Table of Contents

Chapter 1 Preface
Chapter 2
Chapter I. Postnational Perspectives in Music Scholarship
Chapter 3
Chapter 1. Introduction: The Postnational Turn in Music Scholarship and Music Marketing
Chapter 4
Chapter 2. Nationalist and Postnationalist Perspectives in American Musicology
Chapter 5
Chapter 3. Productive Orientalisms: Imagining Noise and Silence Across the Pacific, 1957-1967
Chapter 6
Chapter II. A Transnational Caribbean
Chapter 7
Chapter 4. The Miamization of Latin-American Pop Music
Chapter 8
Chapter 5. Nostalgia and the Negotiation of Dislocated Identities: Puerto Rican Boleros in New York and Nuyorican Poetry
Chapter 9
Chapter III. Across the U.S.-Mexico Border
Chapter 10
Chapter 6. Ideology, Flux, and Identity in Tijuana's Nor-tec Music
Chapter 11
Chapter 7. Quest for the Local: Building Musical Ties between Mexico and the United States
Chapter 12
Chapter 8. Assimilation, Reclamation, and the Rejection of the Nation-State Chicano Musicians
Chapter 13
Chapter 9. RockIn' la Frontera: Mexican Rock, Globalization, and National Identity
Chapter 14
Chapter IV. South-American Connections
Chapter 15
Chapter 10. Before and After Samba: Modernity, Cosmopolitanism, and Popular Music in Rio de Janeiro at the Beginning and End of the 20th Century
Chapter 16
Chapter 11. The Afro-Colombianization of Hip-Hop and Discourses on Authenticity
Chapter 17
Chapter 12. Transnational Soundscapes: Ambient Music and Bossatrônica