A Tale of Two Cities
"It was the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness; it was the spring of hope, it was the winter of despair; we had everything before us, we had nothing before us."

Sound familiar? How much more do those in power think Europe’s poor can take? When will the people take to the streets of the cities and roar enough is enough?

1127137052
A Tale of Two Cities
"It was the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness; it was the spring of hope, it was the winter of despair; we had everything before us, we had nothing before us."

Sound familiar? How much more do those in power think Europe’s poor can take? When will the people take to the streets of the cities and roar enough is enough?

10.49 In Stock
A Tale of Two Cities

A Tale of Two Cities

A Tale of Two Cities

A Tale of Two Cities

eBook

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Overview

"It was the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness; it was the spring of hope, it was the winter of despair; we had everything before us, we had nothing before us."

Sound familiar? How much more do those in power think Europe’s poor can take? When will the people take to the streets of the cities and roar enough is enough?


Product Details

ISBN-13: 9781786822352
Publisher: Oberon Books
Publication date: 09/21/2017
Series: Oberon Modern Plays
Sold by: Barnes & Noble
Format: eBook
Pages: 152
File size: 1 MB

About the Author

Matthew Dunster is an Olivier-nominated director, playwright and actor. He was an Associate Artist at the Young Vic Theatre, and is currently Associate Director at The Globe. His directing credits include The Seagull, A Midsummer Night’s Dream, Hangmen, Liberian Girl (Royal Court); Love’s Sacrifice (RSC); Imogen, Much Ado About Nothing, The Frontline, Troilus and Cressida, Dr Faustus, The Lightning Child (Shakespeare’s Globe); Love the Sinner (National Theatre); The Love Girl and the Innocent, You Can Still Make a Killing (Southwark Playhouse); Mametz (National Theatre Wales); Before the Party (Almeida); A Sacred Flame (English Touring); Saturday Night and Sunday Morning (Royal Exchange Manchester); Mogadishu (Royal Exchange Manchester/Lyric Hammersmith). His writing credits include Children’s Children (Almeida); You Can See the Hills (Royal Exchange Manchester/Young Vic) and his reimagining of Hans Christian Andersen’s The Most Incredible Thing (Sadler’s Wells).
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