Treasure Island

Treasure Island (1883) by Robert Louis Stevenson is an adventure novel, narrating a tale of "buccaneers and buried gold". It was originally published as a serial in the children's magazine Young Folks between 1881 through 1882 under the title Treasure Island, or the mutiny of the Hispaniola, credited to the pseudonym "Captain George North".

Treasure Island is traditionally considered a coming-of-age story, and is noted for its atmosphere, characters, action and buccaneers. It is also noted as a wry commentary on the ambiguity of morality unusual for children's literature. It is one of the most frequently dramatized of all novels. Its influence is enormous on popular perceptions of pirates, including such elements as treasure maps marked with an "X", schooners, the Black Spot, tropical islands, and one-legged seamen bearing parrots on their shoulders.

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Treasure Island

Treasure Island (1883) by Robert Louis Stevenson is an adventure novel, narrating a tale of "buccaneers and buried gold". It was originally published as a serial in the children's magazine Young Folks between 1881 through 1882 under the title Treasure Island, or the mutiny of the Hispaniola, credited to the pseudonym "Captain George North".

Treasure Island is traditionally considered a coming-of-age story, and is noted for its atmosphere, characters, action and buccaneers. It is also noted as a wry commentary on the ambiguity of morality unusual for children's literature. It is one of the most frequently dramatized of all novels. Its influence is enormous on popular perceptions of pirates, including such elements as treasure maps marked with an "X", schooners, the Black Spot, tropical islands, and one-legged seamen bearing parrots on their shoulders.

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Treasure Island

Treasure Island

by Robert Louis Stevenson

Narrated by Taylor Pepper

Unabridged — 6 hours, 26 minutes

Treasure Island

Treasure Island

by Robert Louis Stevenson

Narrated by Taylor Pepper

Unabridged — 6 hours, 26 minutes

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Overview

Treasure Island (1883) by Robert Louis Stevenson is an adventure novel, narrating a tale of "buccaneers and buried gold". It was originally published as a serial in the children's magazine Young Folks between 1881 through 1882 under the title Treasure Island, or the mutiny of the Hispaniola, credited to the pseudonym "Captain George North".

Treasure Island is traditionally considered a coming-of-age story, and is noted for its atmosphere, characters, action and buccaneers. It is also noted as a wry commentary on the ambiguity of morality unusual for children's literature. It is one of the most frequently dramatized of all novels. Its influence is enormous on popular perceptions of pirates, including such elements as treasure maps marked with an "X", schooners, the Black Spot, tropical islands, and one-legged seamen bearing parrots on their shoulders.


Editorial Reviews

From the Publisher

"Over Treasure Island I let my fire die in winter without knowing I was freezing."

EBOOK COMMENTARY

Stevenson’s prototypical swashbuckling story receives a traditional treatment in this unabridged, oversize version. Lawrence evokes the essence of classic adventure stories with his vinyl-cut illustrations, as thick black shapes are tempered by muted tones of blue, gold and green. The grimacing faces of pirates are appropriately blemished and begrimed, elegant vessels are seen moored under a starry sky and the island’s wild intrigue is captured in subtle, grainy glimpses. As they follow Jim Hawkins to sea, readers will feel they’ve discovered a true relic with this edition. Ages 9–14. (Oct.)

Mark Hanna

"Broadview's new edition of Robert Louis Stevenson's classic Treasure Island is an excellent teaching text because of its detailed textual annotations, which help guide readers through the book's nineteenth-century context. As a historian, I appreciate how these annotations, along with the five appendices, place Stevenson's fantasy in context with popular seventeenth- and eighteenth-century textual influences on pirate mythology. John Sutherland finishes the edition with a series of 'puzzles and conundrums' raised by the story; these are bound to stimulate discussion in a seminar setting."

Roslyn Jolly

"Easily accessible, bottom-of-the-page notes provide outstanding illumination of the text’s literary and historical contexts, particularly biblical and nautical references that might otherwise elude modern readers. No other edition provides a better insight into the (sometimes murky) compositional processes behind this classic work of fiction. For fans of Sutherland's unique detective-style readings, the appendix of 'puzzles and conundrums' will prove an added bonus."

