A Piece of the Action
In 1957, a young cop boxes his way to a gold shield, and finds corruption everywhere he turns
Before he became one of the most feared detectives in the New York Police Department, Stanley Moodrow was a boxer. A big kid with sledgehammer fists and a body that didn’t know when to quit, he won his first twenty bouts handily, and might have gone pro if he saw a future in it. But the men in Moodrow’s family have always been cops, and he wanted to join their ranks. As a young recruit, Moodrow knows that the pain he has suffered in the ring puts him a step ahead of the fresh-faced youngsters around him. Using his boxing talent as a way to get the attention of the brass, he wins his detective’s badge in record time. But when he starts life among the elite, he learns that there is nothing in the department that can’t be bought. Even the blood of the innocents has a price tag.
1000415863
A Piece of the Action
In 1957, a young cop boxes his way to a gold shield, and finds corruption everywhere he turns
Before he became one of the most feared detectives in the New York Police Department, Stanley Moodrow was a boxer. A big kid with sledgehammer fists and a body that didn’t know when to quit, he won his first twenty bouts handily, and might have gone pro if he saw a future in it. But the men in Moodrow’s family have always been cops, and he wanted to join their ranks. As a young recruit, Moodrow knows that the pain he has suffered in the ring puts him a step ahead of the fresh-faced youngsters around him. Using his boxing talent as a way to get the attention of the brass, he wins his detective’s badge in record time. But when he starts life among the elite, he learns that there is nothing in the department that can’t be bought. Even the blood of the innocents has a price tag.
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A Piece of the Action

A Piece of the Action

by Stephen Solomita
A Piece of the Action

A Piece of the Action

by Stephen Solomita

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Overview

In 1957, a young cop boxes his way to a gold shield, and finds corruption everywhere he turns
Before he became one of the most feared detectives in the New York Police Department, Stanley Moodrow was a boxer. A big kid with sledgehammer fists and a body that didn’t know when to quit, he won his first twenty bouts handily, and might have gone pro if he saw a future in it. But the men in Moodrow’s family have always been cops, and he wanted to join their ranks. As a young recruit, Moodrow knows that the pain he has suffered in the ring puts him a step ahead of the fresh-faced youngsters around him. Using his boxing talent as a way to get the attention of the brass, he wins his detective’s badge in record time. But when he starts life among the elite, he learns that there is nothing in the department that can’t be bought. Even the blood of the innocents has a price tag.

Product Details

ISBN-13: 9781453290576
Publisher: MysteriousPress.com/Open Road
Publication date: 01/22/2013
Series: Cities of Refuge #01
Sold by: Barnes & Noble
Format: eBook
Pages: 271
File size: 1 MB

About the Author

Stephen Solomita (b. 1943) is an American author of thrillers. Born in Bayside, Queens, he worked as a cab driver before becoming a novelist in the late 1980’s. His first novel, A Twist of the Knife (1988) won acclaim for its author’s intimate knowledge of New York’s rough patches, and for a hardboiled style that raised a gritty look at urban terrorism above the level of a typical thriller. Solomita wrote six more novels starring the disaffected NYPD cop Stanley Moodrow, concluding the series with Damaged Goods (1996). Solomita continued writing in the same hardboiled style, producing tough, standalone novels like Mercy Killing (2009) and Angel Face (2011). Under the pseudonym David Cray, he writes gentler thrillers such as Dead Is Forever (2004), a traditional mystery in the mode of Ellery Queen. His most recent novel is Dancer In The Flames (2012). He continues to live and write in New York City.     

Read an Excerpt

A Piece of the Action

A Stanley Moodrow Crime Novel


By Stephen Solomita

OPEN ROAD INTEGRATED MEDIA

Copyright © 1992 Stephen Solomita
All rights reserved.
ISBN: 978-1-4532-9057-6


CHAPTER 1

December 26, 1957


JAKE LEIBOWITZ STOOD IN front of the bathroom mirror, trimming his tiny mustache and cursing his eyesight. He was all of thirty-seven years old and already his eyes were going bad. Walter Winchell's column in the Mirror was nothing more than a gray blur. If he wanted to read, to keep up with the fast crowd, he was going to have to get glasses.

"With the Jews, it's always the eyes," he said to himself. "If I don't watch it, I'll end up with coke-bottle glasses and a gray beard." He shook his head in disgust. "Now I'm talkin' to myself, again."

But he couldn't be angry with himself. Not on the brink of a New Year's which had the promise of ushering in a really new year. He'd been waiting a long time to get his big break, long enough to know there might not be another one coming. He intended to make the most of it.

"I got lost for a while," he muttered, lifting the scissors to the edge of his upper lip. "But I ain't lost now."

