American Poetry: The Twentieth Century (e.e. cummings to May Swenson) (Library of America)

“The editing is more than brilliant: It is nearly unimaginable how the Library of America team managed to do so much so well. . . . Every possible kind of poem is here in its best examples. No one has ever done a better anthology of modern American poetry, or even come close.” — Talk

This second volume of the landmark two-volume Library of America anthology of twentieth-century poetry, organized chronologically by the poets’ birthdates, takes the reader from E.E. Cummings (1894–1962) to May Swenson (1913–1989). In the wake of the modernist renaissance, American poets continued to experiment with new techniques and themes, while the impact of the Depression and World War II and the continuing political struggle of African Americans became part of the fabric of a literature in transition. New schools and definitions of poetry seemed often to divide the literary scene. This was the era of the Harlem Renaissance, the Objectivists, the Fugitives, the proletarian poets. It was also an era of vigorously individuated voices—knotty, defiant, sometimes eccentric.

The range of tone and subject matter is immense: here are Melvin B. Tolson’s swirlingly allusive Harlem portraits, Phyllis McGinley’s elegant verse transcriptions of suburbia, May Swenson’s playful meditations on the laws of physics. The diversity of formal approaches includes the extreme linguistic experiments of Eugene Jolas and Abraham Lincoln Gillespie, Rolfe Humphries’s adaptation of traditional Welsh meter, the haiku of Richard Wright, the ballads of Helen Adam and Elder Olson, the epigrams of J.V. Cunningham. A selection of light verse is joined by lyrics from the era’s greatest songwriters, including Robert Johnson, Woody Guthrie, and Ira Gershwin. Several important long poems are presented complete, including Hart Crane’s The Bridge, Louis Zukofsky’s Poem beginning “The” and Robert Penn Warren’s Audubon: A Vision. Rounding out the volume are such infrequently anthologized figures as Vladimir Nabokov, James Agee, Tennessee Williams, and John Cage.

1112160668
American Poetry: The Twentieth Century (e.e. cummings to May Swenson) (Library of America)

“The editing is more than brilliant: It is nearly unimaginable how the Library of America team managed to do so much so well. . . . Every possible kind of poem is here in its best examples. No one has ever done a better anthology of modern American poetry, or even come close.” — Talk

This second volume of the landmark two-volume Library of America anthology of twentieth-century poetry, organized chronologically by the poets’ birthdates, takes the reader from E.E. Cummings (1894–1962) to May Swenson (1913–1989). In the wake of the modernist renaissance, American poets continued to experiment with new techniques and themes, while the impact of the Depression and World War II and the continuing political struggle of African Americans became part of the fabric of a literature in transition. New schools and definitions of poetry seemed often to divide the literary scene. This was the era of the Harlem Renaissance, the Objectivists, the Fugitives, the proletarian poets. It was also an era of vigorously individuated voices—knotty, defiant, sometimes eccentric.

The range of tone and subject matter is immense: here are Melvin B. Tolson’s swirlingly allusive Harlem portraits, Phyllis McGinley’s elegant verse transcriptions of suburbia, May Swenson’s playful meditations on the laws of physics. The diversity of formal approaches includes the extreme linguistic experiments of Eugene Jolas and Abraham Lincoln Gillespie, Rolfe Humphries’s adaptation of traditional Welsh meter, the haiku of Richard Wright, the ballads of Helen Adam and Elder Olson, the epigrams of J.V. Cunningham. A selection of light verse is joined by lyrics from the era’s greatest songwriters, including Robert Johnson, Woody Guthrie, and Ira Gershwin. Several important long poems are presented complete, including Hart Crane’s The Bridge, Louis Zukofsky’s Poem beginning “The” and Robert Penn Warren’s Audubon: A Vision. Rounding out the volume are such infrequently anthologized figures as Vladimir Nabokov, James Agee, Tennessee Williams, and John Cage.

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American Poetry: The Twentieth Century (e.e. cummings to May Swenson) (Library of America)

American Poetry: The Twentieth Century (e.e. cummings to May Swenson) (Library of America)

American Poetry: The Twentieth Century (e.e. cummings to May Swenson) (Library of America)

American Poetry: The Twentieth Century (e.e. cummings to May Swenson) (Library of America)

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Overview

“The editing is more than brilliant: It is nearly unimaginable how the Library of America team managed to do so much so well. . . . Every possible kind of poem is here in its best examples. No one has ever done a better anthology of modern American poetry, or even come close.” — Talk

This second volume of the landmark two-volume Library of America anthology of twentieth-century poetry, organized chronologically by the poets’ birthdates, takes the reader from E.E. Cummings (1894–1962) to May Swenson (1913–1989). In the wake of the modernist renaissance, American poets continued to experiment with new techniques and themes, while the impact of the Depression and World War II and the continuing political struggle of African Americans became part of the fabric of a literature in transition. New schools and definitions of poetry seemed often to divide the literary scene. This was the era of the Harlem Renaissance, the Objectivists, the Fugitives, the proletarian poets. It was also an era of vigorously individuated voices—knotty, defiant, sometimes eccentric.

