The Book of Blood and Shadow

It was like a nightmare, but there was no waking up.  When the night began, Nora had two best friends and an embarrassingly storybook one true love.  When it ended, she had nothing but blood on her hands and an echoing scream that stopped only when the tranquilizers pierced her veins and left her in the merciful dark.

But the next morning, it was all still true: Chris was dead.  His girlfriend Adriane, Nora's best friend, was catatonic. And Max, Nora's sweet, smart, soft-spoken Prince Charming, was gone. He was also-according to the police, according to her parents, according to everyone-a murderer.

Desperate to prove his innocence, Nora follows the trail of blood, no matter where it leads. It ultimately brings her to the ancient streets of Prague, where she is drawn into a dark web of secret societies and shadowy conspirators, all driven by a mad desire to possess something that might not even exist. For buried in a centuries-old manuscript is the secret to ultimate knowledge and communion with the divine; it is said that he who controls the Lumen Dei controls the world. Unbeknownst to her, Nora now holds the crucial key to unlocking its secrets. Her night of blood is just one piece in a puzzle that spans continents and centuries. Solving it may be the only way she can save her own life.

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The Book of Blood and Shadow

It was like a nightmare, but there was no waking up.  When the night began, Nora had two best friends and an embarrassingly storybook one true love.  When it ended, she had nothing but blood on her hands and an echoing scream that stopped only when the tranquilizers pierced her veins and left her in the merciful dark.

But the next morning, it was all still true: Chris was dead.  His girlfriend Adriane, Nora's best friend, was catatonic. And Max, Nora's sweet, smart, soft-spoken Prince Charming, was gone. He was also-according to the police, according to her parents, according to everyone-a murderer.

Desperate to prove his innocence, Nora follows the trail of blood, no matter where it leads. It ultimately brings her to the ancient streets of Prague, where she is drawn into a dark web of secret societies and shadowy conspirators, all driven by a mad desire to possess something that might not even exist. For buried in a centuries-old manuscript is the secret to ultimate knowledge and communion with the divine; it is said that he who controls the Lumen Dei controls the world. Unbeknownst to her, Nora now holds the crucial key to unlocking its secrets. Her night of blood is just one piece in a puzzle that spans continents and centuries. Solving it may be the only way she can save her own life.

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The Book of Blood and Shadow

The Book of Blood and Shadow

by Robin Wasserman

Narrated by Emily Janice Card

Unabridged — 14 hours, 20 minutes

The Book of Blood and Shadow

The Book of Blood and Shadow

by Robin Wasserman

Narrated by Emily Janice Card

Unabridged — 14 hours, 20 minutes

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Overview

It was like a nightmare, but there was no waking up.  When the night began, Nora had two best friends and an embarrassingly storybook one true love.  When it ended, she had nothing but blood on her hands and an echoing scream that stopped only when the tranquilizers pierced her veins and left her in the merciful dark.

But the next morning, it was all still true: Chris was dead.  His girlfriend Adriane, Nora's best friend, was catatonic. And Max, Nora's sweet, smart, soft-spoken Prince Charming, was gone. He was also-according to the police, according to her parents, according to everyone-a murderer.

Desperate to prove his innocence, Nora follows the trail of blood, no matter where it leads. It ultimately brings her to the ancient streets of Prague, where she is drawn into a dark web of secret societies and shadowy conspirators, all driven by a mad desire to possess something that might not even exist. For buried in a centuries-old manuscript is the secret to ultimate knowledge and communion with the divine; it is said that he who controls the Lumen Dei controls the world. Unbeknownst to her, Nora now holds the crucial key to unlocking its secrets. Her night of blood is just one piece in a puzzle that spans continents and centuries. Solving it may be the only way she can save her own life.


