WINNER OF THE ESSENCE LITERARY AWARD IN FICTION
In 1946, Hollywood’s most famous swashbuckler, Errol Flynn, arrived in Jamaica in a storm-ravaged boat. After a long and celebrated career on the silver screen, Flynn spent the last years of his life on a small island off the Jamaican coast, where he fell in love with the people, the paradisiacal setting, and the privacy, and brought a touch of Tinseltown glamour to the West Indian community.
Based on those years, The Pirate’s Daughter imagines an affair between the aging matinee star and Ida, a beautiful local girl. Flynn’s affections are unpredictable but that doesn’t stop Ida from dreaming of a life with him, especially after the birth of their daughter, May.
Margaret Cezair-Thompson weaves stories of mothers and daughters, fathers and lovers, country and kin, into this compelling, dual-generational coming-of-age tale of two women struggling to find their way in a nation wrestling with its own independence.
WINNER OF THE ESSENCE LITERARY AWARD IN FICTION
In 1946, Hollywood’s most famous swashbuckler, Errol Flynn, arrived in Jamaica in a storm-ravaged boat. After a long and celebrated career on the silver screen, Flynn spent the last years of his life on a small island off the Jamaican coast, where he fell in love with the people, the paradisiacal setting, and the privacy, and brought a touch of Tinseltown glamour to the West Indian community.
Based on those years, The Pirate’s Daughter imagines an affair between the aging matinee star and Ida, a beautiful local girl. Flynn’s affections are unpredictable but that doesn’t stop Ida from dreaming of a life with him, especially after the birth of their daughter, May.
Margaret Cezair-Thompson weaves stories of mothers and daughters, fathers and lovers, country and kin, into this compelling, dual-generational coming-of-age tale of two women struggling to find their way in a nation wrestling with its own independence.
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Overview
WINNER OF THE ESSENCE LITERARY AWARD IN FICTION
In 1946, Hollywood’s most famous swashbuckler, Errol Flynn, arrived in Jamaica in a storm-ravaged boat. After a long and celebrated career on the silver screen, Flynn spent the last years of his life on a small island off the Jamaican coast, where he fell in love with the people, the paradisiacal setting, and the privacy, and brought a touch of Tinseltown glamour to the West Indian community.
Based on those years, The Pirate’s Daughter imagines an affair between the aging matinee star and Ida, a beautiful local girl. Flynn’s affections are unpredictable but that doesn’t stop Ida from dreaming of a life with him, especially after the birth of their daughter, May.
Margaret Cezair-Thompson weaves stories of mothers and daughters, fathers and lovers, country and kin, into this compelling, dual-generational coming-of-age tale of two women struggling to find their way in a nation wrestling with its own independence.
Product Details
ISBN-13: | 9780812979428 |
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Publisher: | Random House Publishing Group |
Publication date: | 08/05/2008 |
Edition description: | Reprint |
Pages: | 432 |
Sales rank: | 273,848 |
Product dimensions: | 5.16(w) x 9.86(h) x 0.92(d) |
Age Range: | 14 - 18 Years |
About the Author
Margaret Cezair-Thompson was born in Jamaica, West Indies. She came to the United States at the age of nineteen to attend Barnard College, and then went on to earn a PhD in English from the City University of New York. She is the author of two novels and teaches literature and creative writing at Wellesley College.
Her first novel, The True History of Paradise (to be reprinted by Random House 2009), was short-listed for the Dublin International I.M.P.A.C. award. Her second novel, The Pirate’s Daughter, won the Essence Literary Award for Fiction in 2008. Other publications include short fiction, essays, and articles in Callaloo, The Washington Post, Journal of Commonwealth Literature, Graham House Review, and Elle magazine. Her screenplay, Photo Finish, about a Jamaican-American athlete, was sold to Oprah Winfrey’s Harpo Productions.
Although she has lived outside Jamaica for some time, Margaret Cezair-Thompson retains strong ties to her native country. Like the main characters of her novels, she was a child when Jamaica became an independent nation in 1962, and she has witnessed the country’s changes, at times with deep concern and always with great interest.
