Conducting Favourite Concert Pieces

This collection of essays on the interpretation of twenty-two unusual concert pieces was assembled partly with a view to more imaginative program planning. There are many composers who may have written only one or two masterpieces, yet failed to leave a worthy oeuvre; these sadly are often forgotten or overlooked when conductors assemble programs. This compilation spans a little over a hundred years from the 19th and 20th centuries and all the works are colorful and attractive.

Once again Norman Del Mar brings his expertise in handling the orchestra to a wide variety of styles. His infectious enthusiasm and broad knowledge make him an invaluable guide to the aspiring conductor, the expert, and the music-loving listener. The essays range from Russia to Spain, from Schoenberg to Kodály, from Wolf to Poulenc, with such established favorites as the overture to La Forza del Destino with its unexpected tricky moments and the Four Sea Interludes and Passacaglia from Peter Grimes for which Del Mar offers suggestions from Britten himself, with whom he worked for many years.

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Conducting Favourite Concert Pieces

This collection of essays on the interpretation of twenty-two unusual concert pieces was assembled partly with a view to more imaginative program planning. There are many composers who may have written only one or two masterpieces, yet failed to leave a worthy oeuvre; these sadly are often forgotten or overlooked when conductors assemble programs. This compilation spans a little over a hundred years from the 19th and 20th centuries and all the works are colorful and attractive.

Once again Norman Del Mar brings his expertise in handling the orchestra to a wide variety of styles. His infectious enthusiasm and broad knowledge make him an invaluable guide to the aspiring conductor, the expert, and the music-loving listener. The essays range from Russia to Spain, from Schoenberg to Kodály, from Wolf to Poulenc, with such established favorites as the overture to La Forza del Destino with its unexpected tricky moments and the Four Sea Interludes and Passacaglia from Peter Grimes for which Del Mar offers suggestions from Britten himself, with whom he worked for many years.

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Conducting Favourite Concert Pieces

Conducting Favourite Concert Pieces

Conducting Favourite Concert Pieces

Conducting Favourite Concert Pieces

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Overview

This collection of essays on the interpretation of twenty-two unusual concert pieces was assembled partly with a view to more imaginative program planning. There are many composers who may have written only one or two masterpieces, yet failed to leave a worthy oeuvre; these sadly are often forgotten or overlooked when conductors assemble programs. This compilation spans a little over a hundred years from the 19th and 20th centuries and all the works are colorful and attractive.

Once again Norman Del Mar brings his expertise in handling the orchestra to a wide variety of styles. His infectious enthusiasm and broad knowledge make him an invaluable guide to the aspiring conductor, the expert, and the music-loving listener. The essays range from Russia to Spain, from Schoenberg to Kodály, from Wolf to Poulenc, with such established favorites as the overture to La Forza del Destino with its unexpected tricky moments and the Four Sea Interludes and Passacaglia from Peter Grimes for which Del Mar offers suggestions from Britten himself, with whom he worked for many years.


Product Details

ISBN-13: 9780198165583
Publisher: Oxford University Press, USA
Publication date: 03/18/1999
Pages: 272
Product dimensions: 8.40(w) x 5.40(h) x 0.70(d)

Table of Contents

Balakirev: Tamara
Bizet: Symphony in C
Bloch: Schelomo
Britten: 4 Sea Interludes and Passacaglia from Peter Grimes
Chabrier: España
Chausson: Poème, for Violin and Orchestra, Op. 25
Dohnányi: Variations on a Children's Song, Op. 25
Dukas: L'Apprenti Sorcier
Falla: 3 Dances from The Three-Cornered Hat
Falla: Nights in the Gardens of Spain
Kodály: Dances of Galanta
Kodály: Summer Evening
Liszt: Mephisto Waltz No. 1
Mussorgsky: A Night on the Bare Mountain
Mussorgsky/Ravel: Pictures from an Exhibition
Poulenc: Les Biches, Ballet Suite
Roussel: Le Festin de l'Araignée: Fragments Symphoniques
Schönberg: Five Orchestral Pieces, Op. 16
Schönberg: Kammersymphonie No.1, Op. 9
Verdi: Overture La Forza del Destino
Wagner: Eine Faust-Ouvertüre
Wolf: Italian Serenade, for small orchestra
Index

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