Mister Sandman: A Novel

Barbara Gowdy's outrageous, hilarious, disturbing, and compassionate novel is about the Canary family, their immoderate passions and eccentricities, and their secret lives and histories. The deepest secret of all is harbored in the silence of the youngest daughter, Joan, who doesn't grow, who doesn't speak, but who can play the piano like Mozart though she's never had a lesson. Joan is a mystery, and in the novel's stunning climax her family comes to understand that each of them is a mystery, as marvelous as Joan, as irreducible as the mystery of life itself. In its compassionate investigation of moral truths and its bold embrace of the fractured nature of every one of its characters, Mister Sandman attains the heightened quality of a modern-day parable.

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Mister Sandman: A Novel

Barbara Gowdy's outrageous, hilarious, disturbing, and compassionate novel is about the Canary family, their immoderate passions and eccentricities, and their secret lives and histories. The deepest secret of all is harbored in the silence of the youngest daughter, Joan, who doesn't grow, who doesn't speak, but who can play the piano like Mozart though she's never had a lesson. Joan is a mystery, and in the novel's stunning climax her family comes to understand that each of them is a mystery, as marvelous as Joan, as irreducible as the mystery of life itself. In its compassionate investigation of moral truths and its bold embrace of the fractured nature of every one of its characters, Mister Sandman attains the heightened quality of a modern-day parable.

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Mister Sandman: A Novel

Mister Sandman: A Novel

Mister Sandman: A Novel

Mister Sandman: A Novel

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Overview

Barbara Gowdy's outrageous, hilarious, disturbing, and compassionate novel is about the Canary family, their immoderate passions and eccentricities, and their secret lives and histories. The deepest secret of all is harbored in the silence of the youngest daughter, Joan, who doesn't grow, who doesn't speak, but who can play the piano like Mozart though she's never had a lesson. Joan is a mystery, and in the novel's stunning climax her family comes to understand that each of them is a mystery, as marvelous as Joan, as irreducible as the mystery of life itself. In its compassionate investigation of moral truths and its bold embrace of the fractured nature of every one of its characters, Mister Sandman attains the heightened quality of a modern-day parable.


Product Details

ISBN-13: 9781543658705
Publisher: Brilliance Audio
Publication date: 09/26/2017
Product dimensions: 5.25(w) x 6.75(h) x 0.50(d)

About the Author

Barbara Gowdy is the award-winning author of six novels and the short story collection We So Seldom Look on Love. Her works have appeared to critical acclaim in thirteen countries, and in her native Canada, Mister Sandman was a finalist for both the Giller Prize and the Governor General’s Award.

Read an Excerpt

Chapter One


    Joan Canary was the Reincarnation Baby. Big news at the time, at least in the Vancouver papers. This is going back, 1956. Joan was that newborn who supposedly screamed, "Oh, no, not again!" at a pitch so shrill that one of the old women attending the birth clawed out her hearing aid. The other old woman fainted. She was the one who grabbed the umbilical cord and pulled Joan head-first onto the floor.

    Joan's mother, Doris Canary, attributed everything to the brain damage. Joan's inability to talk it goes without saying, but also her reclusiveness, her sensitivity to light, her size, her colouring ... you name it. Joan's real mother, Sonja Canary, attributed everything to Joan's past-life experiences. Sonja was there for Joan's famous first cry, and it's true she had thought it was one of the old women screaming, "Flo! Flo! She's insane!" but that didn't make any sense because the woman who could have screamed it had throat cancer. If Joan was either brain-damaged or reincarnated, Sonja preferred reincarnated. She would, being the real mother.

