A Guest at the Feast

by Colm Toibin

Overview

Named a Most Anticipated Book of 2023 by LitHub and The Millions!

From one of the most engaging and brilliant writers of our time comes a “not to be missed” (LitHub) collection of eleven essays about growing up in Ireland during radical change; about cancer, priests, popes, homosexuality, and literature.

“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” The second essay in this seductive collection is a memoir about growing up in the 1950s and ’60s in the small town of Enniscorthy in County Wexford, the setting for many of Tóibín’s novels and stories, including Brooklyn, The Blackwater Lightship, and Nora Webster. Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality.

In Part Two, Tóibín profiles three complex and vexing popes—John Paul II, Benedict XVI, and Francis. And in Part Three, he writes about a trio of authors who reckon with religion in their fiction. The final essay, “Alone in Venice,” is a gorgeous account of Tóibín’s journey, at the height of the pandemic, to the beloved city where he has set some of his most dazzling scenes. The streets, canals, churches, and museums were empty. He had them to himself, an experience both haunting and exhilarating.

“A tantalizing glimpse into Tóibín’s full fictional powers,” (The Sunday Times, London) A Guest at the Feast is both an intimate encounter with a supremely creative artist and a glorious celebration of writing.

Product Details

ISBN-13:	9781476785202
Publisher:	Scribner
Publication date:	01/17/2023
Pages:	336
Product dimensions:	5.40(w) x 8.40(h) x 1.30(d)

About the Author

Colm Tóibín is a literary star of the "new" Ireland, the one -- as noted by National Public Radio's Jacki Lyman -- is short on whiskey and St. Patrick and long on cell phones, personal computers, and a stage set for economic opportunity. This is an Ireland where the people stop to cheer an author, yes, an author, whose latest novel has been shortlisted for the Booker Prize, even though its key subject matter is the protagonist's struggle with his homosexuality.

"When I went down to get my groceries, people stopped their car and got out of them and waved at me and looked at me as though I was an athlete and shouted at me, `Come on, you can do it. You can do it,' " Tóibín said on NPR's All Things Considered in 2000. "And I basked in the sunshine of Irish approval and love for about three weeks.... You know, sort of -- I keep wondering when this, you know, backlash or something is going to happen, but I'm afraid it isn't going to happen. I'm afraid the country has changed, and being a writer there is actually quite a nice thing these days."

In fiction, travelogues, essays, and newspaper columns, Tóibín has established himself as a writer who can connect both the political and the personal to a sense of place. Though his work has often been informed by the political history of Ireland, he has also drawn on his travels to places like Spain and Argentina to create settings for his work.

And, even though his current home of Dublin has never made an appearance in any of his fiction, the environs of his youth -- County Wexford -- have been prominent.

The Washington Post, in a 2000 review of The Penguin Book of Irish Fiction, which Tóibín edited, called him a "journalist and critic of influence, a brilliant novelist steadily harvesting his own postage-stamp piece of Wexford as diligently as Faulkner worked Mississippi."

"Colm Tóibín has established himself as a major and distinctive voice in contemporary Irish fiction," the Dictionary of Literary Biography has noted. "While his work makes much of the complex associations between people and place, he eschews easy stereotypes of Irishness in favor of the often-contradictory impulses that pull on contemporary lives.

Tóibín was born into a family that had a long history in his hometown. His father, who died when Tóibín was 12, was a local schoolteacher, and his grandfather was a member of the Irish Republican Brotherhood and was twice imprisoned by British authorities for civil disobedience against British rule.

Tóibín explored this history as a writer, following four years teaching English in Barcelona, Spain. He began as a features editor but moved to editing a current affairs magazine and joined the Sunday Independent in Dublin in 1985 as a columnist. As an author, he started by writing travelogues on Ireland and Spain before publishing his first novel in 1990. The South, which draws on Ireland's Catholic-Protestant tensions as well as Tóibín's life in Spain, is about an Irish woman who leaves her husband and son and moves to Spain, falls in love with a political artist, and returns to Ireland as an artist herself, once her son is grown.

This novel would establish Tóibín's reputation as a writer with a keen sensibility for characterization ("His novels have been noted for their deft characterizations, particularly of women, as evidenced by the strong female protagonist in The South," noted Contemporary Literary Criticism), but it wasn't until later novels such as The Story of the Night and The Blackwater Lightship that readers would realize his insight into gay characters as well.

"This is not a simple, upbeat story about gay liberation or political activism," Merle Rubin wrote in The Christian Science Monitor in 1997. "Powerfully imagined and tautly written, it is a subtly shaded portrait of a country in transition, a culture beginning to reflect important political changes, and a man coming to a new understanding of himself."

David Bahr, writing in The Advocate in 2000, predicted that The Blackwater Lightship -- now that it had been shortlisted for the Booker Prize -- would finally make Tóibín known outside his magazine's primary readership: "His latest...should finally prove to straight American readers what many gay people have long known: that Tóibín is one of the more honest and subtly powerful novelists publishing today.... Perceptive and moving, The Blackwater Lightship again reveals Tóibín to be the kind of restrained, quiet writer whose prose feels as natural as breathing. His poetic narrative is so understated that its profound lyricism often takes you by surprise, infusing a potentially familiar tale with vibrant new life."

Mixing fiction and biography in 2004, Tóibín penned a novel inspired by the life of Henry James. "Ambitious and gracefully plotted," said the New Statesman. In the pages of London's Observer, a previous Tóibín skeptic confessed he had been swayed. "There's little in Colm Tóibín's previous work, to some of which this reviewer has been immune or even mildly allergic, to prepare for the startling excellence of his new novel," Adam Mars Jones wrote, "The Master is a portrait of Henry James that has the depth and finish of great sculpture."

Moving fully into nonfiction, Tóibín continued to impress.

The New Statesman observed that The Irish Famine: A Documentary was "no arid survey of the historiography of the famine, but a stimulating quest, prompted by a personal and vocational curiosity. And Joseph Olshan, writing in Entertainment Weekly in 1995, awarded Tóibín's The Sign of the Cross: Travels in Catholic Europe an A, not only for its ability to dissect the Church's close relationship with European politics and social order. "[W]hat Tóibín comes back to is the transcendent power of Catholic ritual," Olshan writes. "Indeed, in a very moving centerpiece, Tóibín describes a therapy session during which he relives his father's death and comes to realize that his most profound wish is to bless his deceased parent with the sign of the cross. This is an extraordinary document."

But it may always be the intensely personal moments in his fiction that will always stand out. Susan Salter Reynolds noted as much in the Los Angeles Times in 2000. "There is little reconciliation in Colm Tóibín's novels; moments in which the stage is set for it usually pass," she wrote. "His novels build to these moments, fraught with potential, from which the air goes out with a nasty little hiss, and a new chapter, full of reasons not to live, begins.... It's good to read Tóibín's honest novels, in which human beings fail to forgive, fail to understand. We spend so much of our lives in the dark, shouldn't literature face this as squarely as we must?"

Hometown:

Dublin, Ireland

Date of Birth:

May 30, 1955

Place of Birth:

Enniscorthy, County Wexford, Ireland

Education:

St. Peter's College, Wexford; University College, Dublin, B.A. in English and history

Website:

http://www.colmtoibin.com