The Book of Tea
2012 Reprint of 1956 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. The "Book of Tea" by Okakura Kakuzō is a long essay linking the role of tea (Teaism) to the aesthetic and cultural aspects of Japanese life. Addressed to a western audience, it was originally written in English and is one of the great English Tea classics. Okakura had been taught at a young age to speak English and was proficient at communicating his thoughts to the Western mind. In his book, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzō argues that this tea-induced simplicity affected art and architecture, and he was a long-time student of the visual arts. He ends the book with a chapter on Tea Masters. This edition contains a new forward and a biographical sketch augmenting the original 1906 edition.
1116756114
The Book of Tea
2012 Reprint of 1956 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. The "Book of Tea" by Okakura Kakuzō is a long essay linking the role of tea (Teaism) to the aesthetic and cultural aspects of Japanese life. Addressed to a western audience, it was originally written in English and is one of the great English Tea classics. Okakura had been taught at a young age to speak English and was proficient at communicating his thoughts to the Western mind. In his book, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzō argues that this tea-induced simplicity affected art and architecture, and he was a long-time student of the visual arts. He ends the book with a chapter on Tea Masters. This edition contains a new forward and a biographical sketch augmenting the original 1906 edition.
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The Book of Tea

The Book of Tea

by Kakuzo Okakura
The Book of Tea

The Book of Tea

by Kakuzo Okakura

eBook

$0.99 

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Overview

2012 Reprint of 1956 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. The "Book of Tea" by Okakura Kakuzō is a long essay linking the role of tea (Teaism) to the aesthetic and cultural aspects of Japanese life. Addressed to a western audience, it was originally written in English and is one of the great English Tea classics. Okakura had been taught at a young age to speak English and was proficient at communicating his thoughts to the Western mind. In his book, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzō argues that this tea-induced simplicity affected art and architecture, and he was a long-time student of the visual arts. He ends the book with a chapter on Tea Masters. This edition contains a new forward and a biographical sketch augmenting the original 1906 edition.

Product Details

ISBN-13: 9781625587848
Publisher: Start Publishing LLC
Publication date: 03/14/2013
Series: International Handbooks of Population
Sold by: SIMON & SCHUSTER
Format: eBook
Pages: 55
Sales rank: 372,400
File size: 161 KB

About the Author

Kakuzo Okakura was born in 1862 in Yokohama, Japan. In 1890, Okakura was one of the principal founders of the first Japanese fine-arts academy, Tokyo Bijutsu Gakko (Tokyo School of Fine Arts) and a year later became the head, though he was later ousted from the school in an administrative struggle. Later, he also founded the (Japan Art Institute) with Hashimoto Gaho and Yokoyama Taikan. He was invited by William Sturgis Bigelow to the Museum of Fine Arts, Boston in 1904 and became the first head of the Asian art division in 1910. He died in 1913.

Table of Contents

The Cup of Humanity
Tea ennobled into Teaism, a religion of aestheticism, the adoration of the beautiful among everyday facts—Teaism developed among both nobles and peasants—The mutual misunderstanding of the New World and the Old—The Worship of Tea in the West—Early records of Tea in European writing—The Taoists’ version of the combat between Spirit and Matter—The modern struggle for wealth and power
 
The Schools of Tea
The three stages of the evolution of Tea—The Boiled Tea, the Whipped Tea, and the Steeped Tea, representative of the Tang, the Sung, and the Ming dynasties of China—Lu Wu, the first apostle of Tea—The Tea-ideals of the three dynasties—To the latter-day Chinese Tea is a delicious beverage, but not an ideal—In Japan Tea is a religion of the art of life
 
Taoism and Zennism
The connection of Zennism with Tea—Taoism, and its successor Zennism, represent the individualistic trend of the Southern Chinese mind—Taoism accepts the mundane and tries to find beauty in our world of woe and worry—Zennism emphasises the teachings of Taoism—Through consecrated meditation may be attained supreme self-realisation—Zennism, like Taoism, is the worship of Relativity—Ideal of Teaism a result of the Zen conception of greatness in the smallest incidents of life—Taoism furnished the basis for  aesthetic ideals, Zennism made them practical
 
The Tea-Room
The tea-room does not pretend to be other than a mere cottage—The simplicity and purism of the tea-room—Symbolism in the construction of the tea-room—The system of its decoration—A sanctuary from the vexations of the outer world
 
Art Appreciation
Sympathetic communion of minds necessary for art appreciation—The secret understanding between the master and ourselves—The value of suggestion—Art is of value only to the extent that it speaks to us—No real feeling in much of the apparent enthusiasm to-day—Confusion of art with archaeology—We are destroying art in destroying the beautiful in life
 
Flowers
Flowers our constant friends—The Master of Flowers—The waste of Flowers among Western communities—The art of floriculture in the East—The Tea-Masters and the Cult of Flowers—The Art of Flower Arrangement—The adoration of the Flower for its own sake—The Flower-Masters—Two main branches of the schools of Flower Arrangement, the Formalistic and the Naturalesque
 
Tea-Masters
Real appreciation of art only possible to those who make of it a living influence—Contributions of the Tea-Masters to art—Their influence on the conduct of life—The Last Tea of Rikyu Afterword

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