American Catholicism in the 21st Century : Crossroads, Crisis, or Renewal?
Drawn from the 2017 conference of the College Theology Society, these essays by prominent academics, ecclesiastics, and social scientists present historical analyses, theological investigations, and literary reflections, all seeking to parse the future of American Catholicism by reaching a greater understanding of its present moment.
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American Catholicism in the 21st Century : Crossroads, Crisis, or Renewal?
Drawn from the 2017 conference of the College Theology Society, these essays by prominent academics, ecclesiastics, and social scientists present historical analyses, theological investigations, and literary reflections, all seeking to parse the future of American Catholicism by reaching a greater understanding of its present moment.
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American Catholicism in the 21st Century : Crossroads, Crisis, or Renewal?

American Catholicism in the 21st Century : Crossroads, Crisis, or Renewal?

American Catholicism in the 21st Century : Crossroads, Crisis, or Renewal?

American Catholicism in the 21st Century : Crossroads, Crisis, or Renewal?

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Overview

Drawn from the 2017 conference of the College Theology Society, these essays by prominent academics, ecclesiastics, and social scientists present historical analyses, theological investigations, and literary reflections, all seeking to parse the future of American Catholicism by reaching a greater understanding of its present moment.

Product Details

ISBN-13: 9781626982710
Publisher: Orbis Books
Publication date: 04/24/2018
Product dimensions: 6.00(w) x 1.25(h) x 9.00(d)

About the Author

Elizabeth Rosner is the author of The Speed of Light , which has been translated into nine languages and was awarded the Harold U. Ribalow Prize administered by Hadassah Magazine and judged by Elie Wiesel. It was short-listed for France’s Prix Femina and the recipient of the Prix France Bleu Gironde. Rosner also received the 2002 Great Lakes Colleges New Writer's Award for Fiction. Her second novel Blue Nude was named a 2006 Best Book by the San Francisco Chronicle. Her essays have been published by the New York Times Magazine, Elle , the Forward, Huffington Post , and many anthologies. She is a frequent book reviewer for the San Francisco Chronicle and the Los Angeles Review of Books.

Read an Excerpt

Picture the logo—you can still see it anywhere. A monogram of curling letters meant to look like someone’s handwriting, adorning some appliance or other, your fridge or your stove, maybe a washing machine, a dryer. Now picture it huge, glowing neon white above the factory headquarters whose dull red facade shadowed a stretch of the Mohawk River. You could see it from the bridge, driving away from or toward downtown, with the river flowing dirty and despondent below. You could see it from all over town, and even in your dreams, hovering with incandescent power above elms and train platforms, above barns and telephone poles. Sometimes it seemed to cast a particular glow onto the mossy brick of the campus residence halls, the stately ones bearing plaques engraved with the Van Curler name. And sometimes it left an eerie sheen on the gravestones in the Vale Cemetery, that place where the living and the dead still meet.
In a company town, everything wore The Company insignia. “Live better electrically!” the slogan said. Everyone believed it.

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