Chicano Rap: Gender and Violence in the Postindustrial Barrio
Powered by a driving beat, clever lyrics, and assertive attitudes, rap music and hip hop culture have engrossed American youth since the mid-1980s. Although the first rappers were African Americans, rap and hip hop culture quickly spread to other ethnic groups who have added their own cultural elements to the music. Chicano Rap offers the first in-depth look at how Chicano/a youth have adopted and adapted rap music and hip hop culture to express their views on gender and violence, as well as on how Chicano/a youth fit into a globalizing world. Pancho McFarland examines over five hundred songs and seventy rap artists from all the major Chicano rap regions-San Diego, San Francisco and Northern California, Texas, and Chicago and the Midwest. He discusses the cultural, political, historical, and economic contexts in which Chicano rap has emerged and how these have shaped the violence and misogyny often expressed in Chicano rap and hip hop. In particular, he argues that the misogyny and violence of Chicano rap are direct outcomes of the "patriarchal dominance paradigm" that governs human relations in the United States. McFarland also explains how globalization, economic restructuring, and the conservative shift in national politics have affected Chicano/a youth and Chicano rap. He concludes with a look at how Xicana feminists, some Chicano rappers, and other cultural workers are striving to reach Chicano/a youth with a democratic, peaceful, empowering, and liberating message.
1101623660
Chicano Rap: Gender and Violence in the Postindustrial Barrio
Powered by a driving beat, clever lyrics, and assertive attitudes, rap music and hip hop culture have engrossed American youth since the mid-1980s. Although the first rappers were African Americans, rap and hip hop culture quickly spread to other ethnic groups who have added their own cultural elements to the music. Chicano Rap offers the first in-depth look at how Chicano/a youth have adopted and adapted rap music and hip hop culture to express their views on gender and violence, as well as on how Chicano/a youth fit into a globalizing world. Pancho McFarland examines over five hundred songs and seventy rap artists from all the major Chicano rap regions-San Diego, San Francisco and Northern California, Texas, and Chicago and the Midwest. He discusses the cultural, political, historical, and economic contexts in which Chicano rap has emerged and how these have shaped the violence and misogyny often expressed in Chicano rap and hip hop. In particular, he argues that the misogyny and violence of Chicano rap are direct outcomes of the "patriarchal dominance paradigm" that governs human relations in the United States. McFarland also explains how globalization, economic restructuring, and the conservative shift in national politics have affected Chicano/a youth and Chicano rap. He concludes with a look at how Xicana feminists, some Chicano rappers, and other cultural workers are striving to reach Chicano/a youth with a democratic, peaceful, empowering, and liberating message.
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Chicano Rap: Gender and Violence in the Postindustrial Barrio

Chicano Rap: Gender and Violence in the Postindustrial Barrio

by Pancho McFarland
Chicano Rap: Gender and Violence in the Postindustrial Barrio

Chicano Rap: Gender and Violence in the Postindustrial Barrio

by Pancho McFarland

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Overview

Powered by a driving beat, clever lyrics, and assertive attitudes, rap music and hip hop culture have engrossed American youth since the mid-1980s. Although the first rappers were African Americans, rap and hip hop culture quickly spread to other ethnic groups who have added their own cultural elements to the music. Chicano Rap offers the first in-depth look at how Chicano/a youth have adopted and adapted rap music and hip hop culture to express their views on gender and violence, as well as on how Chicano/a youth fit into a globalizing world. Pancho McFarland examines over five hundred songs and seventy rap artists from all the major Chicano rap regions-San Diego, San Francisco and Northern California, Texas, and Chicago and the Midwest. He discusses the cultural, political, historical, and economic contexts in which Chicano rap has emerged and how these have shaped the violence and misogyny often expressed in Chicano rap and hip hop. In particular, he argues that the misogyny and violence of Chicano rap are direct outcomes of the "patriarchal dominance paradigm" that governs human relations in the United States. McFarland also explains how globalization, economic restructuring, and the conservative shift in national politics have affected Chicano/a youth and Chicano rap. He concludes with a look at how Xicana feminists, some Chicano rappers, and other cultural workers are striving to reach Chicano/a youth with a democratic, peaceful, empowering, and liberating message.

Product Details

ISBN-13: 9780292748484
Publisher: University of Texas Press
Publication date: 09/10/2012
Sold by: Barnes & Noble
Format: eBook
File size: 3 MB

About the Author

PANCHO MCFARLAND is Assistant Professor of Sociology at Chicago State University.

Table of Contents


Acknowledgments     ix
Introduction: A Hip-Hop Project     1
Reading Chicano Rap: The Patriarchal Dominance Paradigm in the Postindustrial Barrio     14
Chicano Rap Primer: A Guide to Artists and Genres     35
Machos y Malas Mujeres: The Gendered Image     62
Sexual Agency in Chicana Rap: JV Versus Ms. Sancha     79
Violence in Chicano Rap: Mirror of a Belligerent Society     94
The Chicano Rap on Globalization     115
Confronting Dominance and Constructing Relationships with Youth     133
Notes     151
References     169
Index     189

What People are Saying About This

Arturo Aldama

"This study of Chicano rap music is truly a first of its kind. . . . a single-focus study on Chicano rap, its musicians and politics, and how rap and hip hop is a musical counter-narrative to the disenfranchisement of working class barrios. This book has strong potential to have crossover appeal to scholars in popular music, Chicano studies, urban studies, and American studies."

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