Chanticleer and the Fox

by Geoffrey Chaucer, Barbara Cooney (Illustrator)

Overview

King of the barnyard, Chanticleer struts about all day. When a fox bursts into his domain, dupes him into crowing, and then grabs him in a viselike grip, Chanticleer must do some quick thinking to save himself and his barnyard kingdom.

Winner, 1959 Caldecott Medal Notable Children's Books of 1940–1970 (ALA)
Winner, 1992 Kerlan Award

Product Details

ISBN-13:	9780690185614
Publisher:	HarperCollins Publishers
Publication date:	01/28/1958
Pages:	44
Product dimensions:	7.62(w) x 10.00(h) x 0.25(d)
Age Range:	4 - 8 Years

About the Author

Often referred to as the father of English poetry, Geoffrey Chaucer was a fourteenth-century philosopher, alchemist, astrologer, bureaucrat, diplomat, and author of many significant poems. Chaucer’s writing was influential in English literary tradition, as it introduced new rhyming schemes and helped develop the vernacular tradition—the use of everyday English—rather than the literary French and Latin, which were common in written works of the time. Chaucer’s best-known—and most imitated—works include The Canterbury Tales, Troilus and Criseyde, The Book of the Duchess, and The House of Fame.

Barbara Cooney is one of the most well-loved authors and illustrators of children's books today. She has won many awards for her books, including the American Book Award and two Caldecott Medals for Illustration. Ms. Cooney lives in Damariscotta, Maine.

Editorial Reviews

K-Gr 3-- Chanticleer may be a pompous old bird who needs to be taught a lesson , but he certainly never deserved such a misconceived picture book as this one. The illustrations and text are both lackluster and feeble. Missing are any touches of Chaucer's ribald tone and implicit violence or the lyrical charm of Cooney's Caldecott Medal picture book (Crowell, 1961). What this version has instead are Reynard's convoluted plans to defeat Chanticleer as mayor and a duel between Chanticleer and the notorious rooster, Senor Poco Loco (who is depicted just as stereotypically as his name implies). The illustrations, taken from a backlog of Disney storyboards that never saw the light of completion, are executed in pen-and-ink with watercolor washes and, like a good storyboard should, describe the action in a broad manner. However, storyboards do not make good picture books. Objects are suspended in air and figures jump, stand, and even juggle without benefit of a background. The page design is crowded with a cramped type style. And probably the cheapest shot of all is using the same illustration for both the first and last page. Overlook this tacky attempt and track down additional copies of Cooney's version. For more background on the character of Reynard, look to Selina Hastings's excellent Reynard the Fox (Tambourine, 1991), illustrated with Graham Percy's accomplished and delightful colored-pencil drawings. --Denise Anton Wright, Illinois State University , Normal

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