The Rocky Horror Picture Show

Within just a few years, The Rocky Horror Picture Show grew from an oddball musical to a celebrated cinematic experience of midnight features and outrageous audience participation. This study tells the extraordinary story of the film from initial reception to eventual cult status. Uncovering the film's non-conformist sexual politics and glam-rock attitude, this volume explores its emphasis on the theatrical body (tattooed, cross-gendered, flamboyant), and its defiant queering of cinema history.

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The Rocky Horror Picture Show

Within just a few years, The Rocky Horror Picture Show grew from an oddball musical to a celebrated cinematic experience of midnight features and outrageous audience participation. This study tells the extraordinary story of the film from initial reception to eventual cult status. Uncovering the film's non-conformist sexual politics and glam-rock attitude, this volume explores its emphasis on the theatrical body (tattooed, cross-gendered, flamboyant), and its defiant queering of cinema history.

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The Rocky Horror Picture Show

The Rocky Horror Picture Show

by Jeffrey Weinstock, Stuart Sim
The Rocky Horror Picture Show

The Rocky Horror Picture Show

by Jeffrey Weinstock, Stuart Sim

Paperback

$14.95 
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Overview

Within just a few years, The Rocky Horror Picture Show grew from an oddball musical to a celebrated cinematic experience of midnight features and outrageous audience participation. This study tells the extraordinary story of the film from initial reception to eventual cult status. Uncovering the film's non-conformist sexual politics and glam-rock attitude, this volume explores its emphasis on the theatrical body (tattooed, cross-gendered, flamboyant), and its defiant queering of cinema history.


Product Details

ISBN-13: 9781905674503
Publisher: Wallflower Press
Publication date: 12/04/2007
Series: Cultographies Series
Pages: 144
Sales rank: 141,239
Product dimensions: 4.30(w) x 6.90(h) x 0.50(d)

About the Author

Jeffrey Weinstock is Assistant Professor of American literature and culture at Central Michigan University. He is the editor of Spectral America: Phantoms and the National Imagination (2004) and The Nothing That Is: Millennial Cinema and the Blair Witch Controversies (2004).

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