Rosenthal and Lichtenheld (the team behind Duck! Rabbit! and other titles) give punctuation personalities in this witty calligraphic jaunt. Against a background of lined penmanship paper, an exclamation mark realizes he differs from his neighbors, a neat row of periods. Like them, he consists of a smiley face drawn in swooshes of expressive black ink, but above his head stands a resolute vertical dash. He twists and curls his topper to no avail, until—“Hello? Who are you?”—an inquisitive question mark appears. Bothered by the newcomer’s incessant queries (“When’s your birthday? Know any good jokes?”), the hero bellows a spread-shaking “Stop!” and discovers his talent for assertions, from “Hi!” to “Wow!” and “Look what I can do!” Thanks to savvy design, the exclamation mark’s announcements are printed in different sizes and colors to subtly indicate emphasis and tone, yet the mark never meets others like himself and therefore never suffers from overuse. With a restraint that’s more declaratory than exclamatory, Rosenthal and Lichtenheld cleverly raise awareness of the ways punctuation conveys mood. Ages 4–8. Agent: Amy Rennert, the Amy Rennert Agency, (Mar.)
"From the dynamic team that brought you Duck! Rabbit! (2009) comes this introduction to the most exuberant punctuation mark of all: the exclamation point. At first, !, a round circle with a face, doesn’t like standing out in a crowd; in a line-up of seven smiling faces, which look like period marks, he’s the only one with a line above his head. ! tries clever ways to fit in (flipping himself upside down, thereby squashing his tail) and even thinks about running away, until he meets a formidable force: the question mark. After a barrage of questions from ? (“Do you like frogs? Can you hula-hoop?”), ! finds his voice and tells him to “STOP!” From there, !’s confidence begins to grow and, soon, there’s no stopping his unbridled joy. The spare, clever illustrations—all round, black-outlined punctuation marks with faces—are set on thick lined-paper, the kind kindergarteners use, and the overall design effect is lovely. The text is similarly simple, but a change in the size and color of the font signifies important moments. With the celebrating-your-strengths angle, fun grammar lesson, and many classroom tie-in possibilities, this picture book deserves a !!!." — Ann Kelley, Booklist starred review
"Punctuation with pizzazz.
How does an exclamation mark learn his purpose? Pre-readers and readers alike will giggle and cheer to see the process. The setting is a warm yellowish beige background with a faint pulpy pattern and repeating horizontal lines with dotted lines halfway between them—penmanship paper. Each bold, black punctuation mark has a minimalist yet expressive face inside its circular dot. “He stood out,” explains the first page, as the titular protagonist looks on doubtfully. He tries hanging around with periods, but squishing his extension down into a spring doesn’t really work; even prostrate, “he just wasn’t like everyone else. Period.” (Hee! Rosenthal gleefully puns instead of naming any punctuation.) Mournful, “confused, flummoxed, and deflated,” the exclamation mark’s line tangles and flops. Then someone unexpected arrives. “Hello? Who are you?” queries the newbie, jovially pummeling the exclamation mark with 17 manic inquiries at once. “Stop! ” screams the exclamation mark in enormous, bumpy-edged letters—and there’s his identity! The outburst’s anxious vibe dissipates immediately (and the question mark is undaunted by being yelled at). Finally, the protagonist has “[broken] free from a life sentence.” Snapping up usages that match his newfound personality, he zooms back to show the other punctuation marks. The zippy relationship between exclamation mark and question mark continues beyond the acknowledgements page." - Kirkus starred review
"Through a perfect pairing of clever design and tongue-in-cheek humor, Rosenthal and Lichtenheld effectively demonstrate the function of the exclamation mark (as well as the period and question mark) in this tale about a depressed punctuation mark that just doesn’t fit in. On an unadorned backdrop of lined paper, several periods and one exclamation mark are lined up in a row. Clearly, he stands out in a crowd. Like Elmer in David McKee’s classic tale, the exclamation mark struggles with his difference and tries to blend in. When the downcast punctuation meets a question mark who overwhelms him with inquiries, our hero finally finds his voice and tells the other to “Stop!” From there, he builds his confidence in making declarative statements and leaves the group “to make his mark.” Rosenthal shines in her play on words (“It was like he broke free from a life sentence”). Lichtenheld’s minimalist style is deceivingly simple; a curlicue or crumpled line, combined with an amazingly impressive circle with eyes and a mouth, is all that’s needed to convey emotion when the exclamation mark is “confused, flummoxed, and deflated.” This fun-to-read tale will find a ready home in language-arts lessons, reminding burgeoning elementary-age writers which punctuation personality belongs in which type of sentence– without the tedium that accompanies traditional grammar lessons. This one is a must-have!!! – School Library Journal starred review (Jayne Damron, Farmington Community Library, Farmington Hills, MI)
