On April Fool's Day in 1856, a shape-shifting grifter boards a Mississippi riverboat to expose the pretenses, hypocrisies, and self-delusions of his fellow passengers. The con artist assumes numerous identities — a disabled beggar, a charity fundraiser, a successful businessman, an urbane gentleman — to win over his not-entirely-innocent dupes. The central character's shifting identities, as fluid as the river itself, reflect broader aspects of human identity even as his impudent hoaxes form a meditation on illusion and trust.
This comic allegory addresses themes of sincerity, character, and morality in its challenge to the optimism and materialism of mid-19th-century America. By the time of its publication, readers had pigeonholed Herman Melville as a writer of adventure yarns. The novel was completely misunderstood by the author's contemporaries, and its financial failure drove him away from fiction. With the passage of time, however, The Confidence-Man has come to be recognized for its stunningly modern techniques and its indictment of the dark side of the American dream.
On April Fool's Day in 1856, a shape-shifting grifter boards a Mississippi riverboat to expose the pretenses, hypocrisies, and self-delusions of his fellow passengers. The con artist assumes numerous identities — a disabled beggar, a charity fundraiser, a successful businessman, an urbane gentleman — to win over his not-entirely-innocent dupes. The central character's shifting identities, as fluid as the river itself, reflect broader aspects of human identity even as his impudent hoaxes form a meditation on illusion and trust.
This comic allegory addresses themes of sincerity, character, and morality in its challenge to the optimism and materialism of mid-19th-century America. By the time of its publication, readers had pigeonholed Herman Melville as a writer of adventure yarns. The novel was completely misunderstood by the author's contemporaries, and its financial failure drove him away from fiction. With the passage of time, however, The Confidence-Man has come to be recognized for its stunningly modern techniques and its indictment of the dark side of the American dream.
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Overview
On April Fool's Day in 1856, a shape-shifting grifter boards a Mississippi riverboat to expose the pretenses, hypocrisies, and self-delusions of his fellow passengers. The con artist assumes numerous identities — a disabled beggar, a charity fundraiser, a successful businessman, an urbane gentleman — to win over his not-entirely-innocent dupes. The central character's shifting identities, as fluid as the river itself, reflect broader aspects of human identity even as his impudent hoaxes form a meditation on illusion and trust.
This comic allegory addresses themes of sincerity, character, and morality in its challenge to the optimism and materialism of mid-19th-century America. By the time of its publication, readers had pigeonholed Herman Melville as a writer of adventure yarns. The novel was completely misunderstood by the author's contemporaries, and its financial failure drove him away from fiction. With the passage of time, however, The Confidence-Man has come to be recognized for its stunningly modern techniques and its indictment of the dark side of the American dream.
Product Details
| ISBN-13: | 9780486825946 |
|---|---|
| Publisher: | Dover Publications |
| Publication date: | 10/23/2017 |
| Series: | Dover Thrift Editions |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 304 |
| File size: | 1 MB |
About the Author
Herman Melville (1819–1891) found early success with stories inspired by his adventures in the South Seas. His fortunes declined with the 1851 publication of Moby-Dick, now recognized as a masterpiece but scorned by Melville’s contemporaries. The author was obliged to work as a New York City customs inspector and died in obscurity, three decades before the critical reassessment of his work.
Date of Birth:
August 1, 1819Date of Death:
September 28, 1891Place of Birth:
New York, New YorkPlace of Death:
New York, New YorkEducation:
Attended the Albany Academy in Albany, New York, until age 15Read an Excerpt
CHAPTER 1
A Mute Goes Aboard a Boat on the Mississippi
At sunrise on a first of April, there appeared, suddenly as Manco Capac at the lake Titicaca, a man in cream-colors, at the water-side in the city of St. Louis.
His cheek was fair, his chin downy, his hair flaxen, his hat a white fur one, with a long fleecy nap. He had neither trunk, valise, carpet-bag, nor parcel. No porter followed him. He was unaccompanied by friends. From the shrugged shoulders, titters, whispers, wonderings of the crowd, it was plain that he was, in the extremest sense of the word, a stranger.
In the same moment with his advent, he stepped aboard the favourite steamer Fidèle, on the point of starting for New Orleans. Stared at, but unsaluted, with the air of one neither courting nor shunning regard, but evenly pursuing the path of duty, lead it through solitudes or cities, he held on his way along the lower deck until he chanced to come to a placard nigh the captain's office, offering a reward for the capture of a mysterious impostor, supposed to have recently arrived from the East; quite an original genius in his vocation, as would appear, though wherein his originality consisted was not clearly given; but what purported to be a careful description of his person followed.