    To be fair, though, there was something unearthly about Joan. She was born with those pale green eyes, and the hair on her head, when it finally grew in, was like milkweed tuft. That fine, that white. And look how tiny she was! Nobody in the family was tiny. Nobody in the family was anything like her, her real parents least of all. Sonja was fat, and had dark brown corkscrew hair and brown eyes. The real father was an orange-haired giant, eyes a flat creamy blue like seat-cover plastic. He had remarkably white skin, and Joan did, too, but without the freckles, pimples and hair. Flawless. Joan was flawless. Another way of saying not like any of them. Sonja, of course, went further, she said that Joan was not of this world, and it drove Doris Canary crazy. Baloney! Doris said. Brain-damaged, brain-damaged, brain-damaged! she said. Face it. Ask the neurologists.

    Doris even told strangers that Joan was brain-damaged. Her husband, Gordon, never publicly contradicted her but he winced and sighed. "It's the truth," Doris would say then, as if normally she wasn't a brazen liar. As if Gordon had ever agreed with the brain-damaged diagnosis let alone that you could point to anything and call it the truth. "The truth is only a version" was one of his maxims.

    (Which Sonja heard as "The truth is only aversion" and, although she had no idea what it meant, automatically quoted whenever the subject of truth was raised.)

Table of Contents

"Mister Sandman displays the same quirkiness, the same mordant sense of humor, the same ear for vernacular, the same innocent-eyed acceptance of the bizarre, that characterizes Gowdy's two previous books.... She surprises and delights; she also -- which is rarer -- gives us moments which are at the same time preposterous and strangely moving." --Margaret Atwood

Barbara Gowdy's outrageous, hilarious, and compassionate novel is about the Canary family: their loves and quirks, their secret lives and histories. The youngest daughter, Joan, holds the darkest secret. Without ever taking a single lesson, Joan sits down at the piano and plays like Mozart. She's a prodigy! She is also mute.

Joan is a mystery, and in the novel's startling climax, her family realizes that each of them is as marvelous and as much of a mystery as Joan, as irreducible as the mystery of their existence. Mister Sandman attains the heightened quality of a modern-day parable with its compassionate investigation of moral truths and its bold embrace of the eccentricities of each character. Readers will put the book down and see their world in a rosier light -- a good reason to pick it up.

Interviews

On Sunday, March 22nd, barnesandnoble.com welcomed Barbara Gowdy to discuss MISTER SANDMAN.


Moderator: Hello, Barbara Gowdy. We are pleased you could join us to discuss MISTER SANDMAN! Welcome.

Barbara Gowdy: Thank you.


Kate from New York City: Hello, Barbara Gowdy! I just tried to explain this novel to my girlfriend and found it very difficult because there's so much there! (This is not a criticism.) In your own words, I'd like to hear your explanation of what MISTER SANDMAN is about. Thanks!

Barbara Gowdy: It might help to read the jacket copy. It is about a lot of things, mostly it is about human nature, an investigation about what is normal in a family.


Carrie from Bolton, MA: Reincarnation is a big theme in MISTER SANDMAN, as Joan's character is seen as a reincarnation, and certain signs are interpreted by her, Doris, and Sonja as a sign of this reincarnation. Could you talk a little bit about reincarnation and Joan's revelations resulting in the renewal of her own family?

Barbara Gowdy: I suppose to me reincarnation is a fact of life in that throughout life we reinvent ourselves and we come to have a new understanding of others, which is a kind of reincarnation of observation.


Betty from New York City: MISTER SANDMAN was published in hardcover -- to much critical acclaim -- by Steerforth Press. Could you talk about the experience of being published by a small independent press? Do you think independent presses will become the way of the future, with publishers like Grove/Atlantic publishing such award-winning bestsellers as COLD MOUNTAIN?

Barbara Gowdy: I don't know. I fear for small publishers, because their books don't get much shelf space when the big blockbuster biographies and books by big-name celebrities come out. Small presses tend to publish literary fiction, which has a relatively small audience. What Steerforth did for me was give me a great deal of attention and care.


Marion from Toronto: What is your writing schedule like? How long did it take you to write MISTER SANDMAN? How many drafts did you go through?