Children's Literature - Peg Glisson

Innocent young man, pirates, buried treasure, adventure—Stevenson packed it all into this classic! Jim Hawkins narrates his tale, which begins in the inn run by his parents. The old sea dog Billy Bones arrives with his sea chest, planning to finish his days at the inn. Bones hires Jim to watch out for other sailors, but Jim is unable to prevent visits by those hunting Bones. The deaths of Bones and Jim's father force Jim and his mother to flee for their lives. To cover Bone's debt, they take a packet of his from his chest and later discover a treasure map showing the location of Pirate Flint's buried treasure. Jim joins forces with Squire Trelawny and Dr. Livesey, who use their resources to buy and outfit a ship, hire a crew (including Long John Silver, who is also searching for the treasure), and set sail for Treasure Island. Jim overhears Silver and some of his former cohorts planning a mutiny. A bloody battle ensues on board and on the island, with Jim and his men eventually prevailing and heading home with the treasure on board. Lawrence's woodcut illustrations are an outstanding complement to this swashbuckling and unabridged tale. Thick black shapes with muted color undertones capture the spirit of Stevenson's words. Several elements of design vividly unite text and illustrations. The double-page Table of Contents, with small woodcuts on the left, gives the reader a quick overview of all that is to happen. Small woodcuts are also placed at the beginning of each chapter and strategically throughout the book. Multiple full-page and double-spread cuts showing fierce pirates, beautiful scenery, elegant ships, and more complete Lawrence's bold and visually striking storytelling. The font has an old-fashioned look, yet it is crisp and easy to read. This enduring tale of greed, loyalty, discovery, and adventure will reach a new generation in this large, boisterous, stunning edition. Reviewer: Peg Glisson

Product Details

BN ID: 2940169889574
Publisher: Audioliterature
Publication date: 03/17/2019
Edition description: Unabridged

Read an Excerpt

Treasure Island


By ROBERT LOUIS STEVENSON

Dover Publications, Inc.

Copyright © 2017 Dover Publications, Inc.
All rights reserved.
ISBN: 978-0-486-82077-4



CHAPTER 1

The Old Sea Dog at the "Admiral Benbow"


Squire Trelawney, Dr. Livesey, and the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island, from the beginning to the end, keeping nothing back but the bearings of the island, and that only because there is still treasure not yet lifted, I take up my pen in the year of grace 17 —, and go back to the time when my father kept the "Admiral Benbow" inn, and the brown old seaman, with the sabre cut, first took up his lodging under our roof.

I remember him as if it were yesterday, as he came plodding to the inn door, his sea chest following behind him in a handbarrow; a tall, strong, heavy, nut-brown man; his tarry pigtail falling over the shoulders of his soiled blue coat; his hands ragged and scarred, with black, broken nails; and the sabre cut across one cheek, a dirty, livid white. I remember him looking round the cove and whistling to himself as he did so, and then breaking out in that old sea-song that he sang so often afterwards: —

"Fifteen men on the dead man's chest — Yo-ho-ho, and a bottle of rum!"


in the high, old tottering voice that seemed to have been tuned and broken at the capstan bars. Then he rapped on the door with a bit of stick like a handspike that he carried, and when my father appeared, called roughly for a glass of rum. This, when it was brought to him, he drank slowly, like a connoisseur, lingering on the taste, and still looking about him at the cliffs and up at our signboard.

"This is a handy cove," says he, at length; "and a pleasant sittyated grog-shop. Much company, mate?"

My father told him no, very little company, the more was the pity.

"Well, then," said he, "this is the berth for me. Here you, matey," he cried to the man who trundled the barrow; "bring up alongside and help up my chest. I'll stay here a bit," he continued. "I'm a plain man; rum and bacon and eggs is what I want, and that head up there for to watch ships off. What you mought call me? You mought call me captain. Oh, I see what you're at — there;" and he threw down three or four gold pieces on the threshold. "You can tell me when I've worked through that," says he, looking as fierce as a commander.

