The Awakening and Other Writings!

Critically acclaimed as Kate Chopin’s most influential work of fiction, The Awakening has assumed a place in the American literary canon. This new edition places the novel in the context of the cultural and regional influences that shape Chopin’s narrative.

With extensive contemporary readings that examine historical events, including the hurricanes that frequently disrupt life in Louisiana, this edition will contextualize The Awakening for a new generation of readers.

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The Awakening and Other Writings!

Critically acclaimed as Kate Chopin’s most influential work of fiction, The Awakening has assumed a place in the American literary canon. This new edition places the novel in the context of the cultural and regional influences that shape Chopin’s narrative.

With extensive contemporary readings that examine historical events, including the hurricanes that frequently disrupt life in Louisiana, this edition will contextualize The Awakening for a new generation of readers.

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Overview

Critically acclaimed as Kate Chopin’s most influential work of fiction, The Awakening has assumed a place in the American literary canon. This new edition places the novel in the context of the cultural and regional influences that shape Chopin’s narrative.

With extensive contemporary readings that examine historical events, including the hurricanes that frequently disrupt life in Louisiana, this edition will contextualize The Awakening for a new generation of readers.


Product Details

ISBN-13: 9781551113494
Publisher: Broadview Press
Publication date: 04/21/2011
Pages: 296
Product dimensions: 5.50(w) x 8.40(h) x 0.70(d)

About the Author

About The Author

Suzanne L. Disheroon is Professor of English at Cedar Valley College, Dallas, Texas.

Barbara C. Ewell is Dorothy Harrell Brown Distinguished Professor of English at Loyola University, New Orleans.

Pamela Glenn Menke is Vice President, Academic Affairs at Miami Dade College.

Susie Scifres is an independent scholar.

Read an Excerpt

Upon the pleasant veranda of Pere Antoine's cottage, that adjoined the church, a young girl had long been seated, awaiting his return. It was the eve of Easter Sunday, and since early afternoon the priest had been engaged in hearing the confessions of those who wished to make their Easters the following day. The girl did not seem impatient at his delay; on the contrary, it was very restful to her to lie back in the big chair she had found there, and peep through the thick curtain of vines at the people who occasionally passed along the village street.

She was slender, with a frailness that indicated lack of wholesome and plentiful nourishment. A pathetic, uneasy look was in her gray eyes, and even faintly stamped her features, which were fine and delicate. In lieu of a hat, a barege veil covered her light brown and abundant hair. She wore a coarse white cotton 'josie,' and a blue calico skirt that only half concealed her tattered shoes.

As she sat there, she held carefully in her lap a parcel of eggs securely fastened in a red bandana handkerchief.

Twice already a handsome, stalwart young man in quest of the priest had entered the yard, and penetrated to where she sat. At first they had exchanged the uncompromising 'howdy' of strangers, and nothing more. The second time, finding the priest still absent, he hesitated to go at once. Instead, he stood upon the step, and narrowing his brown eyes, gazed beyond the river, off towards the west, where a murky streak of mist was spreading across the sun.

'It look like mo' rain,' he remarked, slowly and carelessly.

'We done had 'bout 'nough,' she replied, in much the same tone.

'It's no chance tothin out the cotton,' he went on.

'An' the Bon-Dieu,' she resumed, 'it's on'y to-day you can cross him on foot.'

'You live yonda on the Bon-Dieu, donc?' he asked, looking at her for the first time since he had spoken.

'Yas, by Nid Hibout, monsieur.'

Instinctive courtesy held him from questioning her further. But he seated himself on the step, evidently determined to wait there for the priest. He said no more, but sat scanning critically the steps, the porch, and pillar beside him, from which he occasionally tore away little pieces of detached wood, where it was beginning to rot at its base.

A click at the side gate that communicated with the churchyard soon announced Pere Antoine's return. He came hurriedly across the garden-path, between the tall, lusty rosebushes that lined either side of it, which were now fragrant with blossoms. His long, flapping cassock added something of height to his undersized, middle-aged figure, as did the skullcap which rested securely back on his head. He saw only the young man at first, who rose at his approach.

'Well, Azenor,' he called cheerily in French, extending his hand. 'How is this? I expected you all the week.'

'Yes, monsieur; but I knew well what you wanted with me, and I was finishing the doors for Gros-Leon's new house' saying which, he drew back, and indicated by a motion and look that some one was present who had a prior claim upon Pere Antoine's attention.

'Ah, Lalie!' the priest exclaimed, when he had mounted to the porch, and saw her there behind the vines. 'Have you been waiting here since you confessed? Surely an hour ago!'

'Yes, monsieur.'

'You should rather have made some visits in the village, child.'

'I am not acquainted with any one in the village,' she returned.

The priest, as he spoke, had drawn a chair, and seated himself beside her, with his hands comfortably clasping his knees. He wanted to know how things were out on the bayou.

