A Portrait of the Artist as a Young Man: Centennial Edition (Penguin Classics Deluxe Edition)

by James Joyce, Karl Ove Knausgaard (Foreword by), Seamus Deane (Noted by), Roman Muradov (Illustrator)

Overview

James Joyce's first and most widely read novel, A Portrait of the Artist as a Young Man is the noteworthy story of Stephen Dedalus, a young man struggling to decide between a religious vocation and an artistic one. As the story unfolds, we begin to witness Stephen's metaphoric change, from a confused, fraught young man to an individual who, through his trials, is given the chance to test his faith as a member of those who seek the truth. James Joyce's A Portrait of the Artist as a Young Man, is also a teacher and a companion for those who desire a moment in the mind of one of Ireland's greatest novelists.

Product Details

ISBN-13:	9780143108245
Publisher:	Penguin Publishing Group
Publication date:	05/24/2016
Series:	Penguin Classics Deluxe Edition Series
Pages:	336
Sales rank:	31,682
Product dimensions:	5.70(w) x 8.40(h) x 1.00(d)
Age Range:	18 Years

About the Author

Born in Dublin, James Joyce (1882–1941) spent most of his life abroad, living in Trieste, Paris, and Zurich. His writings, however, mainly center on Dublin—most famously Ulysses, Dubliners, and A Portrait of the Artist as a Young Man. He pioneered and perfected avant-garde prose techniques that saw him rise to the rank of one of Europe’s foremost Modernists.

Date of Birth:

February 2, 1882

Date of Death:

January 13, 1941

Place of Birth:

Dublin, Ireland

Place of Death:

Zurich, Switzerland

Education:

B.A., University College, Dublin, 1902

Website:

http://www.jamesjoyce.ie

Read an Excerpt

Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was down along the road met a nicens little boy named baby tuckoo. . . .

His father told him that story: His father looked at him through a glass. He had a hairy face.

He was baby tuckoo. The moocow came down the road where Betty Byrne lived: She sold lemon platt.


O, the wild rose blossoms
On the little green place.


He sang that song. That was his song.


O, the green wothe botheth.


When you wet the bed, first it is warm then it gets cold. His mother put on the oilsheet. That had the queer smell.

His mother had a nicer smell than his father. She played on the piano the sailor&rsquos hornpipe for him to dance. He danced:


Tralala lala,
Tralala tralaladdy,
Tralala lala,
Tralala lala.


Uncle Charles and Dante clapped. They were older than his father and mother but Uncle Charles was older than Dante.

Dante had two brushes in her press. The brush with the maroon velvet back was for Michael Davitt and the brush with the green velvet back was for Parnell. Dante gave him a cachou every time he brought her a piece of tissue paper.

The Vances lived in number seven. They had a different father and mother. They were Eileen's father and mother. When they were grown up he was going to marry Eileen. He hid under the table. His mother said:

--O, Stephen will apologize.

Dante said:

--O, if not, the eagles will come and pull out his eyes.--


Pull out his eyes,
Apologize,
Apologize,
Pull out his eyes.

Apologize,
Pull out his eyes,
Pull out his eyes,
Apologize.


The wide playgrounds were swarming with boys. All were shouting and the prefects urged them on with strong cries. The evening air was pale and chilly and after every charge and thud of the foot-ballers the greasy leather orb flew like a heavy bird through the gray light. He kept on the fringe of his line, out of sight of his prefect, out of the reach of the rude feet, feigning to run now and then. He felt his body small and weak amid the throng of players and his eyes were weak and watery. Rody Kickham was not like that: He would be captain of the third line all the fellows said.

Rody Kickham was a decent fellow but Nasty Roche was a stink. Rody Kickham had greaves in his number and a hamper in the refectory. Nasty Roche had big hands. He called the Friday pudding dog-in-the-blanket. And one day he had asked:

--What is your name?

Stephen had answered: Stephen Dedalus.

Then Nasty Roche had said:

--What kind of a name is that?

And when Stephen had not been able to answer Nasty Roche had asked:

--What is your father?

Stephen had answered:

--A gentleman.

Then Nasty Roche had asked:

--Is he a magistrate?

He crept about from point to point on the fringe of his line, making little runs now and then. But his hands were bluish with cold. He kept his hands in the side pockets of his belted gray suit. That was a belt round his pocket. And belt was also to give a fellow a belt. One day a fellow had said to Cantwell:

--I'd give you such a belt in a second.

Cantwell had answered:

--Go and fight your match. Give Cecil Thunder a belt. I'd like to see you. He'd give you a toe in the rump for yourself.

