The Supernatural Cinema of Guillermo del Toro: Critical Essays
Guillermo del Toro is one of the most prolific artists working in film. His directorial work includes Cronos (1993), Mimic (1997), The Devil’s Backbone (2001), Blade II (2002), Hellboy (2004), Pan’s Labyrinth (2006), Hellboy II (2008) and Pacific Rim (2013). He has also worked extensively as a producer, with several screenwriting credits to his name. As a novelist he coauthored The Strain Trilogy (2009–2011), which he also developed into a television series for FX in 2014. Del Toro has spoken of the “primal, spiritual function” of his art, which gives expression to his fascination with monsters, myth, archetype, metaphor, Jungian psychology, the paranormal and religion. This collection of new essays discusses cultural, religious and literary influences on del Toro’s work and explores key themes of his films, including the child’s experience of humanity through encounters with the monstrous.
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The Supernatural Cinema of Guillermo del Toro: Critical Essays
Guillermo del Toro is one of the most prolific artists working in film. His directorial work includes Cronos (1993), Mimic (1997), The Devil’s Backbone (2001), Blade II (2002), Hellboy (2004), Pan’s Labyrinth (2006), Hellboy II (2008) and Pacific Rim (2013). He has also worked extensively as a producer, with several screenwriting credits to his name. As a novelist he coauthored The Strain Trilogy (2009–2011), which he also developed into a television series for FX in 2014. Del Toro has spoken of the “primal, spiritual function” of his art, which gives expression to his fascination with monsters, myth, archetype, metaphor, Jungian psychology, the paranormal and religion. This collection of new essays discusses cultural, religious and literary influences on del Toro’s work and explores key themes of his films, including the child’s experience of humanity through encounters with the monstrous.
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The Supernatural Cinema of Guillermo del Toro: Critical Essays

The Supernatural Cinema of Guillermo del Toro: Critical Essays

The Supernatural Cinema of Guillermo del Toro: Critical Essays

The Supernatural Cinema of Guillermo del Toro: Critical Essays

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Overview

Guillermo del Toro is one of the most prolific artists working in film. His directorial work includes Cronos (1993), Mimic (1997), The Devil’s Backbone (2001), Blade II (2002), Hellboy (2004), Pan’s Labyrinth (2006), Hellboy II (2008) and Pacific Rim (2013). He has also worked extensively as a producer, with several screenwriting credits to his name. As a novelist he coauthored The Strain Trilogy (2009–2011), which he also developed into a television series for FX in 2014. Del Toro has spoken of the “primal, spiritual function” of his art, which gives expression to his fascination with monsters, myth, archetype, metaphor, Jungian psychology, the paranormal and religion. This collection of new essays discusses cultural, religious and literary influences on del Toro’s work and explores key themes of his films, including the child’s experience of humanity through encounters with the monstrous.

Product Details

ISBN-13: 9781476620756
Publisher: McFarland & Company, Incorporated Publishers
Publication date: 05/23/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 216
File size: 4 MB
Age Range: 18 Years

About the Author

John W. Morehead of Syracuse, Utah, blogs on the fantastic at TheoFantastique.com. He is also the editor of a collection of essays on Joss Whedon and religion.

Table of Contents

Table of Contents

Foreword  Doug Jones 1
Introduction  John W. Morehead 7
The Magical Spirituality of a Lapsed Catholic: Atheism and Anticlericalism (S. T. Joshi) 11
At the Mountains of Mexico: The Echoes and Intertexts of Lovecraft and Dunsany (Kevin J. Wetmore, Jr.) 22
Slime and Subtlety: Monsters in del Toro’s ­Spanish-Language Films (Ann Davies) 41
Time Out of Joint: Traumatic Hauntings in the Spanish Civil War Films (Karin Brown) 58
The Child Transformed by Monsters: The Monstrous Beauty of Childhood Trauma (Jessica Balanzategui) 76
The Ambivalence of Creative Desire: Theogonic Myth and Monstrous Offspring (Sidney L. Sondergard) 93
Henry’s Kids: Othered Children and Karloff’s Frankenstein Monster (John Kenneth Muir) 112
Where the Wild Things Are: Monsters and Children (Alexandra West) 130
Bloodsucking Bugs: Horacio Quiroga and the Latin American Transformation of Vampires (Gabriel ­Eljaiek-Rodríguez) 146
The Birth of Fantasy: A Nietzschaen Reading of Pan’s Labyrinth (Jack Collins) 163
Menstruation as Heroine’s Journey in Pan’s Labyrinth (Richard Lindsay) 182
About the Contributors 201
Index 205

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