Caruso's Mustache Off: and Other Writings about Music and Musicians

Van Vechten wrote lively and often audacious essays on musical subjects. He was first to offer serious assessments of the music of Stravinsky, Erik Satie, Gershwin, and the operas of Richard Stauss. He wrote the earliest study in America of the music of Spain. He was first to advocate musical scores for movies. He contended that ragtime and jazz were the only uniquely American music.

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Caruso's Mustache Off: and Other Writings about Music and Musicians

Van Vechten wrote lively and often audacious essays on musical subjects. He was first to offer serious assessments of the music of Stravinsky, Erik Satie, Gershwin, and the operas of Richard Stauss. He wrote the earliest study in America of the music of Spain. He was first to advocate musical scores for movies. He contended that ragtime and jazz were the only uniquely American music.

8.95 In Stock
Caruso's Mustache Off: and Other Writings about Music and Musicians

Caruso's Mustache Off: and Other Writings about Music and Musicians

by Carl Van Vechten
Caruso's Mustache Off: and Other Writings about Music and Musicians

Caruso's Mustache Off: and Other Writings about Music and Musicians

by Carl Van Vechten

eBook

$8.95 

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Overview

Van Vechten wrote lively and often audacious essays on musical subjects. He was first to offer serious assessments of the music of Stravinsky, Erik Satie, Gershwin, and the operas of Richard Stauss. He wrote the earliest study in America of the music of Spain. He was first to advocate musical scores for movies. He contended that ragtime and jazz were the only uniquely American music.


Product Details

BN ID: 2940011298929
Publisher: Mondial
Publication date: 04/26/2011
Sold by: Smashwords
Format: eBook
File size: 997 KB

About the Author

Before Carl Van Vechten's later careers--as the first dance critic in America, as a best-selling novelist during the Jazz Age of the Twenties, as the leading white champion of African American arts and letters, and as a celebrity photographer--he was Assistant Music Critic for the New York Times (1906-13). Subsequently, he wrote seven volumes of lively and often audacious essays on musical subjects.

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