…introduces Graham with reverence and finesse, recounting how she worked with Aaron Copland and Isamu Noguchi to create not just any "ballet," but a modern-dance classic…Brian Floca's watercolors, in browns, grays and blues, evoke land and air and beautifully capture the dancers in motion: their purity of line, their powerful stillness, their distinct relationship to gravity.
—The New York Times
Greenberg and Jordan (Action Jackson; Christo and Jeanne-Claude) continue to carve out their art-focused niche with this inspired book about collaboration. The now classic 1944 ballet, Appalachian Spring, serves as a fine model, showcasing three great artists: dancer Martha Graham, composer Aaron Copland, and set designer Isamu Noguchi. Readers see the fascinating creative process unfold, from Graham's germ of an idea about American settlers to the ballet's opening night. They will also gain insight into each artist: "The movements are not always pretty. Not everyone likes Martha's new way of dancing. Audiences have booed her performances, but Martha never lets that stop her," and "Aaron's music suggests the movement, fires the dancers' imaginations, dares them to do more." In spot art and full-bleed scenes, Floca's (Moonshot) muted, elegantly composed watercolors capture Noguchi's avant-garde set ("spare and angular, like Martha's way of dancing"), and the posture and movement of the dancers. Capturing the drama of dance, music, and stage design in a two-dimensional format is no easy feat, but this team does it with a noteworthy grace of their own. Ages 6-10. (Aug.)
This splendid behind-the-scenes story succeeds on all counts….Intelligent and inspiring, [it] makes tangible the glory of true collaboration.” —San Francisco Chronicle
“Ballet for Martha offers a close-up look at the creative process. It's also a rare glimpse into collaboration...Greenberg and Jordan clearly value a good partnership, having worked together for many years. Their impressive alliance is further boosted here by Brian Floca's line-and-watercolor illustrations; his expressive portraits and scenes are as appealing as the well-chosen details of the narrative.” —The Washington Post
“Using spare, concise sentences, the authors echo Graham's approach to dance: like the movements in her choreography, nothing is wasted, and in such exactness lies the beauty….Floca's fluid, energetic line-and-watercolor illustrations echo the plain boldness of Graham's choreography and make readers feel almost as if they were present at the inaugural performance of Appalachian Spring at the Library of Congress in 1944…[a] remarkable book.” —Horn Book Review (STARRED)
“In this book…disparate elements come together. Matching the mood of Graham's moves, the writing is pared down but full of possibilities. Floca's ink-and-watercolor artwork nimbly shifts from the prosaic (Copland reading Graham's script) to the visionary (a bride and groom on the open prairie) to the several-spread finale of the ballet itself. The book as a whole beautifully captures the process of artistic creation…what readers will surely want after putting this down is to see and hear Appalachian Spring for themselves.” —Booklist (STARRED)
“Through the use of active sentences in the present tense and brief quotes, the authors convey the excitement and drama of the creative process and the triumph of the ballet. Floca, a multiple Sibert Award honoree for his prowess in depicting the technical worlds of spaceships and lightships, here uses watercolor and pen-and-ink in a glorious depiction of modern dance movement, with its quiet hand gestures, dramatic leg kicks and the swirl of dancers "fluttering, skittering, reaching up to the sky." A stunning achievement.” —Kirkus (STARRED)
“Greenberg and Jordan continue to carve out their art-focused niche with this inspired book about collaboration.... In spot art and full-bleed scenes, Floca's muted, elegantly composed watercolors capture Noguchi's avant-garde set and the posture and movement of the dancers. Capturing the drama of dance, music, and stage design in a two-dimensional format is no easy feat, but this team does it with a noteworthy grace of their own.” —Publishers Weekly (STARRED)
“If Martha Graham's choreography for 'Appalachian Spring' was a 'valentine" to the world, as critics wrote in 1944, then this book is a love letter in return. Simple, poetic prose tells the story of the creation of one of the world's most-loved ballets and compositions, and Floca's graceful watercolor illustrations take admirers through every part of its development...The authors researched extensively but found a way to crystallize all of the information into a gem that is approachable for young readers.” —School Library Journal (STARRED)
“The dancers all read the advance copy of Ballet for Martha and were charmed, thrilled, blown away, delighted, etc, etc! We all love it!” —Janet Eilber, Artistic, Director of the Martha Graham Center
Gr 2–6—If Martha Graham's choreography for "Appalachian Spring" was a "valentine" to the world, as critics wrote in 1944, then this book is a love letter in return. Simple, poetic prose tells the story of the creation of one of the world's most-loved ballets and compositions, and Floca's graceful watercolor illustrations take admirers through every part of its development. Written in the present tense, the narrative has a sense of drama that carries readers along as if the events were happening in real time. Fascinating details about the collaboration among Graham, Copland, and Isamu Noguchi (set design) are well documented in the lengthy "curtain call," notes, and resources pages, which read like a fantastic set of liner notes. Floca varies the illustrations from vignettes to bird's-eye views to landscapes and expertly capture the fluid movements of the dancers. The page layouts are well planned to create the most movement and interest. The authors researched extensively but found a way to crystallize all of the information into a gem that is approachable for young readers. More than anything, this work emphasizes the value of collaboration and celebrates the work that Graham, Copland, and Noguchi did to bring together the performing and visual arts. Readers may be inspired to go to Russell Freedman's Martha Graham: A Dancer's Life (Clarion, 1998) and should be encouraged to check out one of Leonard Bernstein's definitive recordings of "Appalachian Spring" and a video of the ballet.—Cheri Dobbs, Detroit Country Day Middle School, Beverly Hills, MI
Appalachian Spring, the modern dance that celebrates the wedding of a Pioneer Woman and her Husbandman, is a brillantly conceived and enduring paean to American frontier life. It premiered in 1944 with choreography by the innovative Martha Graham, music by Aaron Copland, a child of Eastern European immigrants, and sets by Isamu Noguchi, the Japanese-American sculptor who voluntarily went into a World War II internment camp.The award-winning Greenberg and Jordan tell the story of this collaboration, which began when Copland composed music he entitled"Ballet for Martha." Through the use of active sentences in the present tense and brief quotes, the authors convey the excitement and drama of the creative process and the triumph of the ballet. Floca, a multiple Sibert Award honoree for his prowess in depicting the technical worlds of spaceships and lightships, here uses watercolor and pen-and-ink in a glorious depiction of modern dance movement, with its quiet hand gestures, dramatic leg kicks and the swirl of dancers "fluttering, skittering, reaching up to the sky." A stunning achievement. Archival photographs embellish the biographical notes at the end--a lovely touch. (bibliography, notes) (Informational picture book. 6-10)