'And how is the grandmother?' he asked. 'As cross and crabbed as ever? And with that'—he added reflectively—'good for ten years yet! I said only yesterday to Butrand—you know Butrand, he works on Le Blot's Bon-Dieu place—'And that Madame Zidore: how is it with her, Butrand? I believe God has forgotten her here on earth.''It isn't that, your reverence,' said Butrand, 'but it's neither God nor the Devil that wants her!'' And Pere Antoine laughed with a jovial frankness that took all sting of ill-nature from his very pointed remarks.

Table of Contents

Acknowledgements
Introduction
Kate Chopin: A Brief Chronology
A Note on the Text

The Awakening

Other Fiction

  • From At Fault (1890)
    “At Chênière Caminada” (1893)
    “Madame Célestin’s Divorce,” from Bayou Folk (1894)
    “A Respectable Woman” (1894)
    “An Egyptian Cigarette” (1897)
    “The Storm: A Sequel to ‘At the ’Cadian Ball’” (1898)

Poetry

  • “A Fancy” (1892)
    “To Mrs B_______ ” (1896)
    “To A Lady at the Piano” — “Mrs. R” (1896)
    “A Document in Madness” (1898)
    “The Haunted Chamber” (1899)
    “A day with a splash of sunlight” (1899)

Journals and Essays

  • “Emancipation. A Life Fable” (1869-70)
    “Solitude” (1895)
    from “Is Love Divine? The Question Answered by Three Ladies Well Known in St. Louis Society” (1898)
    “Reflection” (1899)

Appendix A: Contemporary Reviews

  1. From Frances Porcher, The Mirror [St. Louis] (4 May 1899)
  2. From the St. Louis Daily Globe-Democrat (13 May 1899)
  3. From C.L. Deyo, St. Louis Post-Dispatch (20 May 1899)
  4. From G.B., St. Louis Post-Dispatch (21 May 1899)
  5. From the Chicago Times-Herald (1 June 1899)
  6. New Orleans Times-Democrat (18 June 1899)
  7. Public Opinion [New York] (22 June 1899)
  8. Literature (23 June 1899)
  9. From the Boston Beacon (24 June 1899)
  10. From the Los Angeles Sunday Times (25 June 1899)
  11. Sibert [Willa Cather], Pittsburgh Leader (8 July 1899)
  12. William Morton Payne, The Dial (1 August 1899)
  13. The Nation (3 August 1899)
  14. Boston Herald (12 August 1899)
  15. Indianapolis Journal (14 August 1899)
  16. The Congregationalist [Boston] (24 August 1899)

Appendix B: Background, Sources, and Contexts

  1. From Ralph Waldo Emerson, “Self-Reliance” (1841)
  2. Algernon Swinburne, “A Cameo” (1866)
  3. From Richard von Krafft-Ebing, Psychopathia Sexualis (1886)
  4. From Mary A. Livermore, Amelia E. Barr, and Rose Terry Cooke, “Women’s Views of Divorce,” North American Review (1890)
  5. From Elizabeth Cady Stanton, “The Solitude of Self” (1892)
  6. From “Wife Who Retains Her Maiden Name and Won’t Obey,” St. Louis Post-Dispatch (14 May 1895)
  7. From Charlotte Perkins Gilman, Women and Economics (1898)
  8. From Thorstein Veblen, Theory of the Leisure Class (1899)
  9. From Herbert Spencer, Essays on Education and Kindred Subjects (1914)

Appendix C: Etiquette and Social Customs

  1. From The Elite Directory of St. Louis Society (1877)
  2. From Blunders in Behavior Corrected (1880)
  3. From James S. Zacharie, New Orleans Guide (1885)
  4. From Richard A. Wells, Manners, Culture and Dress of the Best American Society (1891)
  5. From Georgene Corry Benham, Polite Life and Etiquette, or What is Right and the Social Acts (1891)

Appendix D: Louisiana Contexts

  1. From Jewell’s Crescent City Illustrated: The Commercial, Social, Political and General History of New Orleans (1873)
  2. From Will H. Coleman, Historical Sketch Book and Guide to New Orleans and Environs (1885)
  3. From Eliza Ripley, Social Life in Old New Orleans: Being Recollections of My Girlhood (1912)
  4. From Alice Dunbar-Nelson, “People of Color in Louisiana: Part 1,” Journal of Negro History (1916)

Appendix E: The Great Hurricane of 1893

  1. From Rose C. Falls, Cheniere Caminada, or The Wind of Death: The Story of the Storm in Louisiana (1893)
  2. From Mark Forrest, Wasted by Wind and Water: A Historical and Pictorial Sketch of the Gulf Disaster (1894)
  3. From Lafcadio Hearn, Chita: A Story of Last Island (1889)

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