And, indeed, bad as his clothes were, and coarsely as he spoke, he had none of the appearance of a man who sailed before the mast; but seemed like a mate or skipper, accustomed to be obeyed or to strike. The man who came with the barrow told us the mail had set him down the morning before at the "Royal George;" that he had inquired what inns there were along the coast, and hearing ours well spoken of, I suppose, and described as lonely, had chosen it from the others for his place of residence. And that was all we could learn of our guest.

He was a very silent man by custom. All day he hung round the cove, or upon the cliffs, with a brass telescope; all evening he sat in a corner of the parlour next the fire, and drank rum and water very strong. Mostly he would not speak when spoken to; only look up sudden and fierce, and blow through his nose like a fog-horn; and we and the people who came about our house soon learned to let him be. Every day, when he came back from his stroll, he would ask if any seafaring men had gone by along the road? At first we thought it was the want of company of his own kind that made him ask this question; but at last we began to see he was desirous to avoid them. When a seaman put up at the "Admiral Benbow" (as now and then some did, making by the coast road for Bristol), he would look in at him through the curtained door before he entered the parlour; and he was always sure to be as silent as a mouse when any such was present. For me, at least, there was no secret about the matter; for I was, in a way, a sharer in his alarms. He had taken me aside one day, and promised me a silver fourpenny on the first of every month if I would only keep my "weather-eye open for a seafaring man with one leg," and let him know the moment he appeared. Often enough, when the first of the month came round, and I applied to him for my wage, he would only blow through his nose at me, and stare me down; but before the week was out he was sure to think better of it, bring me my fourpenny piece, and repeat his orders to look out for "the seafaring man with one leg."

How that personage haunted my dreams, I need scarcely tell you. On stormy nights, when the wind shook the four corners of the house, and the surf roared along the cove and up the cliffs, I would see him in a thousand forms, and with a thousand diabolical expressions. Now the leg would be cut off at the knee, now at the hip; now he was a monstrous kind of a creature who had never had but the one leg, and that in the middle of his body. To see him leap and run and pursue me over hedge and ditch was the worst of nightmares. And altogether I paid pretty dear for my monthly fourpenny piece, in the shape of these abominable fancies.

But though I was so terrified by the idea of the seafaring man with one leg, I was far less afraid of the captain himself than anybody else who knew him. There were nights when he took a deal more rum and water than his head would carry; and then he would sometimes sit and sing his wicked, old, wild sea-songs, minding nobody; but sometimes he would call for glasses round, and force all the trembling company to listen to his stories or bear a chorus to his singing. Often I have heard the house shaking with "Yo-ho-ho, and a bottle of rum;" all the neighbours joining in for dear life, with the fear of death upon them, and each singing louder than the other, to avoid remark. For in these fits he was the most over-riding companion ever known; he would slap his hand on the table for silence all round; he would fly up in a passion of anger at a question, or sometimes because none was put, and so he judged the company was not following his story. Nor would he allow anyone to leave the inn till he had drunk himself sleepy and reeled off to bed.

His stories were what frightened people worst of all. Dreadful stories they were; about hanging, and walking the plank, and storms at sea, and the Dry Tortugas, and wild deeds and places on the Spanish Main. By his own account he must have lived his life among some of the wickedest men that God ever allowed upon the sea; and the language in which he told these stories shocked our plain country people almost as much as the crimes that he described. My father was always saying the inn would be ruined, for people would soon cease coming there to be tyrannised over and put down, and sent shivering to their beds; but I really believe his presence did us good. People were frightened at the time, but on looking back they rather liked it; it was a fine excitement in a quiet country life; and there was even a party of the younger men who pretended to admire him, calling him a "true sea dog," and a "real old salt," and such like names, and saying there was the sort of man that made England terrible at sea.

In one way, indeed, he bade fair to ruin us; for he kept on staying week after week, and at last month after month, so that all the money had been long exhausted, and still my father never plucked up the heart to insist on having more. If ever he mentioned it, the captain blew through his nose so loudly, that you might say he roared, and stared my poor father out of the room. I have seen him wringing his hands after such a rebuff, and I am sure the annoyance and the terror he lived in must have greatly hastened his early and unhappy death.

