Censoring the Body

From the earliest times, human beings have found it difficult to represent their own bodies in a straightforward way.  At the dawn of art, representations of the nude body focused almost entirely on fertility, with some cultures explicit and others rather more prudish about representing the unclothed body.  With the coming of Christianity, representations of the nude became associated with the idea of the Fall of Man and original sin.  This conflicted with the need to show nude or nearly nude bodies when representing episodes from the passion of Christ and the martyrdoms of popular saints.
 
Today, representations of the nude remain a battleground, fought over by libertarians and anti-libertarians.  Most recently, feminism has challenged images of the female nude, while an increasing moral panic now restricts the depiction of the naked child - images which would have been commonplace in the art of the Renaissance.
 
Censoring the Body exposes our bodies and our ideas about our bodies, revealing the complex historical and cultural legacies which frame - and obscure - our vision.

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Censoring the Body

From the earliest times, human beings have found it difficult to represent their own bodies in a straightforward way.  At the dawn of art, representations of the nude body focused almost entirely on fertility, with some cultures explicit and others rather more prudish about representing the unclothed body.  With the coming of Christianity, representations of the nude became associated with the idea of the Fall of Man and original sin.  This conflicted with the need to show nude or nearly nude bodies when representing episodes from the passion of Christ and the martyrdoms of popular saints.
 
Today, representations of the nude remain a battleground, fought over by libertarians and anti-libertarians.  Most recently, feminism has challenged images of the female nude, while an increasing moral panic now restricts the depiction of the naked child - images which would have been commonplace in the art of the Renaissance.
 
Censoring the Body exposes our bodies and our ideas about our bodies, revealing the complex historical and cultural legacies which frame - and obscure - our vision.

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Censoring the Body

Censoring the Body

by Holly McCormack
Censoring the Body

Censoring the Body

by Holly McCormack

Hardcover

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Overview

From the earliest times, human beings have found it difficult to represent their own bodies in a straightforward way.  At the dawn of art, representations of the nude body focused almost entirely on fertility, with some cultures explicit and others rather more prudish about representing the unclothed body.  With the coming of Christianity, representations of the nude became associated with the idea of the Fall of Man and original sin.  This conflicted with the need to show nude or nearly nude bodies when representing episodes from the passion of Christ and the martyrdoms of popular saints.
 
Today, representations of the nude remain a battleground, fought over by libertarians and anti-libertarians.  Most recently, feminism has challenged images of the female nude, while an increasing moral panic now restricts the depiction of the naked child - images which would have been commonplace in the art of the Renaissance.
 
Censoring the Body exposes our bodies and our ideas about our bodies, revealing the complex historical and cultural legacies which frame - and obscure - our vision.


Product Details

ISBN-13: 9781905422531
Publisher: Seagull Books
Publication date: 09/28/2007
Series: Manifestos for the 21st Century Series
Pages: 100
Product dimensions: 4.50(w) x 7.25(h) x 0.60(d)

About the Author

Edward Lucie-Smith is an internationally renowned art critic and historian. He has published over 100 books, notably Movements in Art since 1945, Visual Arts of the 20th Century, A Dictionary of Art Termsand Art Today, now used as standard texts throughout the world.

Table of Contents

Early Civilizations
Christianity and the Body
Baroque and Rococo Art in Europe
The Nineteenth Century
The Modern Movement
The Particular versus the Universal
 

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