The jet-black hairs of his mustache were no more than an eighth of an inch long. When he stepped far enough away to bring the mirror into focus, they melted into one another like a dark smudge on a piece of paper.

He tossed the scissors into the bathtub. "I shoulda gone to the barber this afternoon. Gotta look good for the wops." He picked up a hairbrush and began to tear at the tight curls on his head. Jake kept his hair short, but he couldn't keep it down. His curls, especially in wet weather, stood out in every direction. Even in a suit, he looked more like a shaggy-headed beatnik than a nice Jewish gangster. That's why he never left his apartment without wearing a hat.

Jake loved hats the way some men love shoes, kept a dozen in his closet (his mother's closet, he reminded himself, mustn't forget that little fact) and usually tried on most of them before leaving the apartment.

"I never met a hat I didn't like," he said, chuckling at his own joke.

Soon, very soon, he'd have enough hats to fill a dozen closets. And he'd shop for his suits at Brooks Brothers instead of Robert Hall. Maybe he'd even have a tailor make one up by hand. But not a Jew tailor with glasses so thick they looked more like binoculars. He'd go to Chinatown and find a tailor from Hong Kong. Let the chink make him a gray sharkskin suit, then buy a pair of Italian shoes and a matching tie and, of course, a snap-brim fedora.

"It shoulda happened long ago, Jake," he told himself. "If life was fair. Which it ain't."

The bitch about it was that you could control a lot of things in your life, but you couldn't control everything. For instance, you couldn't control wars. He'd been a twenty-year-old kid when the war broke out, and he'd been coming up in the world. The Depression (they called it the Great Depression though he couldn't see anything great about it) had hit the packed immigrant neighborhoods of the Lower East Side with the wallop of a Colt .45. Even the gangsters had suffered. He should know, his father had been a gangster. At least until they found him floating in the East River.

That was in '33 and life for the Leibowitz family had been harder than hard after Poppa made the mistake of challenging the wops. The wops had a genius for organization. They based it on their families and the villages they'd come from in Sicily. Jews didn't do that. There was no Pinsk gang, no Bialystoker mob. Jewish gangsters wanted their kids to be doctors (or, at least, to marry doctors). And there were a lot more Italians than Jews in the good old U.S.A. All the Jews had come to New York (most of them to the Lower East Side which, in the 20's and 30's, seemed more like the Warsaw Ghetto than Manhattan) while the Italians had spread out. A wop who wanted to kill a Jew could call in a button man from Boston or Providence or Chicago. A Jew who wanted to kill a wop usually did it himself.

Still, even considering all that, even considering his poppa's big mistake, Jake Leibowitz had done okay. He'd begun by shoplifting his way through the middle of the Depression, working with several other boys, including an Italian. Then, in the natural course of things as he understood them, he'd graduated to commercial burglary, shimmying through unlocked bathroom windows until he'd outgrown his specialty. Until he was old enough to pick up a rod and take what he wanted.

It was too bad about the war. Too bad, because he'd understood the essential lesson. The wops didn't really care what you did to put bread in your mouth as long as you took care of them, as long as you gave them a piece of your bread. What was that old saying? The only sure things are death and taxes? For Jake, the wops were the government and the tribute he paid them was the gangster version of the graduated income tax.

Jake took another step backward and the face in the mirror jumped into focus. It wasn't a bad face, all in all. True, his eyes were set too close and his thin nose had a definite hook. But those eyes were a mild blue and the nose was small. Meanwhile, his cleft chin (as formidable as Robert Mitchum's) dominated his beak, just as high, prominent cheekbones dominated those narrow eyes.

"A regular Tony Curtis," he observed. "Only bigger." He tightened his chest muscles until the individual bands of tissue criss-crossing his ribs stood out like leather straps. He'd always been strong and the war had made him stronger. Not that he'd spent any time fighting the Germans or the Japanese. Jake's career in the regular army had ended ten minutes after he arrived in Fort Dix to begin his basic training. Sergeant T. Blair Johnson, in the manner of drill sergeants everywhere, had put his face within two inches of Jake's, and screamed out a series of obscenities, most of which concerned Jake's mother. Two days later, when Sergeant Johnson finally woke up, he was lying in the base hospital, recovering from a fractured skull.

"It was the war," Jake muttered. "The war put me in a bad mood. It wasn't fair."

Jake had first reported to the induction center on Whitehall Street in the spring of 1939. The army had evaluated him thoroughly, then declared him 4F, which was supposed to mean permanently unfit for duty. So why, in 1942, even though millions of schmucks were volunteering, had they called him back, reexamined him, overlooked his extensive criminal record, and re-classified him 1A? He'd stopped asking himself the question three weeks later when he got a telegram: Greetings, it began.