Editorial Reviews

Publishers Weekly - Audio

When teenager Nora and her friends at school translate some scripts from long dead alchemists, the result leaves a wake of destruction in its path and her boyfriend, Max, on the hook for murder. Now, Nora must piece together what happened and try to clear Max’s name. Narrator Emily Janice Card starts slow—but in the end, she delivers an engaging performance. Card lends a youthful, authentic voice to Nora. And while she reads in a steady, almost disinterested tone during descriptive passages, this works to highlight moments of and adventure. The strongest part of Card’s performance is her pacing: she knows when to adjust her tempo to create tension and suspense. And, she ably handles various languages presented in the text and creates distinct voices for the characters. Ages 12–up. A Knopf hardcover. (Apr.)

Publishers Weekly

In this polished thriller, Nora, an emotionally scarred teenager, interns with an eccentric college professor who has dedicated his life to decoding the Voynich manuscript, a mysterious (real-life) 15th-century document written in an unknown language. One night, Nora stumbles upon the gruesome murder of her close friend Chris, with his girlfriend, Adriane, crouched catatonic in his blood. Nora’s boyfriend, Max, has disappeared, and the police think he’s the murderer. Nora, investigating on her own, comes to believe that the crime was committed by the Hledaci, an ancient Czech cult dedicated to finding the Lumen Dei, an alchemical machine. With the cult possibly coming for Nora next, she and Adriane head for Prague—the heart of the deadly mystery—to find answers and save Max. Wasserman (the Cold Awakening trilogy) has written an intricate and tense tale that combines code breaking, a well-realized and genuinely creepy Czech background, and plenty of believable action and tragic turns. Readers who enjoy fast-paced, bloody, historically inflected thrillers in the vein of Dan Brown will be riveted. Ages 12–up. Agent: Barry Goldblatt, Barry Goldblatt Literary. (Apr.)

From the Publisher

Kirkus Reviews Best of Teen's Books 2012

Starred Review, Publishers Weekly, February 13, 2012:
“Readers who enjoy fast-paced, bloody, historically inflected thrillers in the vein of Dan Brown will be riveted.”

Review, Kirkus Reviews, December 15, 2011:
"Here's something refreshing—a religious-historical thriller . . . serving up shivery suspense, sans fangs or fur . . . A classy read that repays reader effort."

Review, Justine Magazine, February / March 2012:
“A must read for fans of Revolution and The DaVinci Code . . . fast-paced and vivid."

Review, A Chair, A Fireplace, and a Tea Cozy blog, SchoolLibraryJournal.com, March 28, 2012:
"I fell for The Book of Blood and Shadow at the first sentence . . . part of the wonder of The Book of Blood and Shadow is the twists and turns it takes . . .a favorite book read in 2012."

Review, The Horn Book Magazine, March 1, 2012:
"This is a thorough mixture of contemporary American adolescence, the sixteenth-century occult, and atmospheric, historical substance, all dished up with a convoluted plot in DaVinci Code mode."

“A lushly drawn mystery of manipulation and desire."
—Holly Black, author of Black Heart

"Genuinely thrilling. This is the historical conspiracy you've been waiting for."
—Maureen Johnson, author of The Name of the Star

VOYA - Jan Chapman

Author Dan Brown should feel very paternal about Wasserman's latest book, The Book of Blood and Shadow. It is a chip off the old "Da Vinci Code block." High school student Nora works for a college professor doing research on a centuries-old alchemist manuscript. She is assigned to read letters written by Elizabeth Weston, the young daughter of a sixteenth-century alchemist that may shed light on deciphering the manuscript. She is close friends with her fellow researchers, Chris and his girlfriend, Adriane, and romantically inclined towards the other member of their group, Max. Then Chris is murdered, Adriane is found in a catatonic coma, and Max suddenly disappears. When Adriane emerges from her catatonic state, she and Nora decide to decipher the clues of the manuscript and find the answer to who is responsible for Chris' murder. The quest for answers take them to Prague, where their investigations begin to bear fruit, attracting the attention of an ancient and deadly society called the Lumen Dei. Wasserman is a skillful writer and, although the plot is derivative, the characters are well-developed and the complex relationship between the four main characters is compelling. The connection between Nora and her sixteenth-century counterpart, Elizabeth, is cleverly done, but the formulaic plot detracts from an otherwise well-written novel. Still, teen fans of The Da Vinci Code (Doubleday, 2003) will undoubtedly enjoy this teen version. Reviewer: Jan Chapman

