After Modernist Painting: The History of a Contemporary Practice
Since the publication of Clement Greenberg’s ‘Modernist Painting’ in 1960, the status of painting and its continued legitimacy as a medium has been repeatedly placed under question. As such, painting has had to continually redefine its own parameters and re-negotiate for itself a critical position within a broader, more discursive set of discourses. Taking the American art critic’s text as a point of departure, After Modernist Painting will be both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 50 years. Presenting the first critical account of painting, rather than art generally, this book provides a timely exploration of what has remained a persistent and protean medium. Craig Staff focuses on certain developments including the relationship of painting to Conceptual Art and Minimalism, the pronouncement of its alleged death, its response to Installation Art’s foregrounding of site, how is was able to interpret ideas around appropriation, simulation and hybridity and how today it can be understood as both imaging and imagining the digital. After Modernist Painting is an invaluable resource for those seeking to understand the themes and issues that have pertained to painting within the context of postmodernism and contemporary artistic practice.
1114856142
After Modernist Painting: The History of a Contemporary Practice
Since the publication of Clement Greenberg’s ‘Modernist Painting’ in 1960, the status of painting and its continued legitimacy as a medium has been repeatedly placed under question. As such, painting has had to continually redefine its own parameters and re-negotiate for itself a critical position within a broader, more discursive set of discourses. Taking the American art critic’s text as a point of departure, After Modernist Painting will be both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 50 years. Presenting the first critical account of painting, rather than art generally, this book provides a timely exploration of what has remained a persistent and protean medium. Craig Staff focuses on certain developments including the relationship of painting to Conceptual Art and Minimalism, the pronouncement of its alleged death, its response to Installation Art’s foregrounding of site, how is was able to interpret ideas around appropriation, simulation and hybridity and how today it can be understood as both imaging and imagining the digital. After Modernist Painting is an invaluable resource for those seeking to understand the themes and issues that have pertained to painting within the context of postmodernism and contemporary artistic practice.
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After Modernist Painting: The History of a Contemporary Practice

After Modernist Painting: The History of a Contemporary Practice

by Craig Staff
After Modernist Painting: The History of a Contemporary Practice

After Modernist Painting: The History of a Contemporary Practice

by Craig Staff

eBook

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Overview

Since the publication of Clement Greenberg’s ‘Modernist Painting’ in 1960, the status of painting and its continued legitimacy as a medium has been repeatedly placed under question. As such, painting has had to continually redefine its own parameters and re-negotiate for itself a critical position within a broader, more discursive set of discourses. Taking the American art critic’s text as a point of departure, After Modernist Painting will be both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 50 years. Presenting the first critical account of painting, rather than art generally, this book provides a timely exploration of what has remained a persistent and protean medium. Craig Staff focuses on certain developments including the relationship of painting to Conceptual Art and Minimalism, the pronouncement of its alleged death, its response to Installation Art’s foregrounding of site, how is was able to interpret ideas around appropriation, simulation and hybridity and how today it can be understood as both imaging and imagining the digital. After Modernist Painting is an invaluable resource for those seeking to understand the themes and issues that have pertained to painting within the context of postmodernism and contemporary artistic practice.

Product Details

ISBN-13: 9780857733153
Publisher: I.B.Tauris
Publication date: 03/14/2013
Sold by: Barnes & Noble
Format: eBook
Pages: 224
File size: 8 MB

About the Author

Craig Staff is a Senior Lecturer in Fine Art at the University of Northampton an artist and author of Modernist Painting and Materiality (2011)

Table of Contents

1. Arbitrary Objects 
2. Auto-critique 
3. Painting in the Expanded Field 
4. Subjective Visions 
5. Manic Mourning 
6. On Hybridity 
7. Analogizing the Digital

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