Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience

Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience

by Harris M. Berger
ISBN-10:
0819563765
ISBN-13:
9780819563767
Pub. Date:
07/30/1999
Publisher:
Wesleyan University Press
ISBN-10:
0819563765
ISBN-13:
9780819563767
Pub. Date:
07/30/1999
Publisher:
Wesleyan University Press
Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience

Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience

by Harris M. Berger

Paperback

$23.92
Current price is , Original price is $27.95. You
$23.92  $27.95 Save 14% Current price is $23.92, Original price is $27.95. You Save 14%.
  • SHIP THIS ITEM
    Temporarily Out of Stock Online
  • PICK UP IN STORE

    Your local store may have stock of this item.

  • SHIP THIS ITEM

    Temporarily Out of Stock Online

    Please check back later for updated availability.


Overview

This vivid ethnography of the musical lives of heavy metal, rock, and jazz musicians in Cleveland and Akron, Ohio shows how musicians engage with the world of sound to forge meaningful experiences of music. Unlike most popular music studies, which only provide a scholar's view, this book is based on intensive fieldwork and hundreds of hours of in-depth interviews. Rich descriptions of the musical life of metal bars and jazz clubs get readers close to the people who make and listen to the music.

Of special interest are Harris M. Berger's interviews with Timmy "The Ripper" Owens, now famous as lead singer for the pioneering heavy metal band, Judas Priest. Owens and other performers share their own experiences of the music, thereby challenging traditional notions of harmony and musical structure. Using ideas from practice theory and phenomenology, Berger shows that musical perception is a kind of practice, both creatively achieved by the listener and profoundly informed by social context.


Product Details

ISBN-13: 9780819563767
Publisher: Wesleyan University Press
Publication date: 07/30/1999
Series: Music/Culture Series
Edition description: New Edition
Pages: 350
Product dimensions: 6.00(w) x 9.00(h) x 1.00(d)

About the Author

HARRIS M. BERGER is Assistant Professor of Music at Texas A & M University. A guitarist since the age of ten, he currently plays and sings with The Bee Dreams.

Table of Contents

The Ethnography of Musical Practice
The Organization of Musical Experience and the Practice of Perception
Music, Experience, and Society: Death Metal and Deindustrialization in an American City

What People are Saying About This

Deena Weinstein

“Berger’s comprehensive fieldwork reaches fruition in fascinating and insightful descriptions of a wide variety of musicians, fans and venues. He is sensitive to the perspectives of each of the actors in a musical scene and definitely shows their nuances interrelationships."

Veit Erlmann

"This fascinating and evocative book is far superior to conventional rock criticism. Berger's upbeat writing offers both a vivid sense of being there that is richly satisfying, as well as a solid ethnography of the Cleveland musical scene."

From the B&N Reads Blog

Customer Reviews