School Library Journal - Audio

Gr 7 Up—Robin Wasserman's novel (Knopf, 2012) focuses on an intricate centuries-old mystery, taking the book's characters from New England to historical Prague. Through her friend, Chris, and his roommate Max, Nora, a high school senior, is brought in to work for "The Hoff," a professor at the denouement of his career. She is assigned the seemingly unimportant task of translating the 16th-century letters of Elizabeth Weston, the adopted daughter of alchemist Edward Kelley, to whom Elizabeth dedicated her life. The boys are assigned the more significant translations to shed light on the mysterious 16th-century Voynich Manuscript—the professor's obsession. Nora and Max begin a romantic relationship. When Chris is murdered and the manuscripts are stolen, Nora sets out to vindicate Max, who is the prime suspect , and heads to Prague. She is convinced that a mysterious secret society—the Lumen Dei—is to blame for the murder. Emily Janice Card skillfully narrates all the characters, seamlessly moving between English, Latin, Czech, and Italian. Listeners will be caught up in the twists and turns of this fast-paced thriller.—Mary Medinsky, Red Deer College, Alberta, Canada

School Library Journal

Gr 9 Up—Since the death of her brother, high school senior Nora has retreated into her Latin studies to hide from her dysfunctional family. With her older friend Chris and his roommate Max, she works on a complex project at the local college. The late 16th-century texts they translate discuss the Lumen Dei, an ancient device that would purportedly give humans the insight and power of God and could possibly bring about the end of the world. Nora finds Max off-putting at first, but the two eventually begin a romantic relationship. When Chris is murdered and the Latin manuscripts are stolen, Max, the main suspect, disappears. Nora is determined to clear his name and get to the bottom of why someone wanted the stolen documents enough to kill for them. She and Chris's girlfriend head to Prague, where they hope to find Max and some answers. Some readers may be less interested in the subplot that unfolds in the Latin letters that Nora translates, but fans of Da Vinci Code-style thrillers will likely be drawn to this richly imagined novel.—Hayden Bass, Seattle Public Library, WA

Kirkus Reviews

Here's something refreshing: a religious-historical thriller with a nifty Mobius strip of a plot—think Nancy Werlin channeling Dan Brown—serving up shivery suspense, sans fangs or fur. Battered by family tragedy, high-school senior Nora has been sleepwalking through life in her chilly New England town. Knowing her facility in Latin, Chris and his roommate, Max, talk her into helping translate letters relating to Edward Kelley, a prominent 16th-century alchemist. Sidelined into working on his daughter's letters, Nora learns of the Lumen Dei (the alchemical MacGuffin), sought down the centuries by religious fanatics. Pairing up, Max and Nora form a bond with Chris and his girlfriend, Adriane, that's severed when Chris is brutally murdered. Adriane, the only witness, is catatonic, and Max has vanished, leaving Nora on her own until Chris's cousin Eli arrives to collect Chris's effects and keep an eye on her. A cryptic message from Max sends Nora, joined by the semi-recovered Adriane and stalked by Eli, to the mean streets of Prague. The teen designation feels less content- than market-driven. While depictions of violence and sexuality are more muted than the title suggests, Nora's sensibility, casual independence and vocabulary are entirely adult. A classy read that repays reader effort. (historical note) (Thriller. 12 & up)

Product Details

BN ID: 2940171962524
Publisher: Penguin Random House
Publication date: 11/15/2019
Edition description: Unabridged

Read an Excerpt

1

I should probably start with the blood.

If it bleeds it leads and all that, right? It’s all anyone ever wants to know about, anyway. What did it look like? What did it feel like? Why was it all over my hands? And the mystery blood, all those unaccounted-for antibodies, those faceless corkscrews of DNA—who left them behind?