As if it had been a theatre-bill crowds were gathered about the announcement, and among them certain chevaliers, whose eyes, it was plain, were on the capitals, or, at least, earnestly seeking sight of them from behind intervening coats; but as for their fingers, they were enveloped in some myth; though, during a chance interval, one of these chevaliers somewhat showed his hand in purchasing from another chevalier, ex-officio a peddler of money-belts, one of his popular safeguards, while another peddler, who was still another versatile chevalier, hawked, in the thick of the throng, the lives of Measan, the bandit of Ohio, Murrel, the pirate of the Mississippi, and the brothers Harpe, the Thugs of the Green River country, in Kentucky — creatures, with others of the sort, one and all exterminated at the time, and for the most part, like the hunted generations of wolves in the same regions, leaving comparatively few successors; which would seem cause for unalloyed gratulation, and is such to all except those who think that in new countries, where the wolves are killed off, the foxes increase.
Pausing at this spot, the stranger so far succeeded in threading his way, as at last to plant himself just beside the placard, when, producing a small slate and tracing some words upon it, he held it up before him on a level with the placard, so that they who read the one might read the other. The words were these:
"Charity thinketh no evil."
As, in gaining his place, some little perseverance, not to say persistence of a mildly inoffensive sort, had been unavoidable, it was not with the best relish that the crowd regarded his apparent intrusion; and upon a more attentive survey, perceiving no badge of authority about him, but rather something quite the contrary — he being of an aspect so singularly innocent; an aspect, too, which they took to be somehow inappropriate to the time and place, and inclining to the notion that his writing was of much the same sort: in short, taking him for some strange kind of simpleton, harmless enough, would he keep to himself, but not wholly unobnoxious as an intruder — they made no scruple to jostle him aside; while one, less kind than the rest, or more of a wag, by an unobserved stroke, dexterously flattened down his fleecy hat upon his head. Without readjusting it, the stranger quietly turned, and writing anew upon the slate, again held it up:
"Charity suffereth long, and is kind."
Illy pleased with his pertinacity, as they thought it, the crowd a second time thrust him aside, and not without epithets and some buffets, all of which were unresented. But, as if at last despairing of so difficult an adventure, wherein one, apparently a non-resistant, sought to impose his presence upon fighting characters, the stranger now moved slowly away, yet not before altering his writing to this:
"Charity endureth all things."
Shield-like bearing his slate before him, amid stares and jeers he moved slowly up and down, at his turning-points again changing his inscription to:
"Charity believeth all things."
and then:
"Charity never faileth."
The word charity, as originally traced, remained throughout uneffaced, not unlike the left-hand numeral of a printed date, otherwise left for convenience in blank.
To some observers, the singularity, if not lunacy, of the stranger was heightened by his muteness, and, perhaps also, by the contrast to his proceedings afforded in the actions — quite in the wonted and sensible order of things — of the barber of the boat, whose quarters, under a smoking-saloon, and over against a barroom, was next door but two to the captain's office. As if the long, wide, covered deck, hereabouts built up on both sides with shop-like windowed spaces, were some Constantinople arcade or bazaar, where more than one trade is plied, this river barber, aproned and slippered, but rather crusty-looking for the moment, it may be from being newly out of bed, was throwing open his premises for the day, and suitably arranging the exterior. With business-like dispatch, having rattled down his shutters, and at a palm-tree angle set out in the iron fixture his little ornamental pole, and this without overmuch tenderness for the elbows and toes of the crowd, he concluded his operations by bidding people stand still more aside, when, jumping on a stool, he hung over his door, on the customary nail, a gaudy sort of illuminated pasteboard sign, skilfully executed by himself, gilt with the likeness of a razor elbowed in readiness to shave, and also, for the public benefit, with two words not unfrequently seen ashore gracing other shops besides barbers':
"No Trust"
An inscription which, though in a sense not less intrusive than the contrasted ones of the stranger, did not, as it seemed, provoke any corresponding derision or surprise, much less indignation; and still less, to all appearances, did it gain for the inscriber the repute of being a simpleton.
Meanwhile, he with the slate continued moving slowly up and down, not without causing some stares to change into jeers, and some jeers into pushes, and some pushes into punches; when suddenly, in one of his turns, he was hailed from behind by two porters carrying a large trunk; but as the summons, though loud, was without effect, they accidentally or otherwise swung their burden against him, nearly overthrowing him; when, by a quick start, a peculiar inarticulate moan, and a pathetic telegraphing of his fingers, he involuntarily betrayed that he was not alone dumb, but also deaf.
Presently, as if not wholly unaffected by his reception thus far, he went forward, seating himself in a retired spot on the forecastle, nigh the foot of a ladder there leading to a deck above, up and down which ladder some of the boatmen, in discharge of their duties, were occasionally going.
From his betaking himself to this humble quarter, it was evident that, as a deck-passenger, the stranger, simple though he seemed, was not entirely ignorant of his place, though his taking a deck-passage might have been partly for convenience; as, from his having no luggage, it was probable that his destination was one of the small wayside landings within a few hours' sail. But, though he might not have a long way to go, yet he seemed already to have come from a very long distance.