The range of tone and subject matter is immense: here are Melvin B. Tolson’s swirlingly allusive Harlem portraits, Phyllis McGinley’s elegant verse transcriptions of suburbia, May Swenson’s playful meditations on the laws of physics. The diversity of formal approaches includes the extreme linguistic experiments of Eugene Jolas and Abraham Lincoln Gillespie, Rolfe Humphries’s adaptation of traditional Welsh meter, the haiku of Richard Wright, the ballads of Helen Adam and Elder Olson, the epigrams of J.V. Cunningham. A selection of light verse is joined by lyrics from the era’s greatest songwriters, including Robert Johnson, Woody Guthrie, and Ira Gershwin. Several important long poems are presented complete, including Hart Crane’s The Bridge, Louis Zukofsky’s Poem beginning “The” and Robert Penn Warren’s Audubon: A Vision. Rounding out the volume are such infrequently anthologized figures as Vladimir Nabokov, James Agee, Tennessee Williams, and John Cage.


Product Details

ISBN-13: 9781883011789
Publisher: Library of America
Publication date: 03/20/2000
Series: Library of America Series , #2
Pages: 1000
Product dimensions: 5.20(w) x 8.12(h) x 1.25(d)
Age Range: 18 Years

About the Author

Robert Hass is one of America's most acclaimed poets, winner of both the National Book Award and the Pulitzer Prize. He was poet laureate of the United States from 1995 to 1997.

John Hollander (1929–2013) published nearly two dozen books of poetry, including Selected Poetry (1993), Figurehead (1999), and A Draft of Light (2008), as well as five books of criticism. He received the Bollingen Prize and a MacArthur Fellowship, and was Sterling Professor of English at Yale University.

Carolyn Kizer (1925-2014) was the author of more than a dozen works of poetry, prose, and translation. She won the Pulitzer Prize for Poetry in 1985.

Nathaniel Mackey is a poet, novelist, anthologist, literary critic, and editor. He is the Reynolds Price Professor of Creative Writing at Duke University and a Chancellor of The Academy of American Poets.

Marjorie Perloff teaches courses and writes on twentieth and twenty-first century poetry and poetics. She is Professor Emerita of English at Stanford University and Florence R. Scott Professor of English Emerita at the University of Southern California.

Read an Excerpt




Chapter One


R. P. Blackmur
1904-1965


Mirage

The wind was in another country, and
the day had gathered to its heart of noon
the sum of silence, heat, and stricken time.
Not a ripple spread. The sea mirrored
perfectly all the nothing in the sky.
We had to walk about to keep our eyes
from seeing nothing, and our hearts from stopping
at nothing. Then most suddenly we saw
horizon on horizon lifting up
out of the sea's edge a shining mountain
sun-yellow and sea-green; against it surf
flung spray and spume into the miles of sky.
Somebody said mirage, and it was gone,
but there I have been living ever since.


BLIND LEMON JEFFERSON
(1897-1929)


Long Distance Moan

I'm flying to South Carolina
                           I gotta go there this time
I'm flying to South Carolina
                           I gotta go there this time
Woman in Dallas Texas
                     is 'bout to make me lose my mind


Long distance, longdistance
                          will you please give me a credit call
Long distance, long distance
                          will you give me a please cr-credit call
Want to talk to my gal in South Carolina
                                 who looks like a Indian squaw


Just want to ask my baby
                         what in the world is she been doing
I want to ask my baby
                      what in the world is she been doing
Give your loving to another joker
                                and it's sure gonna be my ruin


Hey long distance
                 I can't help but moan
Mmmmmmmmmmmmmmmm
                I can't help but moan
My baby's voice sound so sweet
                          oh I'm gonna break this telephone


You don't know you love
                        your rider till she is so far from you
You don't know you love your rider
                                    until she's so far from you


You can get long distance moan
                             and you don't care what you do


I say no use standing and buzzing
                               to get my brownie off my mind
No use standing and bawling
                            get my baby off my mind
This long distance moan
                        about to worry me to death this time