Read an Excerpt
the Pirate's Daughter
By margaret cezair-thompson
UNBRIDLED BOOKS
Copyright © 2007 Margaret Cezair-ThompsonAll right reserved.
ISBN: 978-1-932961-40-9
Chapter One
shipwrecked
If her father had not been a justice of the peace, Ida might never have come to know the movie star.
On a sunny morning in 1946, Ida Joseph stood outside her house in Port Antonio, leaning against her father's car. She was glad to be thirteen because it meant the end of childhood and the beginning of womanly responsibilities like picking out her own shoes. Her shoes that day were white and went well, she thought, with her pink-and-white dress. It was good to be outside after three days of rain. Looking around, she saw no sign of the bad weather. The ground was dry. The early sun revealed a patch of mountainside and warmed the car behind her.
The street she lived on, Plumbago Road, was in the hilly part of the town, foothills of the Blue Mountains. From where she stood she could see the sea. Any minute now the ship would appear on the horizon. It was Saturday and that meant she would drive down to the harbor with her father.
Eli Joseph wasn't paid for his services as a justice of the peace. He earned a living operating a small taxi business. There were two taxis: a hired man drove the old gray Morris, and Mr. Joseph drove the black Chrysler that Ida now leaned against. Most Saturdays she would go with him, first to the courthouse to see if anyone needed him to notarize documents. After that they made a few stops, maybe at the pharmacy or the Cricket Oval. Then they would drive to the harbor to pick up passengers.
When the United Fruit Company ships arrived, all the life of Port Antonio drew to the harbor. They were huge, sleek ships, part of the company's Great White Fleet, and they impressed Ida. Her father, who often went aboard, told her that above deck was "luxury, pure luxury," with air-conditioned lounges and spacious rooms for the American passengers. Below deck, the real business of the vessel took place: bananas-thousands of them, loaded into the refrigerated holds for the ship's return voyage to America. The loading of bananas always took place at night. During the daytime bustle of arriving and departing tourists, the banana workers were practically invisible. Instead, there would be cart men selling coconut water and souvenirs, straw weavers with jipijapa hats, calypso singers with maracas and guitars; the crazy man who called himself King George the Fifth would be there too, and taxi drivers would guide the passengers through the crowd.
"Ida!" she heard her mother calling from inside the house.
Ida turned to face the car window, where, after a quick approval of her reflection, she took in the beige seats of the Chrysler. It was a big car with room for four passengers in the back. One of the things she liked best about driving in the taxi was the way the foreigners smelled. She wasn't sure what it was exactly-it wasn't on them; it was around them and around their luggage as if they'd brought some of the foreign air with them.
It was unusual for a man like Eli Joseph-a white man and a Syrian-to drive a taxi. He was actually Lebanese, but in Jamaica they were all called Syrians: the Jews, Lebanese, Arabs, and actual Syrians who had come to Jamaica and made fortunes, all of them except Eli Joseph. A man of great ideas, he was often heard saying, "If I could just raise enough capital."
He was considered a "character," not so much by the people of Port Antonio as by his family in Kingston, the wealthy Joseph-Hanna clan who owned the beer and soda business. To the black people of Port Antonio, the fact that he was a Joseph, a white man, and a justice of the peace guaranteed him a certain amount of respect; that he played dominoes and drank rum with them earned him their affection.
"Ida! You don't hear me callin' an' callin'?"
Her mother, Esme, had come outside.
For a moment the mother and the daughter stood and eyed one another.
Esme was a stout black woman whose overweight body moved with surprising grace. She had small Chinese eyes and a saintly expression that concealed how strict a parent she was. Her daughter looked as if she belonged to a different race: fair-skinned with long black hair pulled back from her forehead with a tortoiseshell bandeau. Her dark eyebrows drew attention to large, expressive eyes. It was hard to describe her as anything but beautiful. But Esme, who did not want her to grow up vain and stupid, made little of her daughter's good looks.
"You out here idlin' while you father waitin' for the newspaper?"