That was not a nice expression. His mother had told him not to speak with the rough boys in the college. Nice mother! The first day in the hall of the castle when she had said good-bye she had put up her veil double to her nose to kiss him, and her nose and eyes were red. But he had pretended not to see that she was going to cry. She was a nice mother but she was not so nice when she cried. And his father had given him two five-shilling pieces for pocket money. And his father had told him if he wanted anything to write home to him and, whatever he did, never to peach on a fellow. Then at the door of the castle the rector had shaken hands with his father and mother, his soutane fluttering in the breeze, and the car had driven off with his father and mother on it. They had cried to him from the car, waving their hands:

--Good-bye, Stephen, good-bye!

--Good-bye, Stephen, good-bye!

He was caught in the whirl of a scrimmage and, fearful of the flashing eyes and muddy boots, bent down to look through the legs. The fellows were struggling and groaning and their legs were rubbing and kicking and stamping. Then Jack Lawton&rsquos yellow boots dodged out the ball and all the other boots and legs ran after. He ran after them a little way and then stopped. It was useless to run on. Soon they would be going home for the holidays. After supper in the study hall he would change the number pasted up inside his desk from seventy-seven to seventy-six.

It would be better to be in the study hall than out there in the cold. The sky was pale and cold but there were lights in the castle. He wondered from which window Hamilton Rowan had thrown his hat on the haha and had there been flowerbeds at that time under the windows. One day when he had been called to the castle the butler had shown him the marks of the soldiers&rsquo slugs in the wood of the door and had given him a piece of shortbread that the community ate. It was nice and warm to see the lights in the castle. It was like something in a book. Perhaps Leicester Abbey was like that. And there were nice sentences in Doctor Cornwell&rsquos Spelling Book. They were like poetry but they were only sentences to learn the spelling from.


Wolsey died in Leicester Abbey
Where the abbots buried him.
Canker is a disease of plants,
Cancer one of animals.


It would be nice to lie on the hearthrug before the fire, leaning his head upon his hands, and think on those sentences. He shivered as if he had cold slimy water next his skin. That was mean of Wells to shoulder him into the square ditch because he would not swop his little snuffbox for Wells-s seasoned hacking chestnut, the conqueror of forty. How cold and slimy the water had been! A fellow had once seen a big rat jump into the scum. Mother was sitting at the fire with Dante waiting for Brigid to bring in the tea. She had her feet on the fender and her jewelly slippers were so hot and they had such a lovely warm smell! Dante knew a lot of things. She had taught him where the Mozambique Channel was and what was the longest river in America and what was the name of the highest mountain in the moon. Father Arnall knew more than Dante because he was a priest but both his father and Uncle Charles said that Dante was a clever woman and a well-read woman. And when Dante made that noise after dinner and then put up her hand to her mouth, that was heartburn.

Table of Contents

Introduction

What People are Saying About This

Frank O'Connor

The first page, which looks like a long passage of baby talk, is an elaborate construct that relates the development of the senses to the development of the arts.

From the Publisher

Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Winner of the 2014 Type Directors Club Communication Design Award

Praise for Penguin Drop Caps:

"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
—Fast Company

“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times

"Drool-inducing."
—Flavorwire

"Classic reads in stunning covers—your book club will be dying."
—Redbook

Alfred Kazin

Joyce dissolved mechanism in literature as effectively as Einstein destroyed it in physics. He showed that the material of fiction could rest upon as tense a distribution and as delicate a balance of its parts as any poem. Joyce's passion for form, in fact, is the secret of his progress as a novelist. He sought to bring the largest possible quantity of human life under the discipline of the observing mind, and the mark of his success is that he gave an epic form to what remains invisible to most novelists...Joyce means many things to different people; for me his importance has always been primarily a moral one. He was perhaps, the last man in Europe who wrote as if art were worth a human life... By living for his art he may yet have given others a belief in art worth living for.

Editorial Reviews

A Portrait of the Artist as a Young Man is in fact the gestation of a soul.” –Richard Ellmann

“One believes in Stephen Dedalus as one believes in few characters in fiction.” –H. G. Wells

“[Mr. Joyce is] concerned at all costs to reveal the flickerings of that innermost flame which flashes its myriad message through the brain, he disregards with complete courage whatever seems to him adventitious, though it be probability or coherence or any other of the handrails to which we cling for support when we set our imaginations free.” –Virginia Woolf

“[A Portrait of the Artist as a Young Man will] remain a permanent part of English literature.” –Ezra Pound

With an Introduction by Richard Brown

From the Publisher