Our exclamation point hero stands out everywhere. He tries to be like the other simple periods, but he can't. Then one day a question mark appears, asking question after question until the exclamation point screams, "STOP!" The question mark wants to know how he did that. Our hero tries to build up, beginning with a small, "Hi!" He moves up to "Wow!" and other great exclamations. Then he runs off to show the other "guys" what he can do. They all agree that he is really something. "So with his head held high, he went off...to make his mark." The story is told on off-white notebook pages with the simplest of faces on the circle periods sitting on the blue lines, "...rendered in ink and other exciting materials." A casual black circle with dots for eyes and a swish for a mouth serves as the face for both the periods and the protagonist, but he carries the long vertical line that has made him different. When questioned to exhaustion by the question mark, his scream is visualized in boldly nervous letters that fill the double page. His further self tests produce words in different colors and sizes. The period chorus shows its approval with triangle mouths. It's all light-hearted fun. Reviewer: Ken Marantz and Sylvia Marantz
Children's Literature - Ken Marantz and Sylvia Marantz
In this inventive tale about one of the most unique punctuation marks, preschoolers find a personal connection in a simple discovery of one's purpose and role in life while celebrating the uncertain process as well as an excellent result. Very basic facial expressions carry the story of exploration as varying sizes and colors of fonts offer sentimental emotional outbursts. Little ones are caught up in the crescendo of an adventure which seems to have an unpredictable ending. One page in particular asks multiple questions that come to a little boy or girl's mind covering a variety of topics. As the exclamation mark finds his way through the tricky maze, youngsters also realize this is their story. Older students recognize personal lives as a bit of a journey as well as during an earlier time. Language connections are made clearly while intangibles surface a bit less so obviously; and yet as an engaging read aloud, audiences find a welcome new personality who is very much like them in many ways. Distinct? Oh, Yes. Celebrations galore? You bet! Reviewer: Susan Treadway
Children's Literature - Susan Treadway
Gr 1–5—Through a perfect pairing of clever design and tongue-in-cheek humor, Rosenthal and Lichtenheld effectively demonstrate the function of the exclamation mark (as well as the period and question mark) in this tale about a depressed punctuation mark that just doesn't fit in. On an unadorned backdrop of lined paper, several periods and one exclamation mark are lined up in a row. Clearly, he stands out in a crowd. Like Elmer in David McKee's classic tale, the exclamation mark struggles with his difference and tries to blend in. When the downcast punctuation meets a question mark who overwhelms him with inquiries, our hero finally finds his voice and tells the other to "Stop!" From there, he builds his confidence in making declarative statements and leaves the group "to make his mark." Rosenthal shines in her play on words ("It was like he broke free from a life sentence"). Lichtenheld's minimalist style is deceivingly simple; a curlicue or crumpled line, combined with an amazingly impressive circle with eyes and a mouth, is all that's needed to convey emotion when the exclamation mark is "confused, flummoxed, and deflated." This fun-to-read tale will find a ready home in language-arts lessons, reminding burgeoning elementary-age writers which punctuation personality belongs in which type of sentence-without the tedium that accompanies traditional grammar lessons. This one is a must-have!!!—Jayne Damron, Farmington Community Library, Farmington Hills, MI
Punctuation with pizzazz. How does an exclamation mark learn his purpose? Pre-readers and readers alike will giggle and cheer to see the process. The setting is a warm yellowish beige background with a faint pulpy pattern and repeating horizontal lines with dotted lines halfway between them--penmanship paper. Each bold, black punctuation mark has a minimalist yet expressive face inside its circular dot. "He stood out," explains the first page, as the titular protagonist looks on doubtfully. He tries hanging around with periods, but squishing his extension down into a spring doesn't really work; even prostrate, "he just wasn't like everyone else. Period." (Hee! Rosenthal gleefully puns instead of naming any punctuation.) Mournful, "confused, flummoxed, and deflated," the exclamation mark's line tangles and flops. Then someone unexpected arrives. "Hello? Who are you?" queries the newbie, jovially pummeling the exclamation mark with 17 manic inquiries at once. "Stop! " screams the exclamation mark in enormous, bumpy-edged letters--and there's his identity! The outburst's anxious vibe dissipates immediately (and the question mark is undaunted by being yelled at). Finally, the protagonist has "[broken] free from a life sentence." Snapping up usages that match his newfound personality, he zooms back to show the other punctuation marks. The zippy relationship between exclamation mark and question mark continues beyond the acknowledgements page. Funny and spirited (and secretly educational, but nobody will notice). (Picture book. 4-8)