Ida had forgotten that this was why she had come outside. She picked up the Daily Gleaner and walked up the paved path between the gate and the trellised veranda. There was a row of conch shells on either side of the path. Her grandmother, who had put them there, said conch shells protected homes from natural disasters. They were pretty. The little garden was pretty too but crowded; her mother worked hard to contain the lush flowers in the small space-bird-of-paradise, heliconia, bougainvillea, and tree-orchids-vibrant things that clawed, latched, and climbed if they were not constantly pruned.
Inside, the house smelled of buttered toast. It was a shining, clean house with furniture that was too large for the rooms.
Her mother looked at her and frowned. "Why you let out you hair? Go plait it," she said and went into the kitchen.
Ida's father was drinking his coffee and listening to the radio. He took the newspaper from her, not seeming the least bit annoyed about having waited. He was a slender, unmuscular man, with deeply tanned skin that sometimes led people to think he was Indian. Like his daughter, he had large, dark eyes, and he had long eyelashes that might have made him look effeminate if he hadn't had such a wide, square jaw.
He was still wearing just his undershirt, and Ida could see the gold Virgin Mary pendant he always wore.
"Eh-eh, Ida. Look here," he said, opening the paper. "Errol Flynn is in Jamaica."
She looked over his shoulder and saw a picture of a man with wavy hair and a sword. She read:
WORLD'S HANDSOMEST MAN IS HERE
Actor Errol Flynn Arrives in Jamaica Unexpectedly
"He's a big movie star," her father explained.
Ida had seen only one movie, Tarzan the Ape Man, when someone had donated a projector to Father Reynold's school down the road.
Eli called to Esme back in the kitchen, "You hear that, Esme? Errol Flynn in Jamaica!"
Flynn leaned against the railing of the hotel balcony, letting the sights and sounds of the tropical morning minister to him. The sun warmed his face and the green hills unrolled before him to a bright and tranquil sea.
He was almost forty and looked all right, he thought, in spite of the extra pounds around his waist. Yes, he looked all right but felt like a man who'd reached the end rather than the prime of his life. If only it worked like a sandglass-life, the accumulating years-now would be the time, he thought, to turn the whole thing upside down.
He'd made more than twenty films and was proud of only one, Gentleman Jim. His second marriage was doomed, just as his first had been. He had a son and two daughters he never saw; in fact, he had no idea where they were. And he'd been tried for rape! The statutory rape of two girls he swore he'd never even seen before they appeared in the courtroom. He'd been acquitted on all counts, but the long, highly publicized trial had dragged him through a stench that still lingered. How had he, Errol Leslie Thompson Flynn-son of the respected zoologist Professor Thompson Flynn-gotten himself so deep in the muck? He wouldn't have known what to do with himself if it hadn't been for the Zaca, his schooner. Its name was a Samoan word for "peace."
In an earlier century he would have been an explorer, he thought, like Magellan. Maybe a poet too. He'd always loved the sea, dreamed of a life at sea, and often felt nostalgic about his childhood on Tasmania's coast (darting in and out of the marine lab where his father had studied the platypus-an animal without a scrotum!).
A month after the trial, he'd set sail with his man Ramon, a first-class Mexican sailor, steering the Zaca through the Panama Canal, heading for Haiti.
At night watch he'd lain on his back on deck, looking at the stars, feeling like a weightless speck on the planet, or a kind of deviant Ulysses willing to sail anywhere but home. His house on Mulholland Drive was about as appealing to him as a pile of unread newspapers. Good Lord, anywhere but home.
One night during his watch the air grew unusually still. The next day the sky turned red like a puffy wound. The barometer fell. The radio signals went. Then the hurricane winds hit suddenly, unlike anything he'd ever seen or heard, ripping the storm sail. They'd put out the heavy anchors but even then the boat had skittered across the water. Then the galley put out, washing away all their supplies, their maps and passports.
There'd been hours when he hadn't been able to distinguish between the elements-black sky, black water. Strangely, the thought of death hadn't crossed his mind. Death wasn't action, and this was action: straining muscles and nerves. It had revived him. Yes, it had taken a hurricane to lift him out of his middle-aged slump.
