Better than Fiction 2: True adventures from 30 great fiction writers

by Karen Joy Fowler, Sophie Cunningham, Dave Eggers, M J Hyland, Lloyd Jones, Marina Lewycka, Alexander McCall Smith, DBC Pierre, Fiona Kidman, Francine Prose

Overview

From Lonely Planet, the world's leading travel guide publisher, Better Than Fiction 2, the follow-up to 2012's Better Than Fiction, is a second serving of true travel stories told by some of the world's best fiction writers including Dave Eggers, Jane Smiley and Karen Joy Fowler.

Varied in place, plot and voice, these are stirring and evocative pieces that all share one common characteristic-they manifest a passion for the precious gift of travel, from its unexpected but inevitably enriching lessons about other peoples and places, to the truths, sometimes uncomfortable but always enlarging, it reveals about ourselves.

By turns comic, dramatic, and moving - from Francine Prose's confrontation of the mysteries of India to DBC Pierre's search for Hemingway's muse in Italy - these 30 short tales reveal the joys, perils, and surprises of travel, and that truth can often be stranger (and better) than fiction.

Whether on a plane en route to your own travel adventure, or at home settling in for a vicarious experience of world adventures, embark on this literary journey around the world and explore your passion for travel now!

Authors: Lonely Planet, Don George, Dave Eggers, Jane Smiley, Karen Joy Fowler, Stefan Merrill Block, Francine Prose, DBC Pierre, Fiona Kidman, Alexander McCall Smith, Keija Parssinen, MJ Hyland, Catherine Lacey, Rebecca Dinerstein, Lloyd Jones, Porochista Khakpour, Jack Livings, Marina Lewycka, Lydia Millet, Suzanne Joinson, Sophie Cunningham, Christina Nichol, Mandy Sayer, Steven Amsterdam, Marie-Helene Bortino, Shirley Streshinsky, Steven Hall, David Shafer, Avi Duckor-Jones, Lily King, Aliya Whitely, and Natalie Baszile

About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, as well as an award-winning website, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places they find themselves in.

Lonely Planet's award-winning list travel literature anthologies include An Innocent Abroad (Independent Publishers Award, Silver for Essays, 2015) and A Fork in the Road (Lowell Thomas Award, Bronze for Travel Book, 2014; James Bear Award, Nominated for Travel Fiction, 2014).

'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' -- Fairfax Media

'Lonely Planet guides are, quite simply, like no other.' - New York Times

Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, and 2015.

Product Details

ISBN-13:	9781743609873
Publisher:	Lonely Planet Global Limited
Publication date:	10/01/2015
Series:	Lonely Planet Travel Literature
Sold by:	Barnes & Noble
Format:	eBook
File size:	1 MB

About the Author

A genre such as science fiction, with its deeply committed fans and otherworldly subject matter, tends to stand apart from the rest of the book world. So when one writer manages to push the boundaries and achieve success with both sci-fi and mainstream fiction readers, it's a feat that signals she's worth paying attention to.

In terms of subject matter, Karen Joy Fowler is all over the map. Her first novel, 1991's Sarah Canary, is the story of the enigmatic title character, set in the Washington Territory in 1873. A Chinese railway worker's attempt to escort Sarah back to the insane asylum he believes she came from turns into more than he bargained for. Fowler weaves race and women's rights into the story, and it could be another historical novel -- except for a detail Fowler talks about in a 2004 interview. "I think for science fiction readers, it's pretty obvious that Sarah Canary is an alien," Fowler says. Yet other readers are dumbfounded by this news, seeing no sign of it. For her part, Fowler refuses to make a declaration either way.

Sarah Canary was followed in 1996 by The Sweetheart Season, a novel about a 1950s women's baseball league that earned comparisons to Garrison Keillor's Lake Wobegon works; and the 2001 novel Sister Noon, which Fowler called "a sort of secret history of San Francisco." For all three novels, critics lauded Fowler for her originality and compelling storytelling as she infused her books with elements of fantasy and well-researched history.

In 2004, Fowler released her first contemporary novel, The Jane Austen Book Club. It dealt with five women and one man reading six of Austen's novels over a six-month period, and earned still more praise for Fowler. The New York Times called the novel shrewd and funny; The Washington Post said, "It's... hard to explain quite why The Jane Austen Book Club is so wonderful. But that it is wonderful will soon be widely recognized, indeed, a truth universally acknowledged." Though Fowler clearly wrote the book with Austen fans in mind ¿ she too loves the English author of classics such as Pride and Prejudice -- knowledge of Austen's works is not a prerequisite for enjoyment.

Readers who want to learn more about Fowler's sci-fi side should also seek out her short story collections. Black Glass (1999) is not a strictly sci-fi affair, but it is probably the most readily available; her Web site offers a useful bibliography of stories she has published in various collections and sci-fi journals, including the Nebula Award-winning "What I Didn't See."

Fowler also continues to be involved with science fiction as a co-founder of the James Tiptree, Jr. Award, designed to honor "science fiction or fantasy that expands or explores our understanding of gender." The award has spawned two anthologies, which Fowler has taken part in editing.

Whether or not Fowler moves further in the direction of mainstream contemporary fiction, she clearly has the flexibility and skill as a writer to retain fans no matter what. Her "category" as a writer may be fluid, but it doesn't seem to make a difference to readers who discover her unique, absorbing stories and get wrapped up in them.

Hometown:

Davis, California

Date of Birth:

February 7, 1950

Place of Birth:

Bloomington, Indiana

Education:

B.A., The University of California, Berkeley, 1972; M.A., The University of California, Davis, 1974