Clayton Byrd Goes Underground

by Rita Williams-Garcia, Frank Morrison (Illustrator)

Overview

National Book Award Finalist
• Kirkus Best Books of 2017 * Horn Book Best Books of 2017 * Publishers Weekly Best Books of 2017
• School Library Journal Best Books of 2017
• NAACP Image Awards Nominee * Chicago Public Library Best Books
• Boston Globe Best Books of 2017

From beloved Newbery Honor winner and three-time Coretta Scott King Award winner Rita Williams-Garcia comes a powerful and heartfelt novel about loss, family, and love that will appeal to fans of Jason Reynolds and Kwame Alexander.

Clayton feels most alive when he’s with his grandfather, Cool Papa Byrd, and the band of Bluesmen—he can’t wait to join them, just as soon as he has a blues song of his own. But then the unthinkable happens. Cool Papa Byrd dies, and Clayton’s mother forbids Clayton from playing the blues. And Clayton knows that’s no way to live.

Armed with his grandfather’s brown porkpie hat and his harmonica, he runs away from home in search of the Bluesmen, hoping he can join them on the road. But on the journey that takes him through the New York City subways and to Washington Square Park, Clayton learns some things that surprise him.

"This slim novel strikes a strong chord."—Publishers Weekly (starred review)

"This complex tale of family and forgiveness has heart.” —School Library Journal (starred review)

"Strong characterizations and vivid musical scenes add layers to this warm family story.” —Kirkus Reviews (starred review)

“An appealing, realistic story with frequent elegant turns of phrase." —The Horn Book (starred review)

"Garcia-Williams skillfully finds melody in words.” —Booklist (starred review)

Product Details

ISBN-13:	9780062215932
Publisher:	HarperCollins Publishers
Publication date:	05/08/2018
Pages:	176
Sales rank:	31,547
Product dimensions:	5.50(w) x 8.25(h) x (d)

About the Author

Rita Williams-Garcia's Newbery Honor-winning novel, One Crazy Summer, was a winner of the Coretta Scott King Award, a National Book Award finalist, the recipient of the Scott O'Dell Award for Historical Fiction, and a New York Times bestseller. The sequel, P.S. Be Eleven, was also a Coretta Scott King Award winner and an ALA Notable Children's Book for Middle Readers. She is also the author of six distinguished novels for young adults: Jumped, a National Book Award finalist; No Laughter Here, Every Time a Rainbow Dies (a Publishers Weekly Best Children's Book), and Fast Talk on a Slow Track (all ALA Best Books for Young Adults); Blue Tights; and Like Sisters on the Homefront, a Coretta Scott King Honor Book. Rita Williams-Garcia lives in Jamaica, New York, is on the faculty at the Vermont College of Fine Arts in the Writing for Children & Young Adults Program, and has two adult daughters, Stephanie and Michelle, and a son-in-law, Adam.

Frank Morrison is the award-winning illustrator of many books for young readers, including Jazzy Miz Mozetta by Brenda C. Roberts, winner of the Coretta Scott King/John Steptoe Award for New Talent; Katheryn Russell-Brown's Little Melba and Her Big Trombone, a Coretta Scott King Illustrator Honor book; and Gene Barretta's Muhammad Ali. Before becoming a children's book illustrator and fine artist, Morrison toured the globe as a break-dancer. He lives in Georgia with his family. You can visit him online at www.morrisongraphics.com.

Editorial Reviews

★ “An appealing, realistic story with frequent elegant turns of phrase. The third-person voice helps to keep Clayton’s story from becoming self-absorbed, as he learns to navigate the literal and figurative underworld and then find his way back to the everyday world of family, friends, and school.

Horn Book (starred review)

Williams-Garcia writes with keen sympathy about a boy who lost the key adult figure in his life and his rage at his mother’s making the loss worse.

Bulletin of the Center for Children’s Books

★ “With the precision of a surgeon, Williams-Garcia lifts and examines layers of Clayton’s hurt and anger: the loss, but also the inability of his dismissive mother to understand... The book’s through line, though, is the music, and Garcia-Williams skillfully finds melody in words.

Booklist (starred review)

Like a classic blues riff, Clayton Byrd Goes Underground is deceptively simple yet profoundly deep. It wails, rattles, and roars in unexpectedly heartfelt and joyous ways.

G. Neri

Set to the low-down howl of the blues and cool thump of hip-hop, this story is so full of heart and soul it boogies right off the page. Read it right now!

Daniel José Older

In Clayton Byrd Goes Underground, three-time Coretta Scott King Medal winner Rita Williams-Garcia has crafted an endearing family drama with all the wit, wisdom and resonance of the best blues songs.

BookPage

This lovely novel, poignant as a blues song, explores a child’s experience of profound grief, and how lonely that can be when adults don’t comprehend the enormity of the loss.