Table of Contents

E. E Cummmings (1894-1962)
H. L Davis (1891-1960)
Rolfe Humphries (1894-1969)
Eugene Jolas (1894-1952)
H Phelps Putnam (1894-1948)
Charles Reznikoff (1894-1976)
Bessie Smith (1894-1937)
Genevieve Taggard (1894-1948)
Jean Toomer (1894-1967)
Mark Van Doren (1894-1972)
Alter Brody (1895-1979)
Babette Deutsch (1895-1982)
Abraham Lincoln Gillespie (1895-1950)
Oscar Hammerstein II (1895-1960)
Lorenz Hart (1895-1943)
Robert Hillyer (1895-1961)
Edmund Wilson (1895-1972)
John Dos Passos (1896-1970)
Thomas Hornsby Ferril (1896-1988)
Ira Gershwin (1896-1983)
Ramon Guthrie (1896-1973)
E. Y Harburg (1896-1981)
Isidor Schneider (1896-1977)
Louise Bogan (1897-1970)
Emanuel Carnevali (1897-1942?)
Blind Lemon Jefferson (1897-1929)
Walter Lowenfels (1897-1976)
David McCord (1897-1997)
John Wheelwright (1897-1940)
Stephen VincentBenét (1898-1943)
Malcolm Cowley (1898-1989)
Harry Crosby (1898-1929)
Horace Gregory (1898-1982)
Melvin B Tolson (1898-1966)
Léonie Adams (1899-1988)
Hart Crane (1899-1932)
Thomas A Dorsey (1899-1993)
Hildegarde Flanner (1899-1987)
Janet Lewis (1899-1998)
Joseph Moncure March (1899-1977)
Vladimir Nabokov (1899-1977)
Lynn Riggs (1899-1954)
Allen Tate (1899-1979)
Edward Dahlberg (1900-1977)
Yvor Winters (1900-1968)
Sterling A Brown (1901-1989)
Robert Francis (1901-1987)
Lindley Williams Hubbell (1901-1994)
Laura Riding (1901-1991)
Arna Bontemps (1902-1973)
Kenneth Fearing (1902-1961)
Langston Hughes (1902-1967)
Ogden Nash (1902-1971)
Eve Triem (1902-1992)
Countee Cullen (1903-1946)
Edwin Denby (1903-1983)
Dudley Fitts (1903-1968)
Brewster Ghiselin (b 1903)
Lorine Niedecker (1903-1970)
Carl Rakosi (b 1903)
R. P Blackmur (1904-1965)
Richard Eberhart (b 1904)
John Holmes (1904-1962)
Louis Zukofsky (1904-1978)
Howard Baker (1905-1990)
Frank Marshall Davis (1905-1987)
Dorothy Fields (1905-1974)
Stanley Kunitz (b 1905)
Phyllis McGinley (1905-1978)
Kenneth Rexroth (1905-1982)
Byron Vazakas (1905-1987)
Robert Penn Warren (1905-1989)
Stanley Burnshaw (b 1906)
Waring Cuney (1906-1976)
Joseph Kalar (1906-1972)
Richmond Lattimore (1906-1984)
Helene Johnson (1907-1995)
Lincoln Kirstein (1907-1996)
Constance Carrier (1908-1991)
Alton Delmore (1908-1964)
Josephine Jacobsen (b 1908)
George Oppen (1908-1984)
Theodore Roethke (1908-1963)
Richard Wright (1908-1960)
Helen Adam (1909-1993)
James Agee (1909-1955)
Mary Barnard (b 1909)
Johnny Mercer (1909-1976)
Elder Olson (1909-1992)
Edwin Rolfe (1909-1954)
Bukka White (1909-1977)
Robert Fitzgerald (1910-1985)
Frank Loesser (1910-1969)
Rosalie Moore (b 1910)
Charles Olson (1910-1970)
Winfield Townley Scott (1910-1968)
Ben Belitt (b 1911)
Elizabeth Bishop (1911-1979)
J. V Cunningham (1911-1985)
Rose Drachler (1911-1982)
Paul Goodman (1911-1972)
Robert Johnson (1911-1938)
Josephine Miles (1911-1985)
Kenneth Patchen (1911-1972)
Hyam Plutzik (1911-1962)
Anne Porter (b 1911)
Tennessee Williams (1911-1983)
John Cage (1912-1992)
William Everson (1912-1994)
Jean Garrigue (1912-1972)
Woody Guthrie (1912-1967)
Lightnin' Hopkins (1912-1982)
May Sarton (1912-1995)
Virginia Hamilton Adair (b 1913)
Charles Henri Ford (b 1913)
Robert Hayden (1913-1980)
John Frederick Nims (1913-1999)
Muriel Rukeyser (1913-1980)
David Schubert (1913-1946)
Delmore Schwartz (1913-1966)
Karl Shapiro (b 1913)
May Swenson (1913-1989)
Biographical Notes,899
Note on the Texts,951
Acknowledgments,965
Notes,974
Index of Titles and First Lines,990
Index of Poets,1008
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