A Cosmos in Stone: Interpreting Religion and Society Through Rock Art
J. David Lewis-Williams is world renowned for his work on the rock art of Southern Africa. In this volume, Lewis-Williams describes the key steps in his evolving journey to understand these images painted on stone. He describes the development of technical methods of interpreting rock paintings of the 1970s, shows how a growing understanding of San mythology, cosmology, and ethnography helped decode the complex paintings, and traces the development of neuropsychological models for understanding the relationship between belief systems and rock art. The author then applies his theories to the famous rock paintings of prehistoric Western Europe in an attempt to develop a comprehensive theory of rock art. For students of rock art, archaeology, ethnography, comparative religion, and art history, Lewis-Williams' book will be a provocative read and an important reference.
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A Cosmos in Stone: Interpreting Religion and Society Through Rock Art
J. David Lewis-Williams is world renowned for his work on the rock art of Southern Africa. In this volume, Lewis-Williams describes the key steps in his evolving journey to understand these images painted on stone. He describes the development of technical methods of interpreting rock paintings of the 1970s, shows how a growing understanding of San mythology, cosmology, and ethnography helped decode the complex paintings, and traces the development of neuropsychological models for understanding the relationship between belief systems and rock art. The author then applies his theories to the famous rock paintings of prehistoric Western Europe in an attempt to develop a comprehensive theory of rock art. For students of rock art, archaeology, ethnography, comparative religion, and art history, Lewis-Williams' book will be a provocative read and an important reference.
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A Cosmos in Stone: Interpreting Religion and Society Through Rock Art

A Cosmos in Stone: Interpreting Religion and Society Through Rock Art

by David J. Lewis-Williams
A Cosmos in Stone: Interpreting Religion and Society Through Rock Art

A Cosmos in Stone: Interpreting Religion and Society Through Rock Art

by David J. Lewis-Williams

eBook

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Overview

J. David Lewis-Williams is world renowned for his work on the rock art of Southern Africa. In this volume, Lewis-Williams describes the key steps in his evolving journey to understand these images painted on stone. He describes the development of technical methods of interpreting rock paintings of the 1970s, shows how a growing understanding of San mythology, cosmology, and ethnography helped decode the complex paintings, and traces the development of neuropsychological models for understanding the relationship between belief systems and rock art. The author then applies his theories to the famous rock paintings of prehistoric Western Europe in an attempt to develop a comprehensive theory of rock art. For students of rock art, archaeology, ethnography, comparative religion, and art history, Lewis-Williams' book will be a provocative read and an important reference.

Product Details

ISBN-13: 9780759116719
Publisher: AltaMira Press
Publication date: 04/16/2002
Series: Archaeology of Religion
Sold by: Barnes & Noble
Format: eBook
Pages: 336
File size: 7 MB

About the Author

J. David Lewis-Williams is Director of the Rock Art Research Institute at University of Witwatersrand, South Africa, and is known internationally for his studies of South African rock art.

Table of Contents


Chapter 0 Foreword by David S. Whitley
Chapter 2 Acknowledgments
Chapter 3 Introduction
Chapter 4
Chapter 1 Historical setting
Chapter 5
Chapter 2 Man must measure
Chapter 6
Chapter 3 Ethnography and iconography
Chapter 7
Chapter 4 Mystery wrapped in myth
Chapter 8
Chapter 5 Through the veil
Chapter 9
Chapter 6 A dream of eland
Chapter 10
Chapter 7 Seeing and construing
Chapter 11
Chapter 8 Building bridges
Chapter 12
Chapter 9 Harnessing the brain
Chapter 13
Chapter 10 Agency, altered consciousness and wounded men
Chapter 14
Chapter 11 The social production and consumption of rock art
Chapter 15 References
Chapter 16 Index
Chapter 17 About the Author
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