Though neither soiled nor slovenly, his cream-colored suit had a tossed look, almost linty, as if, traveling night and day from some far country beyond the prairies, he had long been without the solace of a bed. His aspect was at once gentle and jaded, and, from the moment of seating himself, increasing in tired abstraction and dreaminess. Gradually overtaken by slumber, his flaxen head drooped, his whole lamb-like figure relaxed, and, half reclining against the ladder's foot, lay motionless, as some sugar-snow in March, which, softly stealing down over night, with its white placidity startles the brown farmer peering out from his threshold at daybreak.
CHAPTER 2
Showing that Many Men have Many Minds
"Odd fish!"
"Poor fellow!"
"Who can he be?"
"Casper Hauser."
"Bless my soul!"
"Uncommon countenance."
"Green prophet from Utah."
"Humbug!"
"Singular innocence."
"Means something."
"Spirit-rapper."
"Moon-calf."
"Piteous."
"Trying to enlist interest."
"Beware of him."
"Fast asleep here, and, doubtless, pick-pockets on board."
"Kind of daylight Endymion."
"Escaped convict, worn out with dodging."
"Jacob dreaming at Luz."
Such the epitaphic comments, conflictingly spoken or thought, of a miscellaneous company, who, assembled on the overlooking, cross-wise balcony at the forward end of the upper deck near by, had not witnessed preceding occurrences.
Meantime, like some enchanted man in his grave, happily oblivious of all gossip, whether chiselled or chatted, the deaf and dumb stranger still tranquilly slept, while now the boat started on her voyage.
The great ship-canal of Ving-King-Ching, in the Flowery Kingdom, seems the Mississippi in parts, where, amply flowing between low, vine-tangled banks, flat as tow-paths, it bears the huge toppling steamers, bedizened and lacquered within like imperial junks.
Pierced along its great white bulk with two tiers of small embrasure-like windows, well above the water-line, the Fidèle, though, might at distance have been taken by strangers for some whitewashed fort on a floating isle.
Merchants on 'change seem the passengers that buzz on her decks, while, from quarters unseen, comes a murmur as of bees in the comb. Fine promenades, domed saloons, long galleries, sunny balconies, confidential passages, bridal chambers, staterooms plenty as pigeon-holes, and out-of-the-way retreats like secret drawers in an escritoire, present like facilities for publicity or privacy. Auctioneer or coiner, with equal ease, might somewhere here drive his trade.
Though her voyage of twelve hundred miles extends from apple to orange, from clime to clime, yet, like any small ferryboat, to right and left, at every landing, the huge Fidèle still receives additional passengers in exchange for those that disembark; so that, though always full of strangers, she continually, in some degree, adds to, or replaces them with strangers still more strange; like Rio Janeiro fountain, fed from the Cocovarde mountains, which is ever overflowing with strange waters, but never with the same strange particles in every part.
Though hitherto, as has been seen, the man in cream-colors had by no means passed unobserved, yet by stealing into retirement, and there going asleep and continuing so, he seemed to have courted oblivion, a boon not often withheld from so humble an applicant as he. Those staring crowds on the shore were now left far behind, seen dimly clustering like swallows on eaves; while the passengers* attention was soon drawn away to the rapidly shooting high bluffs and shot-towers on the Missouri shore, or the bluff-looking Missourians and towering Kentuckians among the throngs on the decks.
By and by — two or three random stoppages having been made, and the last transient memory of the slumberer vanished, and he himself, not unlikely, waked up and landed ere now — the crowd, as is usual, began in all parts to break up from a concourse into various clusters or squads, which in some cases dinintegrated again into quartettes, trios, and couples, or even solitaires; involuntarily submitting to that natural law which ordains dissolution equally to the mass, as in time to the member.
As among Chaucer's Canterbury pilgrims, or those oriental ones crossing the Red Sea towards Mecca in the festival month, there was no lack of variety. Natives of all sorts, and foreigners; men of business and men of pleasure; parlor men and backwoodsmen; farm-hunters and fame-hunters; heiress-hunters, gold-hunters, buffalo-hunters, bee-hunters, happiness-hunters, truth-hunters, and still keener hunters after all these hunters. Fine ladies in slippers, and moccasined squaws; Northern speculators and Eastern philosophers; English, Irish, German, Scotch, Danes; Santa Fé traders in striped blankets, and Broadway bucks in cravats of cloth of gold; fine-looking Kentucky boatmen, and Japanese looking Mississippi cotton-planters; Quakers in full drab, and United States soldiers in full regimentals; slaves, black, mulatto, quadroon; modish young Spanish Creoles, and old-fashioned French Jews; Mormons and Papists; Dives and Lazarus; jesters and mourners, teetotallers and convivialists, deacons and blacklegs; hard-shell Baptists and clay-eaters; grinning negroes, and Sioux chiefs solemn as high-priests. In short, a piebald parliament, an Anacharsis Cloots congress of all kinds of that multiform pilgrim species, man.