What had bothered him most, as the packed bus drove through New Jersey on its way to Fort Dix, was how happy the other recruits were. They'd laughed and joked, bragging about what they would do to the Krauts and the Japs, a bunch of schmucks eager to get their brains blown out. And for what? There was nothing in it for them. Nothing but crumby food, aching bones and an early death.

"A man's gotta do what a man's gotta do." Jake tossed several punches at the face in the mirror. His hands were very fast. Always had been. The redneck sergeant unlucky enough to greet the bus carrying Jake Leibowitz had been out before he knew what was happening. That was part of what Jake called "Plan B."

Plan A had been just to disappear, stretch it out until he was caught, then do his time. But there was no way for him to operate if he was on the run. He was just getting started with the wops, doing them little favors, hoping for a piece of the gambling east of Canal Street. If he spent the rest of the war (and the damn thing could last for ten years the way it was going) in Toronto with Uncle Bernard, his career would be up shit's creek. Permanently.

Better to step right up and take your medicine. Better to pound on some officer, do a year in the joint and get back to work. The wops were being drafted, too. If he got out before they did, there'd be plenty of action.

By the time the bus had arrived at Fort Dix, Jake was too crazy to wait for an officer. Which was just as well, because they ended up giving him eighteen months for what he'd done to the sergeant, six months more than he expected. If he'd beaten an officer, they probably would have given him five years.

But even the extra six months would have been okay. As long as he behaved himself, he'd be out in a little over a year. He was going to a joint called Leavenworth, in Kansas. How bad could a joint in Kansas be?

"Leeeeee-bow-witz," Deputy Warden Blackstone had drawled. "What kind of name is that, boy? Is that a Jewish name? Are you a Jewwwww-boy?"

Standing in front of the Dep, flanked by a pair of massive, blond, crewcut sergeants, Jake finally understood that the earth did not end at the far side of the Hudson River.

"Yessir," he answered.

"Leeeeee-bow-witz, are you from Newwww Yawk City?"

"Yessir."

His fellow convicts had been no more accepting than Dep Blackstone. They thought all Jews were soft, flabby tailors. Hiding behind thick glasses, cringing over their prayers. Jake had had to prove himself again and again. Each time he did, a court-martial added a few years to his sentence. The end result was the opposite of what he'd intended. By the time he'd gotten out, WWII and the Korean War were over. The wops didn't even remember him.

On the other hand, twelve years in the slammer had given him a confidence and maturity he might otherwise have never achieved. After a time, somewhere in the spring of '45, the names had stopped. No more "kike" or "sheeny." But that didn't mean his fellow cons had seen him as one of the boys. They'd held their tongues because they were afraid of him, not because they'd liked him.

Jake had begun to talk to himself on the day he'd realized that he couldn't fight his way to acceptance. He would never be one of them. It was like the Italians, in a way. A Jew could work with the Italians, but he would never be equal to the lowest Sicilian. Meyer Lansky, whose name was in the papers almost every day, was a good example. He'd created his own gang because he could never get in with the wops, could never become an ordinary soldier, much less a Don.

"Them old Jews was tough," Jake said. "Hymie Weiss? Bugsy Siegel? Louis Lepke? Hell, Arnold Rothstein was king of New York when Al Capone was still suckin' on his mother's tit." Stepping into his bedroom, Jake began to dress. "But they musta not had kids or somethin'. The kids I come up with're movin' outta the neighborhood. Goin' ta bullshit Queens or Brooklyn. Can't wait to get away."

He pulled a silk undershirt over his head, then stepped into silk boxer shorts. It was kind of depressing—the only luxury he could afford went on the inside where no one could see it. But that was all going to change. He'd put a lot of effort into attracting the wops' attention. Doing a warehouse here, hijacking a truck there—fencing the loot to a Jew with a loose mouth. He and the only two pals he could dredge up—Izzy Stein and Abe Weinberg.

One day, two gorillas had arrived on his doorstep. He'd known them right away. They worked for Antonio "Steppy" Accacio. Steppy Accacio, if he wasn't exactly Sam Trafficante, was an up-and-comer, a connected man with a finger in half a dozen Lower East Side pies.

"We only just heard about ya," one of the gorillas, Joe Faci, had said politely.

"I understand," Jake had responded, just as politely. "Whatta ya gotta get?"

"Ten percent. And it would be good if you would fence ya merchandise with our guy on West Street."

"I got the money upstairs."

"We'll go with ya."

"Nah, it's my mother's apartment. She's home."

Faci had thought about it for a minute, searching Jake's face. "That would be all right," he'd responded. "Ya won't be long, I hope?"