The storm passed quickly, but for two days they'd drifted in a shark-filled sea with no radio, no supplies, and no idea where they were.
Then he saw a body of land in the distance, a hazy outline of mountains against the sky. They drifted toward it, almost running aground at a small desert island along the way. It was another hour before the current pushed them close enough for him to make out a harbor town nestled below the most serene mountains he'd ever seen.
As he got closer, he grew puzzled. He knew he'd never been to the place before, but there was something familiar about it, especially the stone fort at the edge of the water with its black cannons pointing to sea.
There were some boys sitting along the fort's wall watching the Zaca drift in.
"What is this country?" Flynn shouted across to them.
"Jamaica."
He laughed. Jamaica!
"Onward to Jamaica and to victory!" had been his battle cry on the set of Captain Blood. His first leading role, it had made him a star. Of course, the whole thing had been filmed at the studio, not on location, but hadn't he defeated a Spanish fleet here-not once but twice-and saved the island? And won Olivia de Havilland's admiration to boot?
Some fishermen towed the boat in. They seemed unfriendly, and particularly suspicious of Ramon, whom they mistook to be Cuban. "Cubana? Turtle? Tortuga?" they kept asking Ramon, who looked at them, baffled.
Flynn saw a sign that said, "Welcome to Port Antonio." A coastguard officer led them to a small wooden office that looked like an army barrack. Like the fishermen, he seemed agitated by Ramon's presence. Later Flynn learned that there'd been trouble with Cuban fishermen stealing sea turtles from Jamaican waters.
The coastguard officer telephoned his superior: "I have a Cuban here, sir, and he's with an American named Earl Flint. What should I do, sir?"
Flynn found a scrap of paper and wrote out his correct name, and the man spelled it out over the phone. "Awright, sir, yes."
Flynn looked around. The boys who had been sitting on the seawall had gathered outside and were peeking in the doorway. No one seemed to know who he was. For a moment he had an odd feeling, like a man suddenly aware of himself dying, that something real and unfilmable was happening to him.
"Police car comin' to take you to Kingston," the coastguard officer said.
Flynn asked if he and Ramon could have something to eat, and they were taken to a cart man selling food and soft drinks along the pier.
And it was there, out on the pier, that he was recognized by the Indian ladies selling bangles and khus-khus perfume. The usually demure sariclad ladies became agitated. One of them ran down the pier shouting, "Errol Flynn ... oh, God!"
Soon there was a small crowd around him-tourists and Jamaicans, including the previously distrustful fishermen. The harbor's infirmary nurse appeared because in the commotion someone either fainted or fell. The coastguard officer was overwhelmed as the crowd started getting bigger. Finally the police jeep arrived; Flynn and Ramon were given raisin buns and sodas and taken to Kingston.
The evening Star reported:
FLYNN'S FANS FAINT
Women Fall Unconscious at Movie Star's Feet
It was not the sari-clad ladies who had fainted, and actually, the report was wrong: only one woman fainted, an English tourist buying straw baskets. She looked up when she heard the commotion and saw him-disheveled, unshaven, but unmistakably her matinee idol. ("Chu!" Esme said when Eli read this out loud, "it was probably the heat why she fainted." "No man, is how the women go on when they see him," Eli said.) After this report in the Star, fainting became epidemic among the young women of the island whenever they glimpsed Errol Flynn, or thought they had. Some pretended to faint so they could say they had seen him.
Ida and her father visited the harbor to look at Errol Flynn's wrecked boat.
"If his boat is here, he must come back for it sooner or later," Eli said.
A policeman was guarding the Zaca. He seemed disgruntled, and Ida could see why. He'd enjoyed some fame after appearing in a newspaper picture guarding Flynn's damaged boat from onlookers. Now, a week later, people had lost interest in the wreck, and he had nothing to do but sit all day, waving away flies.
All the attention had turned to Kingston, where Flynn was being royally entertained and courted by the country's richest families. He stayed in their mansions. The British High Commissioner had a dinner in his honor. He had numerous invitations and met with all kinds of Jamaicans-radio-show hosts, the Jamaica Nurses Association. People sent him baskets of tropical fruit, rum, and native artwork. The admiration was not one-sided. Flynn told reporters, "Jamaica's more beautiful than any woman I've ever known."