But beginning with that night, with the blood, means that Chris will never be anything more than a corpse, bleeding out all over his mother’s travertine marble, Adriane nothing but a dead-eyed head case, rocking and moaning, her clothes soaked in his blood, her face paper white with that slash of red razored into her cheek. If I started there, Max would be nothing but a void. Null space; vacuum and wind.

Maybe that part would be right.

But not the rest of it. Because that wasn’t the beginning, any more than it was the end. It was—note the brilliant deductive reasoning at work here—the middle. The center of gravity around which we all spiraled, but none of us could see. The center cannot hold, Max liked to say, back when things were new and quoting poetry seemed a suitably ironic way to declare our love. Things fall apart.

But things don’t just fall apart. People break them.

2

In the beginning was the Book.

“Seven hundred years old.” The Hoff slammed it down so hard the table rattled. “Imagine that.”

Apparently noting our lack of awe, he dropped a liver-spotted fist onto the book with nearly as much force. “Do so now.” He swiveled his head to glare at each of us in turn, neck veins bulging with the effort. “Close your eyes. Imagine a scribe in a dark, windowless room. Imagine his quill, scratching across the page, transcribing his secrets—his God, his magic, his power, his blood. Imagine, for just one moment, that you will be the one to reach across the ages and make this manuscript yield its treasure.” He drew a baby-blue handkerchief from his breast pocket and hocked a thick wad of phlegm into its center. “Imagine what it might be like if your sad, small lives were actually worth something.”

I closed my eyes, as ordered. And imagined, in glorious detail, the tortures I would impose on Chris as soon as we escaped from this musty dungeon of mad professors and ancient books.

“Trust me,” Chris had said, promising me a genial old man with twinkling grandfather eyes and a Santa laugh. The Hoff was, according to Chris, a bearded marshmallow, hovering on the verge of senility, with little inclination to force his research assistants to show up on time, or, for the most part, show up at all. This was supposed to be my senior-year gift to myself, a thrice-weekly escape from the ever-constricting halls of Chapman Prep into the absentminded bosom of ivy-covered academia, a string of lazy afternoons complete with snacking, lounging, and the occasional nap. Not to mention, Chris had pointed out as my pen hovered over the registration form, “the opportunity to spend quality time with your all-time favorite person, otherwise known as me.” Not that this was in short supply, as his freshman dorm was about a hundred yards from my high school locker. The only problem with the dorm was having to put up with the presence of his roommate, who resolutely kept himself on his side of the room while keeping his owlish eyes on us.

And now that same roommate stared at me from across the table, the final member of “our intrepid archival team.” Another detail Chris had conveniently neglected to mention. Chris assured me that Max didn’t intend to be creepy, and was, when no one else was watching, almost normal. But then, Chris liked everyone. And his credibility was slipping by the minute.

The Hoff—Chris had coined the nickname last year, when he’d been the one whiling away his senior year with the get-out-of-jail-free pass commonly known as supervised independent study—passed around the Book. “Decades’ worth of experts have tried to crack the code,” he said as we flipped through page after page of incomprehensible symbols. More than two hundred pages of them, broken only by elaborate illustrations of flowers and animals and astronomical phenomena that apparently had no counterparts in the real world. “Historians, cryptographers, mathematicians, the NSA’s best code breakers gave it all they had, but the Voynich manuscript refused to yield. Mr. Lewis!”

We all flinched. The Hoff snarled, revealing a mouthful of jagged teeth, sharp as fangs and—judging from his expression—soon to be applied to a similar purpose. “That is not how one handles a valuable book.”

Max, who had been rifling through the pages like it was a flip-book, rested his hands flat on the table. Behind his glasses, his eyes were wide. “Sorry,” he said quietly. Aside from the soft “Hi” I’d gotten when we were introduced, it was the first time I’d heard him speak.

I cleared my throat. “It’s not a valuable book,” I told the Hoff. “It’s a copy of a valuable book. If he ruined it, I’m sure he could scrounge up the twenty bucks to pay you back.”

