Praise for Maggie Stiefvater:
* "Stiefvater's novel, inspired by Manx, Irish, and Scottish legends of beautiful but deadly fairy horses that emerge from the sea each autumn, begins rivetingly and gets better and better . . . all the way, in fact, to best." -- HORN BOOK REVIEW, starred review
* "Masterful . . . like nothing else out there now." -- KIRKUS REVIEWS, starred review
* "A study of courage and loyalty tested . . . utterly compelling." -- PUBLISHERS WEEKLY, starred review
* "A book with cross-appeal to lovers of fantasy, horse stories, romance, and action-adventure, this seems to have a shot at being a YA blockbuster." -- BOOKLIST, starred review
* "Up--On the sea-battered and wind-swept isle of Thisby, fall brings the famed and feared capaill uisce, or water horses, and with them, death . . . The author takes great liberties with the Celtic myth, but the result is marvelous." -- SCHOOL LIBRARY JOURNAL, starred review
"Stiefvater not only steps out of the young adult fantasy box with THE SCORPIO RACES but crushes it with pounding hooves. . . . If THE SCORPIO RACES sounds like nothing you've ever read, that's because it is." -- THE NEW YORK TIMES BOOK REVIEW
"Tactile world-building, an island full of compelling characters, and the budding romance between Sean and Puck all make for an unforgettable book that's quite unlike anything else out there." -- NPR BOOKS
"With this beautifully executed drama, Stiefvater has established herself as one of the finest YA novelists writing today." -- ENTERTAINMENT WEEKLY
"Tense, atmospheric, and utterly original." -- PEOPLE MAGAZINE
"Book two of Stiefvater’s Raven Cycle shifts from character-driven voyage of discovery to more of a paranormal thriller, ratcheting up the violence as the plot grows more complex. After the transformative events at Cabeswater in The Raven Boys, the context in which Gansey, Blue, Adam, Ronan, and Noah operate is further altered by the arrival of the Gray Man, a self-described hit man who replaces Barrington Whelk in providing occasional adult narrative perspective. The Gray Man brings with him the machinations of larger, previously unknown forces as he takes orders from a voice on the phone to hunt the Greywaren, the identity of which is revealed early on. But this book largely belongs to the loose cannon that is Ronan, as he works to better understand his supernatural abilities and their connection to his family. While Stiefvater’s offbeat, acutely observed characters continue to grow, they have shifted from developing a group interaction to reacting against one another, making this installment more tense and foreboding than its predecessor—and every bit as gripping." - Publishers Weekly starred review
"In this continuation of The Raven Boys (2012), Printz Honor Book recipient Stiefvater continues the compelling story, keeping the focus once again on the Raven Boys themselves: privileged Gansey, tortured Adam, spectral Noah, and darkly dangerous Ronan. This time, though, their quest for the legendary sleeping Welsh King, Owen Glendower, takes a backseat to a spate of secrets, dreams, and nightmares that appear to be sapping the ley line— an invisible channel of energy connecting sacred places—that runs beneath their small Virginia town. Could this be the reason that the mystical forest, Cabeswater, has inexplicably disappeared? Who is the mysterious Grey Man, and why is he searching for the Greywaren, a relic that enables its owner to steal objects from dreams? How does this involve secretive Ronan? Visceral suspense builds as the characters pursue answers to these and other questions, and a palpable sense of foreboding and danger increasingly permeate the novel. Richly written and filled with figurative language (buildings are “tidy as library books;” a “murmur of guests” attend a party; a woman looks “fresh as a newscaster”), this story of secrets and dreams, of brothers and of all-too-real magic is an absolute marvel of imagination and an irresistible invitation to wonder." - Booklist starred review