Barbara Gowdy: I tend to write five hours a day, four days a week once I start a book. The rest of the workday is taken up by the business of being a writer. Between books I am obliged to devote myself to publicity and reading tours around the world. I would like to get to the point where I didn't have to do any publicity but I am not there yet. MISTER SANDMAN, like my other books, was written slowly in one draft, but each day I rewrote what I had written up until then.


Christina Waage from Boston: Your characters' sexuality seems to be a big issue in MISTER SANDMAN. I was particularly intrigued that the Canary parents Gordon and Doris, homosexual and bisexual respectively, were actually happy in that situation and were wonderful parents. Alternative family lifestyles were alive and well in the '50s! Why did you decide to focus on the Canary family's sexuality?

Barbara Gowdy: Alternative family lifestyles were alive but not at all well in the '50s. In fact it was against the law to be a practicing homosexual. Writing about a kind of sexuality that is not mainstream enables me to write about living on the edge.


Karen from Alexandria, VA: Could you give us a little hint of what your next novel will be about?

Barbara Gowdy: Yes, it will be published by Metropolitan in the U.S., which is an imprint of Henry Holt. It should be coming out in the spring of '99 and called the WHITE BONE. it is a story of the search for safety told from the point of view of African elephants.


Jennifer from Long Island: Music and lyrics play a big role in MISTER SANDMAN. What music do you like to listen to, Ms. Gowdy?

Barbara Gowdy: I am currently listening to classical -- Mozart, Schubert, and Bach, and jazz (Miles Davis and Thelonius Monk), but I don't listen to music at all when I am writing because I find it distracting. I did study music for many years, which I suppose is why it creeps into my fiction.


Jack Meador from Montpelier, Vermont: Hello Ms. Gowdy. I have to say I will honestly never listen to MISTER SANDMAN the same way again after reading this novel. Why was that particular song featured so prominently in your novel?

Barbara Gowdy: Because when I was a little girl it was my favorite song, and I thought that the lyrics were "Mr. Sandman bring me a drink."


Corrine Arleth from San Francisco: Your narrative voice seems to have such knowledge of children -- their secrets, their dreams, and so on. How difficult was it to get into a child's mindframe while you were writing MISTER SANDMAN?

Barbara Gowdy: It is always very easy to write from the point of view of a child. I don't know what that means except that perhaps I live more in the past than in the present. I have no children of my own, and that may be why I find them so fascinating.


Justine from California: What do you think of critics who compare you to John Irving and Alice Munroe? Thank you for taking my question.

Barbara Gowdy: You're welcome. Thank you for asking. I am flattered by most comparisons. On the other hand, I rarely understand the comparisons. I think it is like when someone says you look like someone else. You see it and you don't.


Aimee from Seattle: Who do you like to read? Who are your literary influences?

Barbara Gowdy: Everything I have read has influenced me, including cereal boxes and billboards, but I know that is not what you mean. I think I was very much influenced by the Bible and fairy stories. As for writers I admire -- there are too many to mention really, but I will say I am in awe of Alice Munroe, Cormac MacCarthy (especially his olders works), Jane Austen, George Eliot, and America's own Lorrie Moore.


Yolanda from Albuquerque: How important is humor to you in your writing? Do you mean to be intentionally funny or does it just happen? I laughed out loud reading MISTER SANDMAN.

Barbara Gowdy: I am glad you laughed out loud. I laugh when I am writing. The funny stuff, if it is funny, comes out of nowhere. I don't believe a writer is truly telling an honest story if she excludes the absurdities of life. Unfortunately, humor isn't considered "literary" in many circles, but I can live with that.


Jacqueline from Pittsburgh: Will there be a movie version of MISTER SANDMAN? Is there anything in the works?

Barbara Gowdy: The movie rights have been optioned, and I hope it will become a movie -- although I think the character of Joan will be a hard one to put on the screen.


Moderator: Thank you for fielding all of our questions this afternoon, Ms. Gowdy. Any final comments for our online audience?

Barbara Gowdy: Thank you for reading the book with such obvious attention to theme and detail; you hearten me. Now back to the THE WHITE BONE (which I am rewriting).


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