The real thing, with its crumbling seven-hundred-year-old pages and fading seven-hundred-year-old ink, was safely ensconced in a Yale library, eighty miles to the south, where faculty didn’t have to settle for high-school-age researchers or cheap facsimiles. The Hoff closed his eyes for a moment, and I suspected he was putting his own imagination to the test, pretending away whatever scandal had stripped him of his Harvard tenure and dumped him here to rot at a third-rate college in a third-rate college town for the rest of his academic life.

Thanks, Max mouthed, an instant before the Hoff opened his eyes and resumed his glare.

“All books are valuable,” the professor said. But he didn’t press it.

I decided the roommate wasn’t so bad when he smiled.

The meeting lasted for another hour, but the Hoff gave up on his dreamlike rambling and instead stuck to logistics, explaining his significant research and our minimal—“but absolutely essential!”—part in it. He’d just weaseled a collection of letters out of some wealthy widow, and was convinced they contained the secret to decoding the Book. (It was always the Book when he spoke of it, capital B implicit in the hushed voice, and we followed suit, ironically at first, then later out of habit and grudging respect.) Max and Chris would be put to work indexing and translating the bulk of the collection, searching for clues. I, on the other hand, was assigned a “special” project all my own.

“Most of the letters are written by Edward Kelley,” the Hoff explained. “Personal alchemist to the Holy Roman emperor. Many believe he authored the Book himself. But I believe his contribution is both lesser and greater. I think he got his hands on it, and solved it. And now we will follow in his footsteps.” He pointed at me. “Ms. Kane.”

“Nora,” I said.

“Ms. Kane, you will deal with the letters written by Kelley’s daughter, Elizabeth Weston, which seem to have found their way into the collection by mistake. I doubt they contain anything of use, but nonetheless, we must be thorough.”

Unbelievable. I could translate twice as fast and three times as accurately as Chris could, and if the Hoff had even bothered to glance at my Latin teacher’s recommendation, he’d know it. “Is this because I’m a woman?”

Chris snorted.

“I can take the Elizabeth letters if Nora doesn’t want them,” Max said. “It’s okay with me.”

Thank you, I would have liked to mouth, returning the favor, but the Hoff was watching. And his face was a storm cloud. “I mind. This kind of work requires a certain . . . maturity. Elizabeth’s letters will give Ms. Kane ample practice in historical translation while the two of you help me with the real search.”

Admittedly, if you’d asked me five minutes earlier, I would have said I didn’t care whether I was translating important letters, pointless letters, or a sixteenth-century grocery list. But then the Hoff opened his big, fat, sexist, ageist—whatever -ist was conscribing me to uselessness—mouth.

“So it’s because I’m in high school?” I added. “You know, it’s not fair to judge me based on—”

“Do you want to be a member of this team or not, Ms. Kane?”

I could have enlightened him on the difference between want and need, as in wanting to be at Adriane’s house mopping up her latest micro-drama, or in Chris’s dorm room watching TV (or at least trying to, while pretending not to notice Chris and Adriane making out behind me and Max doing his spook stare from across the room), basically wanting to be anywhere else, but needing the credits for graduation and the bullet point for my college applications.

“I do, Professor Hoffpauer.”

“Good.” He stood up and, with stiff, awkward contortions, folded himself into a bulky wool topcoat. “The collection will be waiting here for you tomorrow afternoon. Christopher has a key to the office and will show you proper document-handling protocol.”

“The archive’s not being housed in the rare-books library?” Max asked.

“As if I’d let that harpy get her hands on these?” the Hoff said. He narrowed his eyes. “Not a word to her about this. Or to anyone, for that matter. I won’t have someone taking this away from me. They’re everywhere, you know.”

“Who?” Max asked. Chris just shook his head, knowing better.

“Young man—” The Hoff lowered his voice and leaned toward Max, casting a shadow across the Book. “You don’t want to know.”

It was a close call, but we managed to hold our laughter until he was out of the room.

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