A wealthy Jamaican named Aaron Levy invited him to stay at his beach hotel in Ocho Rios. As Flynn was being driven across the island to Levy's hotel, he was aware of a lightheartedness he hadn't felt in ages. Jamaica reminded him of the most enjoyable years of his life, the carefree, spirited years he'd spent in the South Seas before he'd become an actor. It occurred to him as he drove through the mountains, looking out on a landscape so rampantly green that the soil never showed, that he could be happy again. Here was everything he wanted: warm climate, wonderful food, deep-sea diving, sailing, peaceful countryside-and the people spoke English. He'd spend four or five months of the year here. It would restore him.
"This must be the Paradise written about in the Bible," he said on a local radio show.
These words of appreciation delighted everyone and were quoted in local newspapers, living rooms, and tenement yards. "Flynn Fever" broke out, as one newspaper put it. FLYNN FANS FRACAS, another headline stated, describing the disorder that broke out at a cinema during a showing of Objective Burma when members of the audience thought they saw Errol Flynn sitting among them The article was written by the same reporter who had devised the erroneous headline FLYNN'S FANS FAINT. Another of his headlines, in fact his last on the subject, was:
FLYNN FAN FALLS DEAD
An elderly female died of an apparent heart-attack as she walked out of the Cross Roads post office around 2 p.m. yesterday. Bystanders claim that they saw a vehicle with someone who looked like Errol Flynn going by. The Chief-of-Police issued a statement saying: "There seems to be no relation between the two incidents."
But there was still the problem of Flynn's passport having been lost at sea. Ramon, who had gone ahead to America, had experienced trouble getting back into the country without identification. The World's Handsomest Man actually had no proof that he was Errol Flynn. His wife in California sent him the only identification she could dig up, a copy of their marriage certificate. But since it was only a copy, he needed to have it notarized.
(Continues...)
Excerpted from the Pirate's Daughter by margaret cezair-thompson Copyright © 2007 by Margaret Cezair-Thompson. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Reading Group Guide
1. Why does Oni, Ida’s grandmother, always ask Ida if she’s a mongoose or a girl? What is she? What does Oni mean when she says “Sometimes bird hafe learn how fe swim”? How does this saying apply to Ida? To May?
2. What kind of father is Eli Joseph? How does he support Ida? How does he fail her?
3. Why does Ida defy her mother and traditional Jamaica? What does Errol Flynn represent for her?
4. On page 200, Ida wonders if her only choices were “to be a sorry unwed mother or the well-cared-for wife of a man whom she admired but didn’t love.” Do you think she’s right? What were Esme’s choices?
5. What makes May feel like a stranger in her own community and country?
6. How is the racism Ida sees in New York different from that in Jamaica? What accounts for these differences?
7. Why does May resist when Ida tries to tell her about her father, Errol Flynn?
8. How does May’s single meeting with Errol Flynn affect her? How does it affect him? During this meeting, Flynn thinks of all the things he wanted to tell her. Later, when he waits for Ida at the wrong hotel bar, he wishes he could tell Ida several things. What do you think he wants to tell his daughter and her mother?
9. Though Errol Flynn is May’s biological father, many other men are more fatherly towards May. What characters in The Pirate’s Daughter help May come of age?
10. How can May love the land of Jamaica, but not the nation, as she asserts in her letter to Nigel on page 205? How does the landscape of Jamaica energize and empower her? How does the nation affect her?
11. What went wrong with Ian? Why is he with the gunmen when they attack Navy Island? Do you agree with May that their parents’ generation is to blame for the problems of the younger generation? Why or why not?
12. Why does Karl hide Errol’s treasure map from May? And on page 372, why does Karl emphasize that he stole what should have been May’s? What does he think he stole, other than a monetary inheritance?
13. How does Jamaica manifest as more than a setting? How does Cezair-Thompson present Jamaica as a character?
14. How does May’s Treasure Cove tell the story of her family and her country? What are the implications of the untitled manuscript she sends to Nigel?