Satyajit Ray's The Chess Players and Postcolonial Film Theory: Postcolonialism and Film Theory
Dube (film and literature, Indiana U. of Pennsylvania) examines how the colonial administrators, officers, and historians represented their task of the colonial takeover of India, and the ways in which the labor of the colonized populace was inserted into the official discourse of colonial enterprise. That central discourse is not merely a colonial phenomenon, she argues, but continues to be re-invented in cultural sites today, for example Indian film, and takes as a case study Ray's 1977 film re-creating the annexation of Awadh in 1856. Annotation ©2006 Book News, Inc., Portland, OR
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Satyajit Ray's The Chess Players and Postcolonial Film Theory: Postcolonialism and Film Theory
Dube (film and literature, Indiana U. of Pennsylvania) examines how the colonial administrators, officers, and historians represented their task of the colonial takeover of India, and the ways in which the labor of the colonized populace was inserted into the official discourse of colonial enterprise. That central discourse is not merely a colonial phenomenon, she argues, but continues to be re-invented in cultural sites today, for example Indian film, and takes as a case study Ray's 1977 film re-creating the annexation of Awadh in 1856. Annotation ©2006 Book News, Inc., Portland, OR
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Satyajit Ray's The Chess Players and Postcolonial Film Theory: Postcolonialism and Film Theory

Satyajit Ray's The Chess Players and Postcolonial Film Theory: Postcolonialism and Film Theory

by Reena Dube
Satyajit Ray's The Chess Players and Postcolonial Film Theory: Postcolonialism and Film Theory

Satyajit Ray's The Chess Players and Postcolonial Film Theory: Postcolonialism and Film Theory

by Reena Dube

Paperback(1st ed. 2005)

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Overview

Dube (film and literature, Indiana U. of Pennsylvania) examines how the colonial administrators, officers, and historians represented their task of the colonial takeover of India, and the ways in which the labor of the colonized populace was inserted into the official discourse of colonial enterprise. That central discourse is not merely a colonial phenomenon, she argues, but continues to be re-invented in cultural sites today, for example Indian film, and takes as a case study Ray's 1977 film re-creating the annexation of Awadh in 1856. Annotation ©2006 Book News, Inc., Portland, OR

Product Details

ISBN-13: 9781349523535
Publisher: Palgrave Macmillan UK
Publication date: 01/14/2014
Series: Language, Discourse, Society Series
Edition description: 1st ed. 2005
Pages: 250
Product dimensions: 5.51(w) x 8.50(h) x (d)

About the Author

Reena Dube is Assistant Professor of English, Indiana University of Pennsylvania.

Table of Contents

Preface The Discourse of Colonial Enterprise and its Representation of the other through the Expanded Cultural Critique Childhood: Work, Play and Shame Friendship in the Discourse of Enterprise Towards a Theory of Subaltern and Nationalist Genres: The Post-1857 Lakhnavi Tall Tales and their Nationalist Appropriation of Premchand's The Chess Players Comic Representations of Indigenous Enterprise in Daniel Mann's Tea House of the August Moon and Satyajit Ray's The Chess Players Refuting the Expanded Cultural Critique: The Construction of Wajid's Alterity Bibliography References Index
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