil rights. One night, when her baby girl cannot sleep, Nina sings to the child, telling the story of her youth. She relates that she often wondered why a piano had big white keys and small black ones, noting that she believes music is universal, with “the same rhythm for everyone.” (Artist Liance contributes an amusing spread of the classical musicians Simone played as a child—it’s fun to guess who each one is—and includes Nina in the group.) One event that Simone never forgot or forgave took place when she was a child. Musically talented, she was asked to give a concert at her church. As Simone’s mother took a seat in front, she was asked to move back to make room for white occupants. Nina refused to play until her mother was reinstated, foreshadowing her anger and activism as an adult. The author then brings Martin Luther King, Jr. into the story, as Liance makes a powerful statement for equal rights in a spread with strong verticals and, in a sharp contrast, the word NOW forming a horizontal line across the top. Though King stood for non-violence, Simone preferred action and vigilance. Her ideals were expressed in her music—classical, folk, jazz, blues, gospel, pop, and soul—and her work as a singer, arranger, and composer. Through the years, Nina Simone found she was happier in Europe than in America, ultimately settling in France, from whence comes this story of her childhood, ending with a wish for her daughter. For more about this fascinating and influential musician, older readers might try Kerry Acker’s Nina Simone (Chelsea House, 2003). Reviewer: Barbara L. Talcroft; Ages 4 up.

Children's Literature - Barbara L. Talcroft

12/01/2017
Gr 3–5—Less a biography than a meditation, Brière-Haquet's take on Nina Simone is structured as a bedtime story told by the legendary musician to her daughter. In lyrical prose, the book reflects on Simone's early musical education and racial awareness as they grow hand in hand. From the black-and-white keys of the piano to the divisions that young Simone experienced among white and black people in her community, the book frames Simone's career as a mission to make "the notes…mingle and dance together in the air so these lies would disappear," erroneously asserting that "Music has no color." The telling abruptly shifts from Simone's early life to the influence of Martin Luther King Jr., whose dream is described as "my symphony. Black and white people…together in the big dance of life." Simone cautions that "the dream is fragile" and the book ends where it began, the singer lulling her daughter to sleep. As a firm but oversimplified telling, the text leaves something to be desired. In addition, though the illustrations are gently fantastical, Liance's choice to portray Simone as a light skinned, almost white, figure is deeply problematic. VERDICT An ambitious though unsuccessful work.—Katya Schapiro, Brooklyn Public Library

School Library Journal

★ 2017-10-16
A biography about the legendary singer told as a lullaby from Simone to her daughter.With black-and-white illustrations that evoke a dreamy, old-time feel, Simone (appropriately portrayed with an Afro) sings her daughter a lullaby interspersed with the story of her life. At 3, Simone starts piano lessons, connecting the appearance of the piano keys to the oppression of black people in the U.S. Music offers Simone an escape ("Music has no color"), though the fact that the "important men in powdered wigs from past centuries" whose music she plays are all white is addressed only in the illustration. (Here young Simone is also depicted with white hair, which will probably require some assistance from caregivers to unpack.) When 12-year-old Simone gives a church performance, she refuses to play until her mother, who had given up her front-row seat for a white attendee, is reseated in the front row, setting a precedent for her activist future. Dr. Martin Luther King Jr. is cited as an inspiration (though without the honorific), and a spread with protest signs adds humor with Simone happily pointing to her own sign, which reads, "Young, Gifted, and Black," a nod to her future song. Though the softly textured illustrations in this French import are sometimes obscure, they are always beautiful. A good introduction to Simone's life, from her early love of music to her rise to the status of legend. (Picture book. 4-8)

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