Breakfast at Sotheby's: An A-Z of the Art World

When you stand in front of a work of art in a museum or exhibition, the first two questions you normally ask yourself are 1) Do I like it? and 2) Who’s it by?

When you stand in front of a work of art in an auction room or dealer’s gallery, you ask these two questions followed by others: How much is it worth? How much will it be worth in five or ten years’ time? And what will people think of me if they see it hanging on my wall?

  Breakfast at Sotheby’s is an alphabetical guide to how people reach answers to such questions, and how in the process art is given a financial value. Based on Philip Hook’s thirty-five years’ experience of the art market, Breakfast at Sotheby’s explores the artist and his hinterland (including definitions for -isms, middle-brow artists, Gericault, and suicides), subject and style (from abstract art and banality through surrealism and war), “wall-power,” provenance, and market weather.

  Comic, revealing, piquant, splendid, and occasionally absurd, Breakfast at Sotheby’s is a book of pleasure and intelligent observation, as engaged with art as it is with the world that surrounds it.
1115741859
Breakfast at Sotheby's: An A-Z of the Art World

When you stand in front of a work of art in a museum or exhibition, the first two questions you normally ask yourself are 1) Do I like it? and 2) Who’s it by?

When you stand in front of a work of art in an auction room or dealer’s gallery, you ask these two questions followed by others: How much is it worth? How much will it be worth in five or ten years’ time? And what will people think of me if they see it hanging on my wall?

  Breakfast at Sotheby’s is an alphabetical guide to how people reach answers to such questions, and how in the process art is given a financial value. Based on Philip Hook’s thirty-five years’ experience of the art market, Breakfast at Sotheby’s explores the artist and his hinterland (including definitions for -isms, middle-brow artists, Gericault, and suicides), subject and style (from abstract art and banality through surrealism and war), “wall-power,” provenance, and market weather.

  Comic, revealing, piquant, splendid, and occasionally absurd, Breakfast at Sotheby’s is a book of pleasure and intelligent observation, as engaged with art as it is with the world that surrounds it.
17.49 In Stock
Breakfast at Sotheby's: An A-Z of the Art World

Breakfast at Sotheby's: An A-Z of the Art World

by Philip Hook
Breakfast at Sotheby's: An A-Z of the Art World

Breakfast at Sotheby's: An A-Z of the Art World

by Philip Hook

eBook

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Overview

When you stand in front of a work of art in a museum or exhibition, the first two questions you normally ask yourself are 1) Do I like it? and 2) Who’s it by?

When you stand in front of a work of art in an auction room or dealer’s gallery, you ask these two questions followed by others: How much is it worth? How much will it be worth in five or ten years’ time? And what will people think of me if they see it hanging on my wall?

  Breakfast at Sotheby’s is an alphabetical guide to how people reach answers to such questions, and how in the process art is given a financial value. Based on Philip Hook’s thirty-five years’ experience of the art market, Breakfast at Sotheby’s explores the artist and his hinterland (including definitions for -isms, middle-brow artists, Gericault, and suicides), subject and style (from abstract art and banality through surrealism and war), “wall-power,” provenance, and market weather.

  Comic, revealing, piquant, splendid, and occasionally absurd, Breakfast at Sotheby’s is a book of pleasure and intelligent observation, as engaged with art as it is with the world that surrounds it.

Product Details

ISBN-13: 9781468310306
Publisher: The Overlook Press
Publication date: 10/02/2014
Sold by: Barnes & Noble
Format: eBook
Pages: 368
File size: 11 MB
Note: This product may take a few minutes to download.
Age Range: 18 Years

About the Author

Philip Hook is a director and senior paintings specialist at Sotheby’s. He has worked in the art world for thirty-five years, during which time he has also been a director of Christie’s and an international art dealer. He is the author of five novels and two works of art history, including The Ultimate Trophy, a history of Impressionist painting.
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