"Beginning the same summer in which The Raven Boys (Scholastic, 2012) ended, The Dream Thieves is a little less about Blue Sargent and more about Gansey. Richard Campbell Gansey III (don’t call him Dick), Ronan, Adam, ghostly Noah, and Joseph Kavinsky are (or were) raven boys–students at posh Aglionby Academy in the small Virginia town of Henrietta. The writing style maintains a dark and brooding tone as Gansey continues to investigate the existence of a ley line, an invisible channel of energy, recently awakened, that may lead them to the ancient Welsh king Glendower. The complicated relationships and plot points are difficult to follow without the background from The Raven Boys. Even with the background, new characters appear: the deadly (perhaps) Gray Man, Greenmantle, and the idea of a Greywaren. Blue comes from a family of women with psychic gifts, but her gift isn’t “sight” itself but a talent for magnifying the presence of magic around her–a significant contribution where finding the ley line is concerned. Readers looking for answers won’t find them in this book. Readers who want a moody chill and appreciate an atmospheric turn of phrase (keys hang from the ignition like “ripe fruit,” a farm yard is populated with “deceased pick-up trucks”) will want to spend more time in Henrietta. Purchase where the first book is popular, and suggest the series to fans of Holly Black’s “Curse Workers” books (S & S) or to readers of grittier works such as Andrew Smith’s The Marbury Lens (2010) and Passenger (2012, both Feiwel & Friends)." - School Library Journal starred review
Book two of The Raven Cycle series continues the story of Blue, her female family's only non-clairvoyant, and the eerie Raven Boys from Aglionby, the local private school. Affluent Gansey, ethereal Noah, anguished Adam, and brooding, troubled Ronan are still searching for Owen Glendower, a legendary sleeping Welsh king. They are depending upon a ley line, an invisible energy source, to locate him in Cabeswater, their mystical forest which has inexplicably disappeared, with the ley line's power fading. Soon the Gray Man, a hit man both mild and menacing, arrives, seeking the Greywaren, a relic enabling its owners to literally steal objects from their dreams. Ronan is somehow key to these events, with the story soon focusing on him as Glendower's search fades. Nearly consumed by his chilling dreams and nightmares, Ronan forces himself to use them for understanding and controlling his paranormal abilities. The individual characters become more defined by reacting against one another, as Ronan's dreams reveal often-shocking connections among them, the King's search, and his menacingly disturbing family, producing an increasingly tense and foreboding atmosphere. The plot is violent and complex, full of startling twists and turns, but humor and sarcasm provide balance. Moreover, the Gray Man's narratives add adult perspective, as does his surprising, reserved romance with Blue's mother. There is little backstory, creating confusion in places, and Ronan's dreams are too numerous and similar, becoming monotonously repetitive. Still, series fans will not be disappointed, especially as its ending is satisfyingly intricate and tantalizing. Reviewer: Lisa A. Hazlett
★ 10/01/2013
Gr 9 Up—Beginning the same summer in which The Raven Boys (Scholastic, 2012) ended, The Dream Thieves is a little less about Blue Sargent and more about Gansey. Richard Campbell Gansey III (don't call him Dick), Ronan, Adam, ghostly Noah, and Joseph Kavinsky are (or were) raven boys-students at posh Aglionby Academy in the small Virginia town of Henrietta. The writing style maintains a dark and brooding tone as Gansey continues to investigate the existence of a ley line, an invisible channel of energy, recently awakened, that may lead them to the ancient Welsh king Glendower. The complicated relationships and plot points are difficult to follow without the background from The Raven Boys. Even with the background, new characters appear: the deadly (perhaps) Gray Man, Greenmantle, and the idea of a Greywaren. Blue comes from a family of women with psychic gifts, but her gift isn't "sight" itself but a talent for magnifying the presence of magic around her-a significant contribution where finding the ley line is concerned. Readers looking for answers won't find them in this book. Readers who want a moody chill and appreciate an atmospheric turn of phrase (keys hang from the ignition like "ripe fruit," a farm yard is populated with "deceased pick-up trucks") will want to spend more time in Henrietta. Purchase where the first book is popular, and suggest the series to fans of Holly Black's "Curse Workers" books (S & S) or to readers of grittier works such as Andrew Smith's The Marbury Lens (2010) and Passenger (2012, both Feiwel & Friends).—Maggie Knapp, Trinity Valley School, Fort Worth, TX