As pine, beech, birch, ash, hackmatack, hemlock, spruce, basswood, maple, interweave their foliage in the natural wood, so these varieties of mortals blended their varieties of visage and garb. A Tartar-like picturesqueness; a sort of pagan abandonment and assurance. Here reigned the dashing and all-fusing spirit of the West, whose type is the Mississippi itself, which, uniting the streams of the most distant and opposite zones, pours them along, helter-skelter, in one| cosmopolitan and confident tide.
(Continues…)
Excerpted from "The Confidence-Man"
by .
Copyright © 2017 Herman Melville.
Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
1. A Mute Goes Aboard a Boat on the Mississippi, 11,
2. Showing That Many Men Have Many Minds, 15,
3. In Which a Variety of Characters Appear, 18,
4. Renewal of Old Acquaintance, 28,
5. The Man with the Weed Makes It an Even Question Whether He Be a Great Sage or a Great Simpleton, 35,
6. At the Outset of Which Certain Passengers Prove Deaf to the Call of Charity, 40,
7. A Gentleman with Gold Sleeve-Buttons, 48,
8. A Charitable Lady, 57,
9. Two Business Men Transact a Little Business, 60,
10. In the Cabin, 66,
11. Only a Page or So, 72,
12. Story of the Unfortunate Man, from Which May Be Gathered Whether or No He Has Been Justly So Entitled, 75,
13. The Man with the Traveling-Cap Evinces Much Humanity, and in a Way Which Would Seem to Show Him to Be One of the Most Logical of Optimists, 79,
14. Worth the Consideration of Those to Whom It May Prove Worth Considering, 85,
15. An Old Miser, upon Suitable Representation, Is Prevailed upon to Venture an Investment, 88,
16. A Sick Man, After Some Impatience, Is Induced to Become a Patient, 94,
17. Towards the End of Which the Herb-Doctor Proves Himself a Forgiver of Injuries, 103,
18. Inquest into the True Character of the Herb-Doctor, 109,
19. A Soldier of Fortune, 113,
20. Reappearance of One Who May Be Remembered, 122,
21. A Hard Case, 128,
22. In the Polite Spirit of the Tusculan Disputations, 137,
23. In Which the Powerful Effect of Natural Scenery Is Evinced in the Case of the Missourian, Who, in View of the Region Round About Cairo, Has a Return of His Chilly Fit, 155,
24. A Philanthropist Undertakes to Convert a Misanthrope, but Does Not Get Beyond Confuting Him, 157,
25. The Cosmopolitan Makes an Acquaintance, 167,
26. Containing the Metaphysics of Indian-Hating, According to the Views of One Evidently Not So Prepossessed as Rousseau in Favor of Savages, 172,
27. Some Account of a Man of Questionable Morality, but Who, Nevertheless, Would Seem Entitled to the Esteem of That Eminent English Moralist Who Said He Liked a Good Hater, 181,
28. Moot Points Touching the Late Colonel John Moredock, 186,
29. The Boon Companions, 190,
30. Opening with a Poetical Eulogy of the Press, and Continuing with Talk Inspired by the Same, 198,
31. A Metamorphosis More Surprising Than Any in Ovid, 212,
32. Showing That the Age of Magic and Magicians Is Not Yet Over, 213,
33. Which May Pass for Whatever It May Prove to Be Worth, 215,
34. In Which the Cosmopolitan Tells the Story of the Gentleman-Madman, 217,
35. In Which the Cosmopolitan Strikingly Evinces the Artlessness of His Nature, 219,
36. In Which the Cosmopolitan Is Accosted by a Mystic, Whereupon Ensues Pretty Much Such Talk as Might Be Expected, 220,
37. The Mystical Master Introduces the Practical Disciple, 230,
38. The Disciple Unbends, and Consents to Act a Social Part, 233,
39. The Hypothetical Friends, 235,
40. In Which the Story of China Aster Is, at Second-Hand, Told by One Who, While Not Disapproving the Moral, Disclaims the Spirit of the Style, 242,
41. Ending with a Rupture of the Hypothesis, 258,
42. Upon the Heel of the Last Scene, the Cosmopolitan Enters the Barber's Shop, a Benediction on His Lips, 262,
43. Very Charming, 268,
44. In Which the Last Three Words of the Last Chapter Are Made the Text of Discourse, Which Will Be Sure of Receiving More or Less Attention from Those Readers Who Do Not Skip It, 277,
45. The Cosmopolitan Increases in Seriousness, 279,