"Two minutes."

Jake had made it in one and a half, emerging with a stuffed envelope he'd been saving for months.

"How come we didn't know about ya before this?" Faci had asked, accepting the envelope. "You ain't such a young guy."

Jake had explained about the army and Leavenworth and Faci had listened with respect. He would go back to his boss and pass the information over with the envelope. Jake Leibowitz had done twelve years of very hard time. He was a man you could work with. A man you could trust. He wouldn't open up the first time the cops slapped him around.


Fifteen minutes later, his mustache as good as he was going to get it, Jake Leibowitz sat in the front seat of his mother's 1951 Packard Clipper and studied his two companions intently. The both of them, Izzy Stein and Abe Weinberg, were top-notch in his book. Loyal and bright, they were everything good Jewish boys were supposed to be. Except, he had to admit, for the "good" part. And they weren't boys, either, but hardened ex-cons who'd somehow failed to take advantage of the G.I. Bill.

"Ya know what to do, right?" Jake looked hard at Izzy who looked away. "Ya know who I'm talkin' to, right?"

Izzy shrugged. "Whatta ya worried about, Jake? Ain't I been doin' it all along?"

What bothered Jake was that Izzy, though he'd done two short bits up in Elmira, had never worked with a gun before Jake recruited him. Not that Izzy was soft. Izzy's prior criminal career had been characterized by a very practical truth: you could get yourself pinned for a hundred burglaries and not do as much time as an eighteen-year-old kid who ripped off the local gas station with his father's .38.

"It's one thing to hold a piece on some truck driver who's crappin' his pants," Jake said calmly. "What we're gonna do here is entirely different."

The set-up was pretty simple, really. The whorehouse was run by a married couple, Al and Betty O'Neill, who'd fallen behind on their payments to Steppy Accacio. Al and Betty were making noises like they didn't see any reason why they should pay the cops and the mob. Accacio wanted to teach the loving couple a lesson they should have learned before they went into the whore business. Namely, he wanted Jake and his boys to pistol-whip the crap out of the pair of them. Jake could keep whatever he found on the premises for his trouble.

"What it is, Jake," Faci had explained, "is Steppy wants that you should put ya hearts inta ya work."

"I get too enthusiastic," Jake had replied, "it might be they won't wake up. I ain't a doctor, Mr. Faci. I can't tell the difference between almost and dead."

"Findin' that line," Faci had flatly declared, "is the difference between being an artist and a mug."

Izzy finally raised his head. He met Jake's eyes and held them. "You got nothin' to worry about, Jake. I already decided to do it. I ain't some fairy who's gonna chicken out at the last minute."

"How 'bout you, Abe? You hot to trot?" Jake turned his attention to a grinning Abe Weinberg.

"Ready, ready, Teddy, to rock and roll." Abe held up a six-inch sap. "I brought my pal, Elvis, along for the ride." He dumped the sap in his coat pocket and dragged out his .45, the one he'd taken off an MP in 1944. "I don't wanna mess up Little Richard doin' balop- bam-boom on some pimp's head."

Jake, unable to keep a straight face, broke into a smile. He wanted to ruffle Abe's hair the way you'd rub the head of a smartass kid, but he was afraid that he'd never get his hand back out. Abe was crazy into rock music—Buddy Holly, Gene Vincent, Jerry Lee Lewis, Ricky Nelson and, of course, the King, Elvis Presley. To Jake, they looked like a bunch of greasy-haired punks, the kind that hung out on the corner and never went anywhere, but Abe worshiped them, even the niggers. He sang all day (except when Jake told him to shut up) and combed his long straight hair into a greasy four-inch pompadour. His favorite outfit was a black leather jacket, black denim trousers and black motorcycle boots. He would have been wearing them right now, if Jake hadn't ordered him to put on an overcoat.

Izzy was Abe's exact opposite in every respect but the most important one, his relationship with the law. Izzy was small and wiry, whereas Abe was tall and broad. Izzy's beak was so big it almost covered his thin mouth and receding chin, while Abe looked like a damned Irishman. Tall and raw-boned, Abe's tiny, upturned nose and the spray of freckles across his cheekbones were almost ridiculous on a man named Abe Weinberg.

"Look here, Abe, I want ya should calm yourself down a little bit," Jake said.

"Ya know somethin, Daddy-O, you got a way of takin' all the fun outta life. Like, don't be cruel, okay?"

"Cut the crap, Abe. I don't want them people unconscious before they tell us where the money's hid. You don't hit nobody. Ya wave that friggin' forty-five and keep ya distance. Understand?"


(Continues...)

Excerpted from A Piece of the Action by Stephen Solomita. Copyright © 1992 Stephen Solomita. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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