A Christmas Carol

Sir David Jason reads Charles Dickens' magical, much-loved Christmas story. Ebenezer Scrooge is a mean, unpleasant man who dislikes people generally and Christmas especially. But one Christmas Eve, he has a terrifying experience: He sees the ghost of his one-time business partner, Jacob Marley, who is bound in chains and doomed to wander the Earth because of the sins of his past life. Marley warns Scrooge that he is headed for the same dreadful fate: but there is one possible means of escape.
Soon, he will be visited by three more spirits: the Ghosts of Christmas Past, Present, and Yet to Come. Can these phantoms persuade Scrooge to change his ways?

1100080623
A Christmas Carol

Sir David Jason reads Charles Dickens' magical, much-loved Christmas story. Ebenezer Scrooge is a mean, unpleasant man who dislikes people generally and Christmas especially. But one Christmas Eve, he has a terrifying experience: He sees the ghost of his one-time business partner, Jacob Marley, who is bound in chains and doomed to wander the Earth because of the sins of his past life. Marley warns Scrooge that he is headed for the same dreadful fate: but there is one possible means of escape.
Soon, he will be visited by three more spirits: the Ghosts of Christmas Past, Present, and Yet to Come. Can these phantoms persuade Scrooge to change his ways?

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A Christmas Carol

A Christmas Carol

by Charles Dickens
A Christmas Carol

A Christmas Carol

by Charles Dickens

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Overview

Sir David Jason reads Charles Dickens' magical, much-loved Christmas story. Ebenezer Scrooge is a mean, unpleasant man who dislikes people generally and Christmas especially. But one Christmas Eve, he has a terrifying experience: He sees the ghost of his one-time business partner, Jacob Marley, who is bound in chains and doomed to wander the Earth because of the sins of his past life. Marley warns Scrooge that he is headed for the same dreadful fate: but there is one possible means of escape.
Soon, he will be visited by three more spirits: the Ghosts of Christmas Past, Present, and Yet to Come. Can these phantoms persuade Scrooge to change his ways?


Editorial Reviews

From the Publisher

"It has it all: a spooky ghost story, a heartwarming redemption and a great plot with a satisfyingly ending."
— The Times

Memp J

The enduring popularity of the tale is fully vindicated in this gloriously spirited (no pun intended) production.

The Horn Book

A smooth abridgment. The illustrations are rich and lush.

Sunday Express

A sure-fire tear-jerker. At one public reading by Dickens in Boston, there were 'so many pocket handkerchiefs it looked as if a snowstorm had gotten into the hall.

Times

It has it all: a spooky ghost story, a heartwarming redemption, and a great plot with a satisfyingly ending.

Library Journal - Audio

This production offers a different take on Dickens's 1843 ghost story by featuring one woman as the narrator and the entire cast—considering the story's brevity, there's a fair number of characters and voices, ranging from that "tight-fisted hand at the grindstone, Scrooge," on down to Tiny Tim and others. British actress Miriam Margolyes presents the story through a straight narration of the author's sublime poetic prose but puts more of an animated spin on his equally superb dialog. VERDICT Traditionalists may prefer a male rendition since nearly all the characters are men, but Margolyes does the yuletide standard justice, and a female voice may prove more accessible to girls who are being introduced to the story. Buy accordingly.—Mike Rogers, Library Journal

School Library Journal

10/01/2015
Gr 4 Up—While there are several versions of the holiday favorite to choose from, those wishing for a solidly classic telling will be more than satisfied with this complete edition. Hans Christian Andersen Award winner Innocenti renders the ink illustration masterfully. Whether the scenes feature a crowded city street; the frightening conversation between Scrooge and the transparent, white-outlined ghost of Marley; or a merry gathering at Fezziwig's warehouse, the detailed, Dickensian atmosphere is perfectly captured. Perspective plays an effective role as well, as when Scrooge's small and solitary head is first seen through the window of his office. The final image also depicts Scrooge through a window, but from the inside looking out into a sunny green field, with Tiny Tim standing close to the man who has become a second father. VERDICT All in all, a handsome, worthy addition to holiday reading traditions.—Joanna Fabicon, Los Angeles Public Library

Product Details

BN ID: 2940169157444
Publisher: Random House UK
Publication date: 04/01/2012
Edition description: Unabridged

Read an Excerpt

MARLEY was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge's name was good upon 'Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.

Mind! I don't mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country's done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a door-nail.

Scrooge knew he was dead? Of course he did. How could it be otherwise? Scrooge and he were partners for I don't know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend and sole mourner. And even Scrooge was not so dreadfully cut up by the sad event, but that he was an excellent man of business on the very day of the funeral, and solemnised it with an undoubted bargain.

The mention of Marley's funeral brings me back to the point I started from. There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet's Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot—say Saint Paul's Churchyard for instance—literally to astonish his son's weak mind.

Scrooge never painted out Old Marley's name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names: it was all the same to him.

Oh! but he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days; and didn't thaw it one degree at Christmas.

External heat and cold had little influence on Scrooge. No warmth could warm, nor wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn't know where to have him. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. They often 'came down' handsomely, and Scrooge never did.

Nobody ever stopped him in the street to say, with gladsome looks, 'My dear Scrooge, how are you? when will you come to see me?' No beggars implored him to bestow a trifle, no children asked him what it was 'oclock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. Even the blindmen's dogs appeared to know him; and when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, 'no eye at all is better than an evil eye, dark master!'

But what did Scrooge care? It was the very thing he liked. To edge his way along the crowded paths of life, warning all human sympathy to keep its distance, was what the knowing ones call 'nuts' to Scrooge.

Once upon a time—of all the good days in the year, on Christmas Eve—old Scrooge sat busy in his counting-house. It was cold, bleak, biting weather: foggy withal: and he could hear the people in the court outside, go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement-stones to warm them. The city clocks had only just gone three, but it was quite dark already: it had not been light all day: and candles were flaring in the windows of the neighbouring offices, like ruddy smears upon the palpable brown air. The fog came pouring in at every chink and keyhole, and was so dense without, that although the court was of the narrowest, the houses opposite were mere phantoms. To see the dingy cloud come drooping down, obscuring everything, one might have thought that Nature lived hard by, and was brewing on a large scale.

The door of Scrooge's counting-house was open that he might keep his eye upon his clerk, who in a dismal little cell beyond, a sort of tank, was copying letters. Scrooge had a very small fire, but the clerk's fire was so very much smaller that it looked like one coal. But he couldn't replenish it, for Scrooge kept the coal-box in his own room; and so surely as the clerk came in with the shovel, the master predicted that it would be necessary for them to part. Wherefore the clerk put on his white comforter, and tried to warm himself at the candle; in which effort, not being a man of a strong imagination, he failed.

(Continues…)



Excerpted from "A Christmas Carol"
by .
Copyright © 2008 Charles Dickens.
Excerpted by permission of Penguin Young Readers Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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