Buffalo News

Fans of Jason Reynolds and Kwame Alexander will find comfort in the portrayal of Clayton and his struggle to become a young man...Williams-Garcia shows us once again that the only answer is to lean into [our] burdens, name them, and bend them into our own score.

Meg Medina

…once again, Williams-Garcia…artfully explores the landscape of old family resentments and our search for peace with the imperfect people who raise us…Fans of Jason Reynolds and Kwame Alexander will find comfort in the portrayal of Clayton and his struggle to become a young man. Williams-Garcia avoids the damaging tropes we often attach to stories about black boys…There are no short cuts in growing up, as Clayton finds out, neither musically nor as a young man. There are no easy ways to sidestep the sad losses that are part of life. Williams-Garcia shows us once again that the only answer is to lean into those burdens, name them, and bend them into our own score.

The New York Times Book Review - Meg Medina

★ 04/03/2017
This slim novel strikes a strong chord. Clayton Byrd revels in playing the blues harp (harmonica) with his grandfather, Cool Papa Byrd, and other blues musicians in New York City’s Washington Square Park, and he longs to play his own solo: “Twelve bars. That was all.” Cool Papa is Clayton’s favorite relative and ally, and his sudden death throws Clayton into an emotional spiral, especially as his mother’s unresolved feelings toward her father cause her to sell off his possessions. Newbery Honor–winner Williams-Garcia (One Crazy Summer) creates a memorable cast and sketches complex, nuanced relationships, especially between Clayton and his mother, contrasting Clayton’s closeness with his grandfather to the complicated absence of Clayton’s own father. Clayton’s grief causes dustups at school and church, and the stakes and tension rise considerably as Clayton meets a band of teenage subway performers, who get him to join their show then steal his grandfather’s treasured hat. It’s a holistic portrait of a family in pain, a realistic portrait of grief and reconciliation, and a reminder that sadness and loss are wrapped up in the blues. Ages 8–12. (May)

Publishers Weekly

Fans of Jason Reynolds and Kwame Alexander will find comfort in the portrayal of Clayton and his struggle to become a young man...Williams-Garcia shows us once again that the only answer is to lean into [our] burdens, name them, and bend them into our own score.

New York Times

★ 05/01/2017
Gr 4–6—Clayton Byrd has some complicated relationships in his family. His strict, demanding mother refuses to marry his father, but allows him to be a presence in Clayton's life. Clayton adores his grandfather, "Cool Papa," though his mother does not. Cool Papa nurtures Clayton in many ways—cooking his favorite foods, reading to him each night, and teaching him the harmonica and the blues. He's allowed to tag along with Cool Papa when he and his band, the Bluesmen, busk in Washington Square Park. When Cool Papa dies unexpectedly, in a scene that is understated and heartbreaking, Clayton is devastated. His mother not only sends Clayton back to school too soon but sells or gives away all of Cool Papa's belongings, some of which were promised to Clayton. School becomes complicated when Clayton is assigned to read the very book that Cool Papa read to him every night. Clayton's plea for another book is ignored. When his frustration and grief become overwhelming, he cuts school and takes the subway, intent on finding and joining the Bluesmen. Williams-Garcia packs a lot of story in this slim book. Clayton's an appealing character, and his anger and loss are palpable. The neighborhood scenes are so vivid, one does not need to be a denizen of New York City to appreciate them. VERDICT This complex tale of family and forgiveness has heart. A first purchase.—Brenda Kahn, Tenakill Middle School, Closter, NJ

School Library Journal

★ 2017-03-06
An African-American youngster is happiest when he can play his harmonica with his bluesman grandfather until tragedy removes the music from his life.Clayton Byrd idolizes his grandfather, a popular bluesman. But his mother disapproves of her father's music and of Clayton's joining Cool Papa Byrd and other bluesmen in the park. Clayton's father tries to make a place in his life, but the things he likes to do cannot compare to the music. When Cool Papa Byrd dies suddenly, Clayton's pain is almost unbearable, made worse when his mother gets rid of the records and instruments that Clayton expected would be his way of maintaining that special connection. School becomes as difficult as home, and counseling with the church pastor doesn't help. Hoping to find a place with the remaining bluesmen, he meets up with a group of street boys making their way with beat music and dance. When he plays his harmonica and the crowd responds, the boys form an uneasy alliance that is threatened when the police intervene. Clayton's love of his grandfather and his music is wonderfully drawn, as is his grief when he loses them. His mother's unresolved issues with her own childhood inform the story appropriately for young readers. The conjunction of two African-American music genres, both born of struggle, is a colorful backdrop for this lively story. Strong characterizations and vivid musical scenes add layers to this warm family story. (Fiction. 8-12)

Kirkus Reviews