All the time he lived with us the captain made no change whatever in his dress but to buy some stockings from a hawker. One of the cocks of his hat having fallen down, he let it hang from that day forth, though it was a great annoyance when it blew. I remember the appearance of his coat, which he patched himself up-stairs in his room, and which, before the end, was nothing but patches. He never wrote or received a letter, and he never spoke with any but the neighbours, and with these, for the most part, only when drunk on rum. The great sea chest none of us had ever seen open.

He was only once crossed, and that was towards the end, when my poor father was far gone in a decline that took him off. Dr. Livesey came late one afternoon to see the patient, took a bit of dinner from my mother, and went into the parlour to smoke a pipe until his horse should come down from the hamlet, for we had no stabling at the old "Benbow." I followed him in, and I remember observing the contrast the neat, bright doctor, with his powder as white as snow, and his bright black eyes and pleasant manners, made with the coltish country folk, and above all, with that filthy, heavy, bleared scarecrow of a pirate of ours, sitting far gone in rum, with his arms on the table. Suddenly he — the captain, that is — began to pipe up his eternal song: —

"Fifteen men on the dead man's chest —
Yo-ho-ho, and a bottle of rum!
Drink and the devil had done for the rest —
Yo-ho-ho, and a bottle of rum!"


At first I had supposed "the dead mans chest" to be that identical big box of his up-stairs in the front room, and the thought had been mingled in my nightmares with that of the one-legged seafaring man. But by this time we had all long ceased to pay any particular notice to the song; it was new, that night, to nobody but Dr. Livesey, and on him I observed it did not produce an agreeable effect, for he looked up for a moment quite angrily before he went on with his talk to old Taylor, the gardener, on a new cure for the rheumatics. In the meantime, the captain gradually brightened up at his own music, and at last flapped his hand upon the table before him in a way we all knew to mean — silence. The voices stopped at once, all but Dr. Livesey's; he went on as before, speaking clear and kind, and drawing briskly at his pipe between every word or two. The captain glared at him for a while, flapped his hand again, glared still harder, and at last broke out with a villainous, low oath: "Silence, there, between decks!"

"Were you addressing me, sir?" says the doctor; and when the ruffian had told him, with another oath, that this was so, "I have only one thing to say to you, sir," replies the doctor, "that if you keep on drinking rum, the world will soon be quit of a very dirty scoundrel!"

The old fellow's fury was awful. He sprang to his feet, drew and opened a sailor's clasp-knife, and, balancing it open on the palm of his hand, threatened to pin the doctor to the wall.

The doctor never so much as moved. He spoke to him, as before, over his shoulder, and in the same tone of voice; rather high, so that all in the room might hear, but perfectly calm and steady: —

"If you do not put that knife this instant in your pocket, I promise, upon my honour, you shall hang at next assizes."

Then followed a battle of looks between them; but the captain soon knuckled under, put up his weapon, and resumed his seat, grumbling like a beaten dog.

"And now, sir," continued the doctor, "since I now know there's such a fellow in my district, you may count I'll have an eye upon you day and night. I'm not a doctor only; I'm a magistrate; and if I catch a breath of complaint against you, if it's only for a piece of incivility like to-night's, I'll take effectual means to have you hunted down and routed out of this. Let that suffice."

Soon after Dr. Livesey's horse came to the door, and he rode away; but the captain held his peace that evening, and for many evenings to come.

CHAPTER 2

Black Dog Appears and Disappears


It was not very long after this that there occurred the first of the mysterious events that rid us at last of the captain, though not, as you will see, of his affairs. It was a bitter cold winter, with long, hard frosts and heavy gales; and it was plain from the first that my poor father was little likely to see the spring. He sank daily, and my mother and I had all the inn upon our hands; and were kept busy enough, without paying much regard to our unpleasant guest.

It was one January morning, very early — a pinching, frosty morning — the cove all grey with hoar-frost, the ripple lapping softly on the stones, the sun still low and only touching the hilltops and shining far to seaward. The captain had risen earlier than usual, and set out down the beach, his cutlass swinging under the broad skirts of the old blue coat, his brass telescope under his arm, his hat tilted back upon his head. I remember his breath hanging like smoke in his wake as he strode off, and the last sound I heard of him, as he turned the big rock, was a loud snort of indignation, as though his mind was still running upon Dr. Livesey.

Well, mother was up-stairs with father; and I was laying the breakfast-table against the captain's return, when the parlour door opened, and a man stepped in on whom I had never set my eyes before. He was a pale, tallowy creature, wanting two fingers of the left hand; and, though he wore a cutlass, he did not look much like a fighter. I had always my eye open for seafaring men, with one leg or two, and I remember this one puzzled me. He was not sailorly, and yet he had a smack of the sea about him too.

I asked him what was for his service, and he said he would take rum; but as I was going out of the room to fetch it he sat down upon a table and motioned me to draw near. I paused where I was with my napkin in my hand.

"Come here, sonny," says he. "Come nearer here."

I took a step nearer.

"Is this here table for my mate Bill?" he asked, with a kind of leer.

I told him I did not know his mate Bill; and this was for a person who stayed in our house, whom we called the captain.

"Well," said he, "my mate Bill would be called the captain, as like as not. He has a cut on one cheek, and a mighty pleasant way with him, particularly in drink, has my mate Bill. We'll put it, for argument like, that your captain has a cut on one cheek — and we'll put it, if you like, that that cheek's the right one. Ah, well! I told you. Now, is my mate Bill in this here house?"

I told him he was out walking.

"Which way, sonny? Which way is he gone?"

And when I had pointed out the rock and told him how the captain was likely to return, and how soon, and answered a few other questions, "Ah," said he, "this'll be as good as drink to my mate Bill."

The expression of his face as he said these words was not at all pleasant, and I had my own reasons for thinking that the stranger was mistaken, even supposing he meant what he said. But it was no affair of mine, I thought; and, besides, it was difficult to know what to do. The stranger kept hanging about just inside the inn door, peering round the corner like a cat waiting for a mouse. Once I stepped out myself into the road, but he immediately called me back, and, as I did not obey quick enough for his fancy, a most horrible change came over his tallowy face, and he ordered me in, with an oath that made me jump. As soon as I was back again he returned to his former manner, half fawning, half sneering, patted me on the shoulder, told me I was a good boy, and he had taken quite a fancy to me. "I have a son of my own," said he, "as like you as two blocks, and he's all the pride of my 'art. But the great thing for boys is discipline, sonny — discipline. Now, if you had sailed along of Bill, you wouldn't have stood there to be spoke to twice — not you. That was never Bill's way, nor the way of sich as sailed with him. And here, sure enough, is my mate Bill, with a spy-glass under his arm, bless his old 'art, to be sure. You and me'll just go back into the parlour, sonny, and get behind the door, and we'll give Bill a little surprise — bless his 'art, I say again."

So saying, the stranger backed along with me into the parlour, and put me behind him in the corner, so that we were both hidden by the open door. I was very uneasy and alarmed, as you may fancy, and it rather added to my fears to observe that the stranger was certainly frightened himself. He cleared the hilt of his cutlass and loosened the blade in the sheath; and all the time we were waiting there he kept swallowing as if he felt what we used to call a lump in the throat.

At last in strode the captain, slammed the door behind him, without looking to the right or left, and marched straight across the room to where his breakfast awaited him.

"Bill," said the stranger, in a voice that I thought he had tried to make bold and big.

The captain spun round on his heel and fronted us; all the brown had gone out of his face, and even his nose was blue; he had the look of a man who sees a ghost, or the evil one, or something worse, if anything can be; and, upon my word, I felt sorry to see him, all in a moment, turn so old and sick.

"Come, Bill, you know me; you know an old shipmate, Bill, surely," said the stranger.

The captain made a sort of gasp.

"Black Dog!" said he.

"And who else?" returned the other, getting more at his ease. "Black Dog as ever was, come for to see his old shipmate Billy, at the 'Admiral Benbow' inn. Ah, Bill, Bill, we have seen a sight of times, us two, since I lost them two talons," holding up his mutilated hand.


(Continues...)

Excerpted from Treasure Island by ROBERT LOUIS STEVENSON